Communion Night w/ Rubblebucket

Communion Night w/ Rubblebucket

Rubblebucket has spent the last five years building a reputation as a band that blurs lines. The Brooklyn, NY by way of Boston and Vermont seven-piece has evolved into something that is "utterly post-genre—horns, synth, guitars, harmonies—a smile-inducing point on the tangent that connects Björk and Broken Social Scene", which is to say that you never know what you'll see or hear next.

Over the past year the band has taken a break of sorts (the only way Rubblebucket knows how), playing only a few festivals and one-off appearances, while writing and recording new material that will come in the form of a new EP, that also serves as a teaser to an album to come in 2014.
Titled Save Charlie, the EP will be released September 24, 2013 via Communion Records worldwide (Daughter, Caveman, Willy Mason). Tracked in Brooklyn's Trout Studios, the band co-produced the EP with Tom Biller (Liars, Warpaint, Kate Nash), while mastering duties were given to Dave Cooley (M83, Silversun Pickups).

2012 was a banner year for Rubblebucket, seeing the outfit grace the stages of Bonnaroo among countless other festivals, collaborated with heroes tUnE-yArDs and Questlove for a Fela Kuti compilation and made their late night TV debut on Jimmy Kimmel Live. Finally the non-stop touring group brought their raucous live show, along with their handmade giant robot puppets and love-tunnels, to larger and larger crowds across the US and received love and affection from Paste, Rolling Stone, Stereogum, Wall Street Journal, SPIN and so many more. It wasn't until the fall that the band released the self-released Oversaturated EP, which took Brooklyn's freshest seven piece to a new level; between Kalmia Traver's unmistakable voice and the band's hip shaking, off-kilter arrangements, the EP highlights everything that makes Rubblebucket so special.

It was in 2011 however that Rubblebucket marked its first milestone with their proper debut LP, Omega La La. Recorded at Plantain/DFA Studios with Producer Eric Broucek (LCD Soundsystem, Cut Copy, Hercules and Love Affair) at the helm, the record was their most ambitious conquest yet, with the band dipping into everything from dancey indie-pop arrangements to Fela-Kuti inspired afro-beat stomps. The record has earned a wealth of praise, with Stereogum hailing the record's "tricky arrangements, whistle solos, and disco guitar leads" and Paste Magazine calling the album "instrumentally rich but catchy enough to ass-kick Katy Perry off the pop charts (in a just world)—mega-melodic without sacrificing an ounce of atmosphere or creativity."

Prowler

Colossal, spaced-out basement boogie from the land of Philadelphia.

Willy Mason

At 24, Willy Mason already sounds like a withered man. Accompanied by a musical-saw player and members of his family on stage. Mason has recorded for the label owned by indie-rock icon Conor Oberst - Team Love. It's a perfect fit, given that his songs recall the downer jams of Neil Young and Bright Eyes. Growing up on the folk music of Bob Dylan and Johnny Cash, Mason writes music with hints of both, but he modernizes it with elements of '90s rock.

Coming out of what could be called a veritable renaissance that has put Philadelphia back at the top of the list of America’s music capitals, Birdie Busch joins other talented locals and partners in crime in creating a tight-knit community that seeks to make great music, inspire people, and see what happens.

Critics from the Village Voice to American Songwriter have admiringly found her of kindred spirit to everyone from Syd Barrett to Eudora Welty and All Music Guide exclaimed that she is one of the “most affecting altos around”.

Her timeless approach and broad spectrum of influences has allowed her to play shows with everyone from iconics like Richard Thompson to one of her most recent stints, opening a short run for the rockin’ tour de force Dr. Dog in the spring of 2012. Encouraged by Scott Mcmicken of Dr. Dog, they recorded it at Meth Beach with Nathan Sabatino (Be the Void) and then Birdie laid down vocals at Saltlands in Dumbo, Brooklyn with her longtime partner in sonic adventures, Devin Greenwood, in his studio “The Honey Jar”.

The result is Birdie Busch and the Greatest Night,which gathers together what Birdie loves best: playing in a band with other like-minded folks where both melody, rhythm, dynamic, and songwriting are all getting their time to shine.

Birdie on the recording, “These guys are all my best friends and I admire them immensely for their lifelong dedication to making music and that’s really what binds us, that unspoken acknowledgment. While most of us have recorded alot together, this was the first project that allowed us to block off a week and cut it all mostly live. Everything was happening at once, the feeding off of each others energies, the guitar licks calling and responding, the eye contact, the instantaneous reactionary arrangements.”

The recording shows growth, maturity, and risk taking. It is lush, angular, and muscular. Many moments the band achieves a true rock and roll velocity, tranfiguration, and a reaching in, out, and up. There’s lots going on in these recordings and they only seem to reveal more with each listen.

$12.00 - $15.00

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Johnny Brenda's

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Communion Night w/ Rubblebucket with Prowler, Roadkill Ghost Choir, Willy Mason, Birdie Busch

Thursday, October 3 · Doors 7:00 PM / Show 7:30 PM at Johnny Brenda's