Mad Professor Presents: The Roots Of Dusbtep Tour

On the content of his character, and by the results of his recordings, he is one of the sanest record producers.

The name Mad Professor was first given by friends at school, who were amazed by the experiments he carried out as a youth.

Having built a radio and telephone system at the age of 10 years, it was no surprise that his interest and subsequent career in electronics along with a love of Motown, Philadelphia International, Treasure Isle and music of all types propelled him onward.

The early Eighties, having built his own mixing desk, had launched Mad Professor along with the Ariwa Studio/ label from his front room in Thornton Heath. Early works include sessions with Ruts DC, Reggae Regulars, Merger, Jimmy Lindsay, Mikey Dread, Johnny Clarke and many more international artists.

DUB ME CRAZY, the first in a 12 part series of albums, was to become his beacon for the label. With an episode being issued every year, the titles all told a different story. Beyond the Realms of dub – Dub me crazy Pt2, The African Connection – Dub me crazy Pt3, and Dub me crazy Pt 7 – Adventures of a dub sampler.

The distinct variation and surprising sound effects were unique for this time. Dub, and the cool sound and clarity of his mixing encouraging many artists to the growing label.

By the mid – Eighties, the studio / label moved from its launch base of Peckham to Whitehorse Lane, South Norwood where it is still located. At this time he incorporated remix projects for the Orb, 400 Blows, Beats International (Lindy Layton), Sade and Brilliant.

A heavy schedule of touring Germany, Holland, France, Sweden, Denmark, Ireland, Spain Austria, Italy, Yugoslavia, USA, Canada and Japan, while still managing to produce the various artists' projects was an enormous workload. The label by then had a healthy 104 albums with more in the infancy stage of planning.

By the mid Nineties, Mad Professor's profile increased to legendary status After remixing Massive Attack's second album, Protection. No Protection was instantly received by all corners of the globe, benefiting from Virgin / EMI international launch pad. Professor's personal Dub tours were increased to be a major part of his schedule, along with further remixes which include: Clementine, Tracy Spencer, The Boom, Danny Red, Depeche Mode, Jamiroqui, Rancid, KLF, Beastie Boys, Cidade Negra, Perry Farrell (Jane's Addiction) along with the Massive Attack dub extravaganza all benefiting from the Mad Professor touch.

Production work for various major labels include: Sony Music, EMI, Arista, Warner Brothers, Capitol Record, and Virgin Records.

In 1998 the Ariwa record catalogue contained over 155 titles including over 30 dub albums from Mad Professor, 3 albums from U-Roy including the classic True Born African, 7 albums from the Upsetter, Lee Scratch Perry and many classic Lovers Rock albums, including Country Life – Sandra Cross, If I gave my heart – John Mclean, Black with Sugar – Kofi.

By the end of the Nineties, Mad Professor's Ariwa label gained international notoriety in many territories throughout the world. Mainly known for its Dub, roots and Techno / drum and bass catalogue.

The turn of the century saw new releases from Lee Scratch Perry – Techno Party, Macka B – Global Messenger, Mad Professor – Trix in the mix.

By 2004 Mad Professor worked with Sly & Robbie at Ariwa, where the Taxi gang laid down their versions of Ariwa rhythms. Over 100 rhythms were recorded. An album titled The Dub Revolutionarys was released by Sanctuary Records owned Trojan Label. Some of those rhythms also formed the backbone for the next album from Horace Andy From the Roots. Also released by Trojan, this is Horace's third album for Ariwa Sounds.

Around this time Mad Prof collaborated with Mafia & Fluxy to produce Dancehall Dub, as well as 2 Sci Fi Dub albums. From Mars with Dub followed by A new galaxy of Dub. By the year 2005 the Ariwa catalogue passed the 200 figure, bumped up by new albums from Max Romeo, U-Roy and young protégée Joe Ariwa.

Fresh demand for the dub show has taken the Ariwa Sound to many far flung places. In 2003 Mad Professor was invited to play at the Greenpeace festival in Manáus, Brazil. Since then, Mad Professor has become an annual visitor to South America, Playing also Argentina, Chile, and Venezuela, Australia, New Zealand, Estonia, Portugal.

Rob Paine (Worship Recordings)

Rob Paine's roots run deep. From the moment he heard the deep dubby sounds of Reggae as just a youth he knew he had found his sound. His love for the heavy Reggae sounds grew into a forward movement and soon took on a life of it's own. In 1993 Rob began DJ'ing and throwing events with his crew, "Circle Productions", who were responsible for the most popular parties and weekly club nights in Philadelphia throughout the 90's. During this time Rob started producing a broad range of reggae and reggae influenced music including house, deep techno, broken beat, dub, and down-tempo. His unique sounds were soon being released on labels like Large, Tango, Shaboom & Greyhound just to name a few. Following the success of those tracks, his music was licensed to labels like Bedrock, Fabric & NRK. In 1998 Rob formed his own imprint, Worship Recordings.

The Shakedown events were soon developed as an outlet to showcase his productions and the artists signed to his label. Ten years later, the Shakedown is still going strong.

Over the years Rob has performed at some of the most exclusive clubs and events in locations like Canada, Mexico, Jamaica and London. He has played the infamous Fabric, PS1 in NYC, and Francois K's Deep Space event. He has held monthly residencies in San Francisco, weeklies in South Beach Miami, performed year after year at the Shambhala & Soundwave festivals in BC, and is currently holding down residencies in DC and Philadelphia. When we asked Rob about holding it altogether he said "It's really exciting to be able to switch between the two genres of house & reggae... Rinse out a mash up of the two and everything in between. It's always about keeping the dance floor on fire and getting the crowd to come with you on that journey through your set with out missing a beat."

Rob produces the majority of the projects released on Worship. In 1999 he was awarded the 'Most Innovative Producer' by the Philadelphia City Paper. His 'dub house' style of production marked him as a forward thinker, blazing the path for future infusions of dub and house sounds for years to come.

Rob Paine is an innovator, visionary & one of the cities most prolific DJ's, producers & musicians. He continually pushes the elements of dub into house and techno music. He has created a world renowned studio & sound system with his full commitment to the city of Philadelphia's ever continuing music mecca. His talent shines furiously every time he performs whether it is House or Reggae or somewhere in between. Rob Paine does not disappoint.

A pioneer in the Philly DUB scene, the Dubsmith has been producing and performing roots based dub and electronica since the 90s. With hints of Hip Hop, Reggae and World music, Dubsmith keeps the dancehall bouncin’ with heavy bass and his trans-national dub style.

Dubsmith has shared the stage and worked with The Square Roots (who became The Roots), Jill Scott (October Gallery’s Panoranmic Poetry), OK Player Records’ Black Lilly, Floetry, Fat Nastys, Wycleff Jean, Timi Tanzania, Burning Spear, Black Uhuru, Lucky Dube, Dub Syndicate, Culture, The Wailers, Jah Works, Topaz (Dub Trio), Digital Tubbys, King Britt, Goth Trod (Japan) and Melame Gange. Has performed across the USA and V.I., his is often featured on WPEB 88.1 with DJ Champe in Philly.

$15.00 - $20.00

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Mad Professor Presents: The Roots Of Dusbtep Tour with Rob Paine (Worship Recordings), Dubsmith

Friday, November 1 · Doors 8:00 PM / Show 9:00 PM at The Boot & Saddle