Abstract Entertainment presents
Karl Denson's Tiny Universe
2708 "J" Street
Sacramento, CA, 95816
Doors 7:00 PM / Show 8:00 PM (event ends at 1:00 AM)
This event is 21 and over
Karl Denson's Tiny Universe
Karl Denson has led a storied career as a multi-faceted recording and performing artist who first came to prominence as a member of Lenny Kravitz' band debuting on his first release, Let Love Rule, and staying on for the next five years. While developing a following overseas, he joined Fred Wesley's band, touring and recording with him on multiple releases. This led to five straight ahead jazz albums by Denson on Minor Music, the last of which was released to rave reviews and featured Karl in a trio setting with Miles Davis alumni Dave Holland and Jack DeJohnette. In 1993, Denson joined DJ Greyboy in creating Greyboy Records and released the legendary acid jazz staple, Freestylin. Out of that collaboration, Denson formed The Greyboy Allstars, which became world renowned as the ultimate groove band, spreading their "West Coast Boogaloo" style worldwide.
Denson took this formula to the next level by putting more emphasis on vocals and adding some funk, R&B and hip hop elements. It turned out to be a winning combination, which set KDTU on the top of the heap in the touring world from 1999 through 2005, selling over 250,000 records to date. "My style is based in dance" shares Denson. " I love the idea of creating something that naturally makes people want to move." KDTU has headlined and performed at US Festivals including Bonnaroo, Bumbershoot, The New Orleans Jazz and Heritage Festival, All Good Music Festival, Wakarusa Music Festival, Playboy Jazz Festival, Monterey Jazz Festival, Newport Jazz Festival and many more. Global festival appearances include the Fuji Rock Festival in Japan, North Sea Jazz festival in Holland, Moscow Jazz Festival in Russia, East Coast Blues and Roots Festival in Australia and the Montreux Jazz festival in Switzerland. Karl Denson's Tiny Universe has shared the stage with acts as diverse as Jack Johnson, D'Angelo, James Brown, Dave Matthews Band, Michael Franti & Spearhead, The Allman Brothers, Keene and Maroon 5.
Denson's latest release, Brother's Keeper, continues his artistic evolution fusing sounds from Rock to Funk to Afrobeat. Meshell Ndegeocello (bass) and Marc Ford (guitar, Black Crowes, Ben Harper) are just some of the special guests on the album. Denson notes, "I'm not one to live in the past. I am very much a forward thinker. Brother's Keeper is a continuation of my general worldview, which is that we should be loving each other, having fun and taking care of one another." He concludes, "This record is the culmination of all my life's work up until now."
On his new release Another Day (Eusonia Records, 2011), Zach Deputy demonstrates his extraordinary ability to perform and record in multiple contexts and conveys the sensibilities of a mature singer/songwriter. Another Day offers another look at Zach Deputy and seeks to help him cross over into other audiences. Rich with ballads and mid-tempo songs, the music on this recording is best described as soulful rhythm and blues, with flavors of Al Green, Taj Mahal and Stevie Wonder emerging in the swells, changes and modulations of the music, in the voice and even in the lyrical content. The record will appeal to fans of contemporary artists like Jack Johnson and Amos Lee, but the origins of the style and feel remain classic.
Recorded over 5 days in August 2010 at Mission Sound Recording in Brooklyn, NY, Another Day is the truest example of pure musicianship. As heard in this recording, Grammy winning producer Scott Jacoby and his team of musicians demonstrate that large budget recordings and "over-production" are simply not necessary. Drummer Graham Hawthorne (Aretha Franklin, Paul Simon, David Byrne), bassist Al Carty (Lou Reed, Alicia Keys, Gavin DeGraw) and pianist / organist Will Buthod (Jay-Z, Swizz Beatz, The Harlem Gospel Choir) and Zach Deputy met for the first time on day one of recording and– despite their diverse backgrounds– instantly clicked with each other and created the perfect landscape to support Zach's songs.
In contrast to the music and feel of Another Day, Zach Deputy has made his mark thus far as a touring powerhouse. As a boy, the music of his Puerto Rican, Cruzan and Irish heritage was cooked up in the South Carolina heat. The Calypso rhythms and folk songs of St. Croix competed with the R&B / soul of pioneers like James Brown and Ray Charles for space on the family stereo. As Deputy honed his craft, a unique hybrid of these influences emerged, ultimately creating the signature Zach Deputy sound. To bring this sound to the stage, the big, impossibly upbeat South Carolinian with the infectious smile puts on a solo show– enhanced by looping technology– that is essentially a one man dance party offering up what he calls "Island-infused, Drum 'n' Bass, Gospel-Ninja-Soul" to the enthusiastic crowds of dancers who flock to clubs from coast-to-coast. It is these late night dance parties— more than 250 per year– that have made Zach Deputy one of the hottest up-and-coming performers on the camping festival circuit and "jam band" scene. For Zach, most days begin in a hotel room and end a couple of hours after walking off stage. The constant touring and the compelling live show may be the key to Zach's success on the road, but it is an unlikely inspiration for Another Day, as there is little similarity between what fans have come to expect from Zach and what is offered up in this new record.
Thus, Another Day is an appropriately titled album, and it is truly an album in the classic sense— a collection of songs that come from the same time and place, inspired by the same muse. Reflective and introspective, it provides a glimpse at the soul of an artist and the depth of a songwriter. Full of hope and anticipation of the promise of another day, a new day, it is a pivotal point in the career of a touring musician. Whereas it is a departure for Zach Deputy, it is one that he feels confident his fans can relate to, but it isn't the end in itself. Deputy's multi-faceted diamond gets one side polished in this offering, and it is a side that will shine brightly for a new audience.
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