The Roxy Theatre presents
Born Of Osiris, Dead Letter Circus, Twelve Foot Ninja, Ampora
9009 West Sunset Blvd.
West Hollywood, CA, 90069
Watch & Listen
Hailing from Washington DC, Periphery is one of the freshest progressive metal acts on the scene today. With their signature blend of polymetric grooves and soaring melodies, the band continues to push the envelope of modern metal music. The Band released their first full length album 'Periphery' on April 20th in 2010. It debuted at #128 on the Billboard Top 200, as well as #2 on the Billboard Heatseekers chart.
Periphery formed in 2005 and currently consists of Misha 'Bulb' Mansoor, Jake Bowen and Mark Holcomb on guitars, Matt Halpern on drums, and Spencer Sotelo on vocals. Since its inception, the band has been relentless its effort to have their music be heard. Allowing free access to almost their entire catalog, including over one hundred and thirty download-able songs, this self produced band is seeking to redefine the way music is experienced.
Periphery has toured extensively since 2008, supporting artists including DevilDriver, Emmure, Veil of Maya, Animals as Leaders, God Forbid, The Dillinger Escape Plan, A Life Once Lost, This Time Its War, Tony Danza Tap Dance Extravaganza, Fear Factory, Darkest Hour, Fair To Midland, The Human Abstract, Textures, The Contortionist and Stray From The Path. The band's first European headline tour in early 2011 titled 'The League of Extraordinary Djentlemen' with TesseracT, Monuments and The Safety Fire was a huge success. They released their 'Icarus EP' on April 19th, 2011. Make sure to catch them on their current European tour supporting prog-metal legend Dream Theater!
Born Of Osiris
Born of Osiris is an American metal band, formed in 2003 in Chicago. The group underwent several name changes, including Diminished (2003–2004), Your Heart Engraved (2004–2006), and Rosecrance (2006–2007), before finally settling on Born of Osiris in 2007, basing the name off the Egyptian deity Osiris, and the tale of his son Horus.
Dead Letter Circus
When Dead Letter Circus blasted onto Australian airwaves in 2007, their bombastic yet nuanced take on alternative rock left most observers struggling to process what they were hearing. It was epic, it oozed confidence, it was intense and open all at once. It was the debut of a sound so fresh and unique that it was hard to classify.
Their self-titled EP launched a wild ride of sold out shows, massive radio airplay, festival sing-a-longs, and international airports via US major label interest. Barely a moment was spent at their Brisbane home as the band criss-crossed the country satiating hard-core fans and building an ever-growing army of DLC disciples.
Everywhere the band went, that army sang every word of the EP back, loud and clear – it was music that clearly resonated with many, capturing an angst of the everyday and an emotional link to the yearning for a freedom unknown. Completely independently, the band shifted well over 13,000 units of the debut EP and subsequent double A side single 'Next in Line / Reaction'. Triple J radio placed everything that the band released on high rotation. Live, the band were festival favourites, with the choir of voices roaring both approval and vocalist Kim Benzie's lyrics with the passion of a frantic soccer crowd. Word spread – the EP was released in Japan, and the band was flown to LA to sample the catering and perform a string of label showcases.
Yet the question on every fan and media onlooker's lips was – when would the debut album be released? And how do you follow up something as mesmerising and universally acclaimed as their initial forays?
The band were well aware of the standards they had set for themselves, but had an unwavering confidence in the creative process that had given life to their EP and follow up single. They did what they had always done. The four members looked inwardly, critically, at every element of every song written in the run to the album, and took an uncompromising stance when it came to writing,re-imagining, refining and ultimately recording their debut, 'This is the Warning'.
They also brought in the producer who had been onboard since the first EP – Forrester Savell, who is thought of as an honorary fifth member of the band for his significant contribution in weaving the elements together, providing song-writing input, and adding a touch of "special sauce". Expectations were high – Savell's last two projects had been certified Gold (The Butterfly Effect, Karnivool), and after a lengthy pre-production, writing and re-writing phase, he brought the band to Melbourne's famous Sing Sing Studios to track 'This is the Warning'.
Set up in four separate working environments within the Sing Sing complex, each member of the band worked tirelessly over their individual parts and contributions, conducted by maestro Savell, in a unique and ultimately successful experiment in sonic creation.
The process was intense to say the least. Over an incredible 18 month gestation period, with every deadline pushed, every note analysed, every resource pooled, and every avenue of exploration exhausted, 'This Is The Warning' was injected a transfusion of every ounce of available energy that the band possessed.
The sound of Dead Letter Circus on This is the Warning is more than just a singular representation – rather, it is the redefining of how adrenaline and emotion can be blended seamlessly into works of sonic art; of how soaring melodic adventures can be let fly above a mountain range of raw but somehow channeled rhythmic power. In short, it rocks. But it also catches the light of your reflection and beckons you to look inside yourself. It's music that lures you towards your speakers, then seizes you by the throat. It's love, loss, betrayal, humanity, societal norms, questioning, and the search for meaning. And it's unlike anything you've ever heard.
Guitarist Rob Maric explains: "Our aim for the album was to take the sound we established with the EP and explode in every possible direction from there… we wanted to make the big moments more powerful and the spacious moments more ambient. But, more importantly, we wanted those ambient moments to be just as engaging as the rest… to have the listener leaning in, hanging off every note even in the record's most subdued moments."
Album opener 'Here We Divide' is undulating, ignited by a shimmering riff from Maric and a wall of clinically precise work from the rhythm section, with Benzie's lyrics screaming forth, at once rapid fire and soaring. 'One Step' is a monster of a song; "If ever a song wrote itself, 'One Step' is that song for us" remarks Benzie. It's a stadium filling track that has an undeniable, incendiary movement, that carries you to an outro waiting to deliver the first sensation of the hair standing on the back of your neck as Benzie cries "Just can't find a way", and we're only 8 minutes in.
'Big' takes you on a journey through a typically unconventional DLC structure that rewards with a killer bridge. "Drums are so critically important to our sound, and in 'Big' there is a vulnerability here when we strip that all away," says Benzie. 'The Space on the Wall' builds layer upon layer on a foundation of groove and then strips it all
away again, leaving the stark questions "Do you feel anything inside anymore? How far will you go?" hanging hauntingly.
'This Long Hour' is a departure from most previous Dead Letter Circus releases, pulling down the tempo and allowing space to engulf the listener. It delves deep, and if you let the track immerse you, it's a striking, powerful place with an electronic current that drags you over the falls as the chorus hits.
The slink of 'Cage' catches you unawares, with a dark ebb and flow and a melodic hook that seems to creep in and out of the shadows, building uniquely from an electronic pulse to a full-blown rock resolution, Mezzanine-era Massive Attack on steroids.
'Reaction' is already established as a live and radio favourite. Hook-laden and delivering all of the key DLC elements; cascading guitars from Maric, Stewart Hill's distinctive and fat machine gun bass lines, drummer Luke William's interplay of virtuosity and restraint, all combined with Benzie's unique vocals and sensational ear for melody around the lyrical concept of "calling out to someone I've been missing most of my life to say – stop thinking it over, just do it."
'The Drum' is an atmospheric and electronic bed for Benzie's philosophical take on the everyday. "In day to day life I believe I can't feel anything, like I'm numb. But 'The Drum' finds in the dissatisfaction there's a glimmer or a spark that brings you back to the side of hope." And as Benzie beckons to "help me change my ways" the band obliges with a frenetic, layered and progressive closing that takes the intensity to a dark new level.
'The Design' has a different feel again, almost swinging into life, with a tenderness that is new and intoxicating. "Even just playing it live feels vulnerable and it really shows another side of the band" says Hill. 'Next in Line' is a thunderous tune that cranks up the tempo and delivers serious energy, with Williams' furious drumming flowing into 'Walk', which is a beautifully balanced blend of power and subtlety. Benzie likens the song to "the feeling of the axe falling when you make a snap decision if something's not working. You can't take that back. So sometimes you have to make it work, not just walk away. It's not perfect, but that's OK." 'Walk' scales toward a crescendo that seems to make you hold your breath until the final note rings out.
The title track, 'This is the Warning', aims to shake the sleeping masses awake with a resonant call "not to ignore the feeling in your chest that something's not right, and there's more to the truth than what we're being told" explains Benzie. A massive percussion section generates a huge impact as the vocalist cries "we're running out of time." And after an intense hour of listening, it's time to take that breath.
What are Dead Letter Circus fans going to think of This is the Warning? Maric pauses for a moment. "For some it will be a challenging first listen. For others it will click immediately. We've come a long way since our inception and we're reaching a point of our growth as artists where we are not afraid to open doors that were once closed. True art comes from taking risks and that's what we've done with this album. At the end of the day we write music that we love and that is the only formula we adhere to. If it doesn't give us goose bumps, then it's not worth our time and certainly not something we would want to release to our fans."' "A DLC fan that hears this album will find all the songs are from a first person basis" comments Benzie. "A person in a world, talking to a friend, struggling to describe something in a place were words don't seem adequate, so sounds are the things that make sense. I hope they feel that where EP tracks like 'Lines' and 'Alien' finish, that's where this album begins and expands." "Yeah. The album is definitely a new beginning," agrees Hill.
And after joining some elite company with 'This is the Warning' landing at Number 2 on the album charts, you get the impression that the band themselves are also at the beginning of a whole new chapter.
Twelve Foot Ninja
Twelve Foot Ninja is a rock band formed in 2008 in Melbourne, Victoria. The band consists of Kin (Vocals), Russ (Drums), Stevic (Guitar) Damon (Bass) and Rohan (Guitar).
How it started…
MM (lead vocal): This project was always destined to happen. It was inevitable that Kuntry and I would join up and make the music we have been hearing in our heads for all these years. We have been best friends and obsessed with heavy metal music since grade school so as far as "living a dream" goes, this is it.
ME (guitar, vocal): This is the band Matt and I have wanted to start since we were kids. After high school we both took separate paths but eventually we both ended up in California and we just started to write music and it all began. It was basically a no-brainer, it's funny how shit works out.
EM (bass, vocal): Kuntry and I worked together at a music shop and he asked me to sing on demos they were working on. But after collaborating together for a couple months and of course partying, I somehow just became apart of the band.
KR (drums): One of my friends first told me about Ampora. They were obviously desperate to have me in the band, considering I auditioned with my snare stand being an upside down drum stool with no sticks and I still got the gig…I guess I'm just that good.
JH (guitar): I from Sweden and I shred on the guitar, of course I'm in this band.
Reasons sacrifices were made…
KR (drums): HUMAN???
MM (lead vocal): Some people just want to be in a band, I just wanted to be in this band. Almost every decision I've made over the past few years was made with the intention of Ampora being born.
ME (guitar, vocal): This is all I know…. I've sacrificed half my life to playing and writing music and for better or worse, I wouldn't change a thing.
EM (bass, vocal): Well I did have to sacrifice two strings.
JH (guitar): Well, I did leave everyone and everything to go after this dream (coming from Sweden and moving to the States). But there has always been a lot of "I can't do this if I want to do that" that comes with being a musician.
KR (drums): Fuck if I know, I should've been a pornstar.
What to expect…
MM (lead vocal): We intend to give everything we have into this band, you will be able to see and hear how important this music is to us with every song written and show played for as long as Ampora exists.
ME (guitar, vocal): Honesty
MM (lead vocal): Honestly?
KR (drums): Putting ginger drummers back on the metal map.
EM (bass, vocal): There are five guys in this band and everyone single one of us is so passionate about making heavy music that I am excited to think how with every song written, Ampora's sound will progress.
JH (guitar): We all come from vastly different backgrounds musically and as with every interesting band to ever grace the earth, it makes for pretty cool music.
$18.00 - $20.00
The Roxy Theatre is an all ages, general admission, standing room only venue. If you are under 21 you must purchase a $3 food and beverage coupon at the door. For VIP accommodations, please e-mail VIP@THEROXY.COM. If tickets are not available on this site please contact The Roxy Theatre box office at 310-278-9457. PLEASE NOTE THAT DOORS, SET TIMES AND LINE UP ARE SUBJECT TO CHANGE. YOU MUST BRING A VALID PHOTO ID TO PICK UP YOUR TICKETS AT WILL CALL.
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