Brew City Bass Presents
2844 N. Oakland Ave.
Milwaukee, WI, 53211
Doors 8:30 PM
This event is all ages
Christian Bauhofer at first glance comes off as the unassuming dude yawning next to you in class, a kind of lumberjack-nerd fusion in his glasses and scruffy facial hair. However, wait until the sun goes down and add a couple drinks and a whole lot of bass — and quiet, smiley Christian assumes his party-crushing alter-ego: Minnesota.
"My goal is to make bass-heavy dubstep/glitch-hop music that'll get you dancing, but is not the same old, three-note transformer-step ... I try to focus more on the melodic side of dubstep, and hopefully, make quality songwriting a more relevant factor in the genre." Bauhofer says.
In the past two years his producing has taken off, with both originals and remixes gaining great popularity on sites like Soundcloud.com. In Minnesota productions, big influences show through from songwriters Bauhofer looks up to — artists such as Mimosa, Martyparty, and Modeselektor. His first EP "Panda Snatching Tycoon" was released to great acclaim in January 2011 on Tycho Records, featuring three original tracks: "Push It," "Purple Daze," and "Twisted."
Minnesota tracks are heard in dubstep/glitch sets all over the world, including those from Bassnectar, PANTyRaid, Mimosa, MartyParty, LowRiderz, and Tokimonsta,to name a few. His latest and greatest remix of "California Dreamin'" by the Mamas & the Papas has been getting tons of play — most notably by dubstep trailblazer Bassnectar a.k.a. Lorin Ashton, on his current U.S. tour.
"Quickly becoming a staple in my sets," Ashton said about Minneosta track "Push It," "Perfect for when I need a track that is epic and churning but also melodically hype."
One of the best things about Bauhofer is his incredible diversity in both his production and DJ sets. Any promoter can be assured that a bill featuring the name Minnesota on it will be pleasing to any crowd. He has opened for a wide range of acts, from Flying Lotus to Ghostland Observatory, Rusko to Benny Benassi, RJD2 to Excision, and many more.
The future looks bright for Bauhofer, so much so that he is taking a break from UC Santa Cruz this spring to focus strictly on music. With multiple EPs coming out on MalLabel and Simplify records in the next few months, this might be Bauhofer's smartest move yet.
Haywyre consists of Martin Vogt, who has been studying piano since the age of six. His interest in the production of hip-hop, dubstep, jazz and electronica began growing when he lived in Austria. Shortly after moving back to the United States, in 2008, Haywyre was created. Now, he is on a mission to consistently provide his listeners with variety. Synthetic and organic elements combine in progress
ive music inspired by artists such as Noisia, Break, STS9, Pretty Lights, Flying Lotus, KOAN Sound, Patrick O'Hearn, Kraak & Smaak, Phillip Glass, Clint Mansell and Abdullah Ibrahim. Martin performs the main melodies of his songs on his MIDI keyboard, but also records live instruments such as guitar, violin, armenian flutes and more. So far, he has mastered / produced every release himself.
His music production is made possible with FL Studio, Ableton Live, an AKAI MPK 88 midi keyboard, Rhode NT3 Microphone, ROKIT 8's, a Komplete Audio 6 Interface and several (virtual and physical) instruments. His artwork and design has been made possible by Soroush Barazesh, KeepWalking (Facundo DW), Jonathan Coffey, Justin Slattum and Steeve Teeple.
Tickets Available at the Door
The Miramar Theatre
Tue, January 17
Fri, January 20
Sun, January 22
Tue, January 24
Wed, January 25