Aoife O'Donovan

In the quiet moments found between touring her first solo album and collaborating with mainstay folk and bluegrass peers, Aoife O’Donovan found the inspiration to write her sophomore album “In the Magic Hour” — out Jan. 22, 2016 on Yep Roc Records.

“Flying, getting the rental car, eating all my meals alone…” O’Donovan says. “I just remember sitting with a book in Germany two winters ago, just feeling so happy that after the show I could have a Hefeweizen and read and not talk to anybody. And I think that gave me more time to edit my lyrics and really be more mindful with them.”

The songwriting process for “In the Magic Hour” coincided with the death of O’Donovan’s grandfather, at age 93. She remembers him as a “gentle soul,” in the small Irish village of Clonakilty where he lived. The lyrics on “In the Magic Hour” are infused with a sense of loss and mortality’s dark certainty. But the album is just as much an ode to O’Donovan’s joyful childhood visits to Ireland. Aunts, uncles, grandparents and flocks of cousins would gather at the Clonakilty seaside to swim in the chilly ocean and sing together in the lingering Irish summer twilight. “In my memory it was sunny every day,” O’Donovan says. “Although that definitely cannot be true.”

The result of O’Donovan’s days of solitude is a 10-song album full of the singer’s honeyed vocals mixed with gauzy, frictionless sounds: splashing cymbals, airy harmonies, the leisurely baritone musings of an electric guitar.

O’Donovan had not yet performed many of the songs live before arranging and recording them over the course of three sessions in Tucker Martine’s (The Decemberists, Neko Case), studio in Portland, OR. “The whole recording process was really Tucker [Martine] and me taking these songs and building them from the ground up,” O’Donovan says. The result is deliberate but not over-done, the freshness of the material intact.

While “In The Magic Hour” rekindles the creative partnership with Grammy-nominated producer Martine, the album also highlights the fruits of O’Donovan’s various career collaborations. Composer Gabriel Kahane, New York’s string quartet Brooklyn Rider and musician Chris Thile all lend musical and vocal support, as well as I’m With Her band members Sara Watkins and Sarah Jarosz, plus many more.

Throughout “In the Magic Hour,” O’Donovan’s grandfather flits in and out like a beloved specter. His voice appears in the mournful “Donal Óg,” tremulous and faraway. And the transcendent “Magpie,” named for Ireland’s ubiquitous birds, was written for him.

“There are flocks, but you often see just one solo bird,” O’Donovan says. “And I really like that they’re these creatures that have the whole sky at their disposal. You can be a loner, or you can be at the front of the V.”

Flight and loneliness are enduring themes throughout “In the Magic Hour,” which takes much of its inspiration from O’Donovan’s itinerant lifestyle. But she finds herself reaching, again and again, for something more substantial. The songs on “In the Magic Hour” are like specks of dust floating in the tall arches of a cathedral, privy to the endless rituals of life and death and stirred occasionally by the flutter of pigeon wings. Graceful and light, they search, softly, for a place to rest.

Kristin Andreassen

Kristin Andreassen's career has had a curious Centaur-like quality of being more than one thing at a time. Her band Uncle Earl (with Abigail Washburn, Rayna Gellert & KC Groves) recorded straight-ahead old time fiddle tunes under the rock-n-roll production guidance of John Paul Jones of Led Zeppelin. Her "folk noir" trio Sometymes Why (with Ruth Merenda & Aoife O'Donovan) lays down some of the most delicate harmonies ever to have received an iTunes Explicit Lyrics warning. Her best-known song "Crayola Doesn't Make a Color For Your Eyes" has been embraced equally by kindergarteners and newlyweds. And as a one-time professional clogger and traditional dance enthusiast, her gigs these days are just as likely to involve square dance calling as singing songs.

But while Kristin's tunes may defy genre categorization, they're held together by the clear and direct nature of her delivery. She'll pull you in every time. After a decade of ensemble performances, this fall marks her first-ever solo tour. After her opening set, she'll stay onstage to sing harmony with her friend, the incomparable Aoife O'Donovan.


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