502 Bar presents Caveman, with special guests the Last Nighters, and Sounds Under Radio
Last Nighters, Sounds Under Radio
502 Embassy Oaks #138
San Antonio, TX, 78216
Doors 8:30 PM / Show 9:30 PM
Caveman-a five-man vibe collective from NYC-released their first album in 2011. As first albums go, CoCo Beware was something akin to a moody statement of intent, a blueprint for a band quickly learning how to create horizon-wide rock songs that were equal parts intimate and expansive. Initially self-released and later snatched up by Fat Possum for re-release in early 2012, the record brims over with four-part harmonies, crystalline guitar lines, and tracks that see-sawed between echoey lullaby ("A Country's King of Dreams") to shoegaze-by-way-of classic-FM-radio sprawl ("Old Friend"). The album quickly elevated Caveman from local band to watch to a sizable touring draw and formidable live act, as evidenced by stints on the road with the likes of The War on Drugs and Built to Spill. Despite being the work of a brand new band, CoCo Beware displayed a kind of Zen-like ease. It was the sound a five friends settling into a nice groove; the music that happens when, for whatever reason, a lot of seemingly disparate elements finally fall into place.
On their self-titled sophomore album Caveman stretch their legs in a number of different, albeit cohesive, directions. While the dreaded second album experience tends to be fraught for many bands, in the case of Caveman it proved to be the opposite. Having ridden a fast-growing wave of support for CoCo Beware-which, after two years of touring, ultimately culminated in a series of big hometown NYC shows-recording a follow up proved to be a genuine good time for the band.
"We all went up to Jimmy's grandmother's place in New Hampshire," says singer Matthew Iwanusa. "That's where the new record kind of started. It was literally the attic of her barn, lit up by Christmas lights. We'd all sit in this one room together and one by one we'd all go into the bathroom and record ourselves making the most psycho noises possible. It actually felt kind of like a weird breakthrough. We were all confident and comfortable enough with each other to try out these experiments, which extended itself into the making of the new record...which is really just an evolution of this vibe that we'd been cultivating for long time."
With that, the guys holed up in Brooklyn's Rumpus Room to start recording in earnest with Nick Stumpf (who produced the band's debut album) and Albert Di Fiore behind the controls. They routinely turned out all the lights in the studio and "vibed out the space" while recording, which makes sense given the warm, big room feeling that saturates the record. The album is a kind of sonic microcosm-a series of emotional yet tough mini-narratives operating within the same quixotic musical universe.
It's fair to say that the songs on Caveman benefited from a solid year of touring on the band's part. "We really learned how to play together," says keyboardist Sam Hopkins, "the shorter songs from the first record got longer and longer when we played them live. We learned how to stretch ourselves in different ways." As a result, the guitars on Caveman are bigger and more expansive, the rhythm section is tighter and more adventurous, the keyboards more opaque and pronounced. Like a marriage between Tangerine Dream, late period Slowdive, and Lindsey Buckingham, tracks like their new single "In the City" and "Ankles" boast synth lines that sound simultaneously retro and futuristic, while "Pricey" and "Never Want to Know" overflow with guitar sounds that could have miraculously floated off an old Cure album. (It should be noted that James Carbonetti, the band's primary guitar player, also happens to be one of the most highly regarded guitar makers in New York City.) And while Caveman's music could certainly operate on the level of dreamy soundscape and still be excellent, the depth of feeling in front man Matthew Iwanusa's lyrics helps weave the songs deeply into your memory. As is the case with many a band on the rise, the price of popularity often comes at the surprise expense of everyone's own personal life; a topic that fuels many of the record's best tracks. When Iwanusa sings Where's the time to waste on someone else's life? on "Where's the Time" it's hard not to read between the lines. Wonder and regret seem to fuel the record in almost equal measure.
"We all got so close since the making of the last record," explains Carbonetti, "Eventually it was like all of our lives were kind of blending together and several of us found ourselves going through the same kinds of struggles in our personal lives. We also realized that we all kind of loved each other-that we'd passed the friend test-and that we all just wanted to hang out together all the time, basically. All of those feelings eventually bled into the record we ended up making."
The words "dreamy" and "cinematic" and "vibe" might be some of the most lazily overused descriptors in the music-writers lexicon, but it's hard to think of another contemporary band that so completely embraces those terms as both an adjective for what they do and as a goal for the art they are trying to make. "A lot people don't relate to the idea of cinematic music-something that sounds like a film soundtrack-but I love that notion," says Iwanusa. "I love music that conjures a mood, sets a tone, and inspires a certain kind of visual. I hope people can get that from this record: a sound that accompanies this big ship flying through the trees, this big, crazy light that just fills up the sky."
Last Nighters are one with the Universe.
They use everybody and everything around them as inspiration for creating the music that they play.
All of this inspiration is tossed around between this 5 piece collective, and then turned into a form of expression.
So turn off your radio, kill your TV, forget about the magazines telling girls how fat they are, when really, they look awesome. Throw all of that aside, because with Last Nighters, it’s all about love and harmony. No agendas, no greed, no institutionalization. Just a genuine music experience.
“Our music makes me feel like I’m connected with everyone in the world, like we’re all in this together. And when people hear our music, I feel as though I’ve made a deep connection with them.” - Rob
From the cultural centers of the world, to small towns in unlikely places, the 5 members of San Antonio based Last Nighters have had individual experiences in places all over the globe. They have a bigger understanding and realization of how big this world is that we live in, and aim to bridge the gap of relativity between these largely varying frames of reference.
The music of Last Nighters can be classified as “Alternative/Indie/Rock”. Their songs are as individual & dynamic as the human mind.
Sounds Under Radio
"I don't know who these Sounds Under Radio folk are trying to fool, but that is a big-time rock 'n' roll band masquerading as some unsigned indie-emo whatsits," -*Entertainment Weekly*
In rock music, great power can be found in contrast, in opposites. It's a musical truth that the members of *Sounds Under Radio* know well. That contrast—between light and dark, guarded and vulnerable, specific and vague—this is what the songs on the band's debut album, *Cinematica,* are built upon. On this, their first full length release, Sounds Under Radio is stepping out of the shadows, and bringing their knack for dynamics and a penchant for building stadium sized rock landscapes to an even bigger stage... this is Austin Tx style Brit rock. After a brief stint on EPIC Records Sounds Under Radio grew unhappy with the relationship and took back their indie reigns to release 'Cinematica' on their own... "the right, real
and independent way we had always envisioned when recording that record." comments vocalist Lang Freeman.
Alongside their placement in the 'Spider Man 3' soundtrack, Sounds Under Radio have also had their music featured in the Hollywood release 'War Games 2,' MTV's 'The Real World,' CNBC's 'American Made' and have also had their music licensed by Dell Computers, AMD and just recently in the new Universal film 'Wolfman'. Touring, the band performs 200+ dates a year nationally and has toured with and shared the stage with the likes of Alice in Chains, Sick Puppies, Filter, RED, Ours, Needtobreathe, Blind Melon, Buffalo Tom, Ludo,
Flobots and more.
Sounds Under Radio are currently in the studio recording their sophomore release (tentatively slated to hit stores March 2010).
Sun, March 29
Thu, April 9
Fri, April 10
Fri, April 17
Sat, April 18
Fri, May 8
Sat, May 16
Tue, June 2
Fri, June 5