Potty Mouth

Potty Mouth

Potty Mouth are Western MA-based trio Abby Weems (guitar, lead vocals), Ally Einbinder (bass) and Victoria Mandanas (drums). Originating in 2011 from the hometown of guitar rock predecessors Dinosaur Jr., Potty Mouth emerged from a casual, "why not?" attitude when Einbinder, who met Mandanas at Smith college, set out to form a band with like-minded women who shared her interest in learning and growing together as musicians. Though no singer was chosen at the time of formation, Weems emerged as having a knack for melodies and lyric writing, and what started out as a casual pastime turned into a way of life; recording, making t-shirts, and planning tours soon came in natural succession.

One year after their formation, the band recorded a 12" vinyl EP, entitled 'Sun Damage,' released through three small, independently-run labels. 'Sun Damage' garnered the attention of Pitchfork, who called the six-song EP an "an impressive, no-filler debut," as well as local big-hitters The Boston Globe, who named Potty Mouth one of the top five indie-rock bands to watch in 2013.

In 2013, Potty Mouth signed with Brooklyn-based indie label Old Flame Records to release their debut full-length album, 'Hell Bent.' NPR music premiered the album, calling it "one of the best rock albums of the year." As Potty Mouth garnered national attention, the band began to tour more extensively, co-headlining their first full US tour with Perfect Pussy and Swearin' in summer 2014, as well as supporting artists like Waxahatchee and Juliana Hatfield.

On August 21, 2015, the band debuted a five-song self-titled EP under their own imprint, Planet Whatever Records. Produced by John Goodmanson (Sleater-Kinney, Blonde Redhead, Bikini Kill) at London Bridge Studios in Seattle, the new EP shows off a new level of both songwriting and production for the trio. Refreshingly candid, singer-guitarist Abby Weems weaves sarcasm and melancholia into a passionate performance held together by drummer Victoria Mandanas and bassist Ally Einbinder's solid foundation. The crisper direction emphasizes the work the triad has put in since 2013's 'Hell Bent,' with more vocal harmonies and bigger production, recalling the sounds of influences like Veruca Salt and Nirvana.

California X

In less than a year, Amherst trio California X have emerged from basements and practice spaces of Massachusetts as one of the tightest new garage punk bands in the Northeast, teetering between various pockets of the punk spectrum — drawing influence from the worlds of noisy 80s Western Mass rock, fuzzy 90s garage pop, and classic post-hardcore SST sounds. Fronted by main songwriter Lemmy Gurtowsky, their debut LP for Don Giovanni follows one prior release, a double A-side single “Sucker” b/w “Mummy” out via the UK’s Sound of Sweet Nothing label. From start to finish, the record’s eight hook-heavy tracks of melodic guitar punk could all be singles: the noisy vox and huge grungy riffs on “Curse of the Nightmare”; the slower-burning head-banging pulse of “Pond Rot”; the shoegaze-inflicted fleshed-out melodies of “Lemmy’s World”. Songs like “Hot Hed” feel so essential you’ll wonder how they’re not actually from some long-lost reel-to-reel tape of 1980s Western Mass punk. Appropriately, the band recorded the album in MA with Justin Pizzoferrato, previously a collaborator with Sonic Youth and Dinosaur Jr – and though at times California X sound like they could have been contemporaries with those bands, they’re carving out their own space in a lineage of their hometown’s punk history, bringing a fresh, dynamic take.

Blessed State

Blessed State are a melodic punk band from western Massachusetts and Connecticut. The foursome present a bombastic mixture of fuzzed-out 80's indie rock and Revolution Summer-style post-punk, as evidenced on their debut LP, Head Space, released this past June on Safety Meeting Records and recorded by Justin Pizzoferrato (California X, Speedy Ortiz, Potty Mouth). After touring through the midwest and east coast this past summer, the band is on the cusp of a new batch of recordings, further developing their sound, implementing pop melodies with the raucousness of their punk rock influences.

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