If opposites really do attract, it makes perfect sense that Holy Fuck would chose a barn in rural Ontario to record a series of dynamic electro-noise pop that compose their latest full-length release, titled Latin. Where Holy Fuck in the past were a rotating cast of musicians, Latin showcases for the first time their consistent touring line up. Drummer Matt Schulz and bass player Matt McQuaid provide a complex rhythm foundation that at times feels like an invisible hand leading you through a dark hedge maze. Perhaps an excessive feat for most, but this provides the ideal underpinning as Brian Borcherdt and Graham Walsh merge a twin effects/feedback tangle that is equal parts entrancing and inspiring. The band had an absurdly busy touring schedule in 2008/2009 and Latin undoubtedly benefited from the near nightly shows. There is an added dimension of song craft on the album – Latin brings noise and melody together with an uncanny sense of optimism – but at the same time Holy Fuck have not lost the chaotic and euphoric energy that they are known for. When it came time for Holy Fuck to record, songs were cut live off the floor during their brief downtime at home. Delivered in trimesters, Latin was engineered by Graham Walsh and mixed by Dave Newfeld (Broken Social Scene), D. Sardy (Johnny Cash, NIN), Eli Janney (GvsB, Wilco,), Paul Epworth (Bloc Party, Primal Scream) and Holy Fuck themselves. It’s the follow up to 2007’s simply titled LP which Filter described as “nine perversely noisy, mind-bogglingly ferocious freakouts” and Spin said of it “Holy Fuck play the sort of id-gripping dance rock that’s best experienced in person. Luckily (LP) retains the raw energy of the live show, even without the visual barrage.” With high praise from peers, critics, big name endorsements and ascension on festival bills, Holy Fuck have the divine right to be profane. And with respected music luminaries Thom Yorke and Lou Reed passing on kind words about studio recordings and live performances, it’s no wonder Holy Fuck have become sought after.


taken from Somali, translated roughly to “let it go”

In 2011 Nathan Quiroga (Mad Rad, Buffalo Madonna) and Benjamin Verdoes (Mt. St. Helens Vietnam Band) left their respective Seattle-based projects behind and began collaboration on Iska Dhaaf. The band was quickly embraced for their engaging live shows, and for creating the sound of a full band by way of two people. Together as songwriters they have steadily explored production, instrumentation, and an ever-expanding narrative voice.

After the release of their debut, Even the Sun Will Burn, they toured across North America, Western Europe, relocated to New York, and most recently wrote and performed in Paris and Berlin. Their upcoming album,The Wanting Creature, sees the duo emerging as producers, experimenters and genre-bending artists. The new songs show an ongoing devotion to lyrical depth and composition, and the album more fully utilizes their diverse musical backgrounds.

The Wanting Creature takes the complications of loss, depression, and instability from Nathan Quiroga’s & Benjamin Verdoes’ personal lives and uses it as fuel for these new songs. The new work revolves around the theme of desire and how it manifests in each area of our lives, even our biology.

True to the form of their first album, the lyrics on TWC are rich, nuanced and layered. Every word is carefully chosen and there is a precise subtlety that allows the lines to continually unfold new meaning and imagery. The band took their early methods of composition and pushed them into a new realm of production. This was due to the band’s desire to move forward but also the spatial constraints of New York City. The arrangements are bathed in digital textures and explore entirely new sonic territory. Much like Phantogram, Liars, and other contemporary innovators, Iska Dhaaf have pushed themselves to a wider spectrum of possibilities and experimentation.

Dead Ship Sailing

EP Release Show!

Armed with guitars, vintage drum machines, & hand-wired effects pedals, Seattle's Graig Markel & Zera Marvel set out to record 1 song a week for 10 weeks. Each song was completely written, recorded & mixed in one night & released on Bandcamp the following morning as a free download. Taking this same first-thought-best-thought approach they compiled 12 songs for their first full length release.

$12 Adv.

Off Sale

This show has been cancelled due to Visa issues. We hope to have reschedule dates shortly.

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