As one of the most prodigious and versatile talents in the world of hip-hop, Black Milk has conditioned fans and critics to expect the unexpected with each release. His first offering of 2016 is a live instrumental LP, The Rebellion Sessions, created in conjunction with the band Nat Turner (Aaron “Ab” Abernathy on keys, Malik Hunter on bass, and Zebulun “Z” Horton on drums). The album, released on April 4th, is a product of a week-long jam session that was orchestrated, recorded, mixed and mastered by Black Milk in December of 2015. Although the guys have appeared on Black’s previous works, The Rebellion Sessions is the first project created amongst the four as a collaborative unit. The album builds off Black Milk and Nat Turner’s incredible live show, honed over the course of years and more than 90 shows played worldwide in 2015 alone. Their 2016 Rebellion Tour will hit Europe, the US and Canada beginning this May.

Critical Praise for Black Milk
“Black Milk’s solo career represents a constant cycle of adopting and mastering new production styles and then abandoning them before they become crutches.” – Pitchfork

“His samples are elegant, his rhythms challenging and his drum kits tight.” – NPR

“Cross has no need for these extras; in his world of soul-tugging productions and machinegun-as-velvet delivery they are merely distractions. On this realization, and in the moment, it was hard not be floored by the obvious: this is what talent with genuine poise really looks and sounds like.” – Dallas Observer

“Striking an impressive balance between being rehearsed and spontaneous, he proved his chops as a multitalented artist once again.” – Okayplayer

“It feels like Christmas every time Black Milk blesses us with a new record.” – FreeOnSmash

Quelle Chris

Quelle was first introduced as a member of the legendary Detroit hip hop group Wasted Youth, an extension of the Breakfast Club which also included well known Detroit rappers Elzhi and Ta'Raach. After a stint in the indie rock and electronic scene as a member of two bands, Quelle returned to hip hop along with Detroit hip hop heavyweight House Shoes and released Blue Mondays. He then changed directions releasing two albums with the electro-hop group Awesome in Outer Space and an album with his group Crown Nation called "Slutbag Edition." "SlutBag Edition," which Elzhi has called one of "his favorite albums of 2009" and has often been referred to as a detroit classic, led to production collaborations with artists like Guilty Simpson and Fool's Gold artist Danny Brown. After leading production on Danny Brown's historic release "the Hybrid" and scoring acclaim from greats like Rah Digga, Just Blaze and A Tribe Called Quest's Q-Tip, Quelle has returned to his roots as an emcee once again to bring balance back to the art from he was born to birth.

His newest project, "Shotgun and Sleek Rifle," is a return and homage to his roots. With features from House Shoes, Danny Brown, Crown Nation member Denmark Vessey, New York's Rock Marciano, and the group he started it all with, Wasted Youth. The album is a beautiful blend of soul and grunge, pulling both his deep roots in rock and his unmatched love for hip hop. As a teenager his mother asked Quelle what his ten year goal was; his response was "to fly and destroy planets." This new album, my friends, promises to be the closest he's come so far.

"I'm So Dallas," a track from hip-hop duo A.Dd+'s debut album When Pigs Fly, sets forth their Big D credentials with snippets of some of the city's biggest rap anthems. They don't come any more Dallas than the creator of the track — and A.Dd+'s official DJ — DJ Sober. The co-founder of the game-changing and genre-defying crew The Party, Sober can be found holding down the turntables everywhere in Dallas from Cowboys, Mavericks and FC Dallas games to Erykah Badu's birthday party and Dirk Nowitzky's wedding. In 2011, Sober was named Dallas' Best DJ by the Dallas Observer; and in 2012, he was voted Dallas' Best DJ at the Dallas Observer Music Awards, an award voted on by the public. Between A.Dd+'s rising profile on the national hip-hop scene and Sober's expanding rep as a party DJ and graphic designer (he hand designs his flyers and event posters, and runs a T-shirt company called Decade Clothing) expect to see him soon in a city near you, too.

Like many DJs, Sober took time to develop his talents in his basement and at house parties before stepping out into clubs. "I practiced for years and honed the craft before I ever deejayed out," he says. "It was never, 'I want to be a DJ' career-wise or to get attention. I just liked vinyl and collecting records and being around it." While working a job overseeing Dallas area promotions for Red Bull in the mid 2000s, he began organizing special events and deejaying more frequently on the side. In 2006, he combined his mixing and marketing expertise to develop The Party with fellow DJs Select and Nature. The Party bridged the Big D's musical and cultural gaps while bringing acts from Smif N Wessun to Justice to Blaq Starr to the city. "We kind of took over Dallas pretty quickly," Sober says. "Before, there were just exclusively hip-hop or house events, dance-related stuff. Nobody was really playing multiple genres or doing anything different. We started introducing new music like Baltimore club and different things that people weren't messing with here."

The members of The Party went their separate ways in 2009, but Sober is more active than ever in Texas' nightlife scene. His weekly Big Bang! party at Dallas' Beauty Bar, is consistently jam-packed and has attracted some of the nation's best DJs including Eli Escobar, Kon, House Shoes and Blade Runners. He also holds his monthly Top Notch event with DJs Dayta and El Roy Boogie every last Saturday of the month in Houston and runs a traveling event, Dope on Plastic, in which he only spins vinyl.

Over the last several years, Sober has opened for bands such as the Flaming Lips and Cut Copy, deejayed alongside ?uestlove and Pete Rock and backed up Devin the Dude on stage. Through his association with New York City's Scratch Academy, he has also taught youth deejaying clinics, including one memorable one alongside hip-hop pioneer Grand Wizzard Theodore at Steve Harvey's house. The most interesting of his many gigs might be his one at Cowboys Stadium, the world's largest domed stadium. "It gets pretty jumping in there," Sober says. "I'm a DJ, so I'm gonna rock the party. Even if the other team wins, their fans are gonna stay and celebrate. When New Orleans won, I played a New Orleans bounce set, and it was insane. There were Saints fans holding umbrellas and wearing crazy outfits. It turned into a dance party."

In 2010, Sober connected with Slim Gravy and Paris Pershun of A.Dd+ through producer PICNICTYME and became A.Dd+'s official DJ. He also provided the cuts on "I'm So Dallas," a DJ track made from snippets of classic Dallas rap anthems, on their debut LP When Pigs Fly. Having a consummate DJ like Sober in their corner has helped A.Dd+ elevate their stage show. With A.Dd+, he says, "it felt so natural once we got in the studio. We had a bunch of ideas we were bouncing ideas off of each other, and it was exactly how I thought it should be." In 2012, they toured the nation twice as openers for Black Milk and Talib Kweli, respectively.

With an amazing few years behind him, Sober already has plans to kick down the door to 2013 with the introduction of Booty Fade, a duo consisting of him and PICNICTYME. Look out for their debut, self-titled EP out this March.

$12.00 - $14.00


**Tickets purchased at the door on day of show will have $1 facility fee applied **

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