The Lawsuits - Album Release!

The Lawsuits

For years, Philadelphia's The Lawsuits have been known for a
sound that cannot be pigeonholed into one genre. There is something to
be said about a band that has been creating music together as long as
The Lawsuits have. With that longevity comes a sort of comfort and
understanding for both themselves, and the listener. "Moon Son", the
band's second full length release, and Randm Records debut, showcases
years of blending each other's influences and sounds to create
something wholly their own. They have spent their music careers up to
this point dipping their toes in multiple sounds and styles to create
this very identity. With a nostalgic nod to the greats of the past and
a dash of modern productions and self-awareness, laced with sweeping
harmonies: this is The Lawsuits.

Formed after songwriter Brian Dale Allen Strouse was introduced to
vocalist Vanessa Winters & bassist Brendan Cunningham through a mutual
friend, The Lawsuits then recruited fellow Temple alum, drummer Josh
Friedman. Their 2013 release, 'Cool Cool Cool', was produced by Bill
Moriarty (Dr. Dog, Man Man), and garnered attention from outlets such
as Rolling Stone, Spin, Paste & Philadelphia’s WXPN. The album's first
single, 'Onion', was chosen as #22 of Daytrotter's 300 Best Songs of
2013.

The Fleeting Ends

The Fleeting Ends is a Philly-based rock band with a knack for catchy and unique songwriting. With influences spanning from XTC and the Cars to the Pixies and Blur, The Fleeting Ends exploit its roots while still putting its own touch on the catalogue of music that they continue to build. With performances at SXSW, Folk Fest, the Kimmel Center, and NBC 10’s 10! Show, The Fleeting Ends are only beginning to make a name for themselves.

The Districts

Whether they're tearing it up in a basement, rocking a festival crowd or hard at work in a studio, The Districts are a band that exists in the moment.

The Pennsylvania four-piece channels its long-forged bonds into visceral, explosive rock and roll. You'll hear hints of Americana, moments of the blues and folk, but written into songs so expressive that those labels are transcended. Their second LP, "A Flourish and a Spoil," is out on Fat Possum Records in February of 2015.

Founding members Rob Grote (guitar, vocals) Connor Jacobus (bass) and Braden Lawrence (drums) have been friends since childhood and formed The Districts in high school. You can hear that closeness in their effortless chemistry onstage and off, the way their songs build and grow, the way instrumental bits intertwine and the compelling command they have of whatever square footage they occupy behind microphones and a PA.

The band self-recorded and self-released its "Kitchen Songs" EP in 2012, followed that summer by their full-length debut "Telephone" (also a self-release, and all the more impressive for it). By their senior year, the band had already begun to make inroads beyond their small Lancaster County hometown of Lititz, and were performing on the regular in Philadelphia, Delaware and New York ("4th and Roebling" from "Flourish" is named after the intersection in Brooklyn where they parked their car for their first New York gig at the now-defunct Big Snow Buffalo Lounge).

In 2013, they were being played in regular rotation at WXPN in Philadelphia and were a featured performer at the station's XPoNential Music Festival. That fall they signed to Fat Possum, which released their self-titled EP in January of 2014; the five-song 10" contained two new songs -- "Rocking Chair" and "Lyla" -- along with three tracks from their self-releases.

With the momentum behind the EP and their buzzed-about live show, The Districts had a tremendous showing in Austin for SXSW 2014, named "the band who owned SXSW" by the NME. They've since taken the show to Lollapalooza, Austin City Limits, Reading / Leeds, Outside Lands, Haldern Pop Festival and many more fests in the U.S. and Europe.

That's not to say the band hasn't experienced its share of setbacks. In early summer of 2014, its van was broken into during a tour stop in St. Louis and all of its gear was stolen. Shortly after, founding guitarist Mark Larson left the band to pursue college, performing as a District for the last time at the 2014 XPoNential Music Festival (where they shared the stage with Band of Horses and Beck). But the band persevered, recruiting new guitarist Pat Cassidy and recording their second full length with producer John Congleton in the fall.

"A Flourish and a Spoil" is built about those ideas of transition. As Rob puts it, it's a record about "change and loss, the fact that everything sours in time, but also the beauty that can be found in that." It's reflected in the cover art the band made in collaboration with photographer Joanna Ference: a halved grapefruit, dried and decaying, but still attached to a bright green stem.

Sonically, "Flourish" is a vibrant, eclectic rock record, collecting sounds from toe-tapping fuzz-pop ("Peaches") to contemplative folk ("Suburban Smell") and driving, impressionistic soundscapes ("Young Blood" is well worth 9 minutes of your time) into a whirlwind 45 minute set. The Districts credit John Congleton with shaping their sound on this outing. While the band is used to writing and producing on its own, Congleton "gave us an objective ear that helped us find and refine what we were trying to accomplish with this album."

Rob recalls that, toward the end of the recording process, he had a song stuck in his head: the old Doris Day tune "A Bushel and a Peck," which his mother used to sing to him as a childhood lullaby. "The title was born from that," he says. "'A Flourish and a Spoil' is our attempt to reconcile lullabies with reality."

It also announces the arrival of The Districts as a captivating voice in contemporary rock: a young band crafting heartfelt music that's honest, raw, energetic and unforgettable.

$10.00

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