Brokenmold Entertainment & Glory Days present:
Sat, Nov 16
Sun, Nov 17
1812 17th St. N
Tampa, FL, 33605
Doors 7:00 PM
All Songs from El Oso, Irresistible Bliss, Ruby Vroom.
Mike Doughty and his band of musical samurai play "Circles," "Super Bon Bon," and the best of Soul Coughing.
On September 17, Mike Doughty will release his new album, a collection of 13 re-imagined songs originally performed by his former band, Soul Coughing. Doughty has famously eschewed the band's repertoire as he built a solo career in the years after their 2000 split, but decided to re-explore his old songs after writing his memoir, The Book of Drugs, which was published by Da Capo last year. The album was produced by Good Goose (Menya, Ninjasonik, Mac Lethal, Homeboy Sandman) and will be released worldwide via Snack Bar (Doughty's own imprint) and Megaforce Records.
The album's title is a list of the songs included: Circles Super Bon Bon Sleepless How Many Cans? True Dreams of Wichita Monster Man Mr. Bitterness Maybe I'll Come Down St. Louise Is Listening I Miss the Girl Unmarked Helicopters The Idiot Kings So Far I Have Not Found the Science. See reverse for a track list (running order is different from the album title). The album includes songs that originally appeared each of Soul Coughing's three studio albums, as well as "Unmarked Helicopters," a rarity originally written for the X-Files-themed 1996 compilation album Songs in the Key of X.
Doughty raised funds to record Circles Super Bon Bon... via a crowdfunding campaign with PledgeMusic.com. Doughty's enthusiastic fans helped the project reach its funding goal within 16 hours of launch in early April, and to date more than 3,400 fans have contributed. Incentives ranging from autographed CDs to exclusive t-shirts to a private concert and more are still available, and fans may continue to pledge up until the day before the album's release date at http://pledgemusic.com/mikedoughty
Doughty says of the reinvented versions of the songs on Circles Super Bon Bon..., "After my memoir, which was full of pain, I picked up an guitar and, by myself, went through the songs I wrote in the '90s -- between the ages of 20 and 29 -- to figure out who I was, where I was, and what I was trying to say. There'll be more of the music I stumbled into, and fell in love with, when I came to New York as an 18-year-old -- an explosion of amazing hip-hop and house music. I can use the weirdness I absorbed as a doorman at an avant-garde jazz club, when I was 21, more artfullly. I think the songs can be better than they were. I can make the actual songs more hearable. I think I can make them more like what I intended them to be."
Following the album's release, Doughty will tour the U.S. with a new band performing these 13 songs and more from the Soul Coughing catalog. Dates will be announced in the coming weeks.
"Whoever thought of a band with two saxophones and a drummer? That's the stupidest idea, right?" Moon Hooch saxophonist Wenzl McGowen asked the crowd at a recent gig. Well, Wenzl, James Muschler (drums) and Mike Wilbur (saxophone) never intended on forming a band together. The three guys attended The New School for Jazz and contemporary music. James is the only graduate.
The three began busking in the subway and in the city's parks to pay off the New School's extreme tuition costs. At the same time, Wenzl was producing electronic music. One day he wrote a simple tune with two part harmony. When the guys played this music in the subway, people immediately began dancing.
One subway goer asked, "What's your band's name?"
Mike blurted, "Moon Juice."
A Google search revealed that there were already multiple bands called Moon Juice. With the help of a thesaurus, the name Moon Hooch was selected, and more importantly, the trio now realized that they were, in fact, a band.
Since solidifying as a band, Moon Hooch has quickly gained a reputation for inciting "subway raves" (they were banned from performing at the Bedford Ave stop off the L line in Brooklyn for "starting too many dance parties"), their strange instrumentation and explosive live show. Their frequent presence in New York City subways and parks has brought them notice and fans which has led to appearances as the house band on Australian TV show "Hamish and Andy's Gap Year," and a national tour with Mike Doughty (Doughty saw them on a train platform and immediately invited to tour as his supporting act). They have also held residencies at The Knitting Factory and Brooklyn Bowl.
The band has already begun to expand its sound beyond just two saxophones and drums. Wenzl inserts a cardboard tube into his saxophone to create a Dubstep style womp, and switches between a contrabass clarinet and electronic wind instrument. They also have begun experimenting with various vocalists, inviting both singers and rappers on stage with them at shows.
Recorded in just a single day, their debut record, "The Moon Hooch Album," gives the listener a taste of what's to come for these guys. They seamlessly blend House, Dubstep, Drum & Bass, and Jazz into style that is uniquely Moon Hooch: Cave Music.
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