Two Cow Garage
111 East 6th Street
Newport, KY, 41071
Doors 7:00 PM / Show 8:00 PM
This event is 18 and over
Watch & Listen
Two Cow Garage
A fierce and edgy alt-country band from Columbus, OH, Two Cow Garage takes the twangy melodies of vintage country music and fuses them with a muscular, amped-up attack that recalls Nirvana or Dinosaur Jr. as much as the Jayhawks or Blue Rodeo.
Two Cow Garage was formed in the fall of 2001 by guitarist and singer Micah Schnabel, who was born and raised in the rural Midwestern community of Bucyrus, OH. Weaned on vintage country, Schnabel didn't care much for the mainstream rock that dominated radio, preferring harder and edgier sounds. At 18, he moved to the relatively big city of Columbus and started playing with drummer Dustin Harigle. Chris Flint, a guitarist and lawyer who used to manage the Lilybandits, saw an early version of Two Cow Garage and was struck by their passionate energy and Schnabel's songs; he signed on as the band's manager and part-time guitarist, and with the addition of bassist Shane Sweeney the group's lineup was complete. In the fall of 2002, Two Cow Garage released their first album, Please Turn the Gas Back On, through Shelterhouse Records; the band supported the disc with a relentless tour schedule that put 332,000 miles on their van's odometer over the course of two years. 2004 saw the release of their second album, The Wall Against Our Backs, which received rave reviews from critics while the band kept up their punishing tour schedule, which was captured on video by fan and filmmaker John Boston in his documentary The Long Way Around: One Badass Year with Two Cow Garage. Two Cow Garage's third album, aptly titled III, was released in April 2007. ~ Mark Deming
With a closet full of boots, a heart full of wander and a soul full of songs, the charming and multi-talented Kentucky “Wonky Tonk” woman releases her debut album Stuff We Leave Behind in hopes of continuing her Wonky ways with a lighter heart in lieu of finding the Neverland in all of us.
Jasmine Lorraine “Wonky Tonk” Poole grew up in the hard scrabble portion of the American heartland. Kentucky, to be precise. Her world of loss and longing is familiar terrain for lovers of country, bluegrass and folk music but, just as Kentucky can be viewed as a bridge between north and south, Wonk’s music blends elements of Indie/Alternative rock with old school country. It’s hard to separate the wonk from the tonk. Nor should you try.
Wonk’s influences, John Prine, Guy Clark, Modest Mouse and Loretta Lynn among them (especially Loretta), are apparent but her music is not derivative. Loretta, Skeeter Davis, Iris Dement and Jenny Lewis come to mind but none of her comparables quite pin her down. Wonk is her own cowgirl. “Cowgirls get up in the morning, decide what to do and do it”, she was told as a child. Fiercely independent but naturally shy Jasmine uses her alter ego and blue cowgirl boots to deal with the notion of impossibly cruel but equally exhilarating existence.
One byproduct of youthful innocence is a constant disappointing, bewildering surprise:
You used to call me baby
You used to call me darlin’
Now you don’t call me at all
Another is vulnerability and manipulability:
In the greasy ballroom
You whispered in my ear
Darlin’ life is a gamble, romance a drug
The whole world is dancin'
Won’t you give in and love
Her eleven song debut release Stuff We Leave Behind deals with the necessity of moving on at critical points in your life. Stuff that once seemed important must be cast aside, ex-lovers relegated to the shadows. “Heartbreak makes the jukebox play”, she was once told. Her song titles reflect her wandering spirit and a fascination with time and place. “Cleveland." “Denmark." “Tennessee." “Montague Road." A veteran troubadour at such a tender age, Wonk has toured Europe with the same restless drive as her native Northern Kentucky.
Tom Robbins told us that even Cowgirls Get the Blues but all is not remorse and regret. Jangly sunshine pops through the clouds unexpectedly, such as in “Parkland Avenue” (arguably the best track). Though softly. Without the glare.
Wonk’s lyrics are worth a read even without the music. The album tracks her evolution as an artist and a person. The gravel, rutted road to an emerging wisdom.
Tennessee didn’t you hear
Money’s not real and neither is fear
Pay attention to Wonk. Not just because she is talented and beautiful. Pay attention because she has an important purpose. To help you remember. To help you forget. Or to help you remember why you chose to forget.
With love from Kentucky,