The Black Dahlia Murder
SKELETONWITCH, Fallujah, Noisem
200 W. Second St
Pomona, CA, 91766
This event is all ages
The Black Dahlia Murder
Hailing from Detroit, MI this five-piece band does not compromise the integrity of their music for anyone. Heavily influenced by Swedish metal and infused with the very brutal sounds of Florida death metal scene, The Black Dahlia Murder's debut release Unhallowed blends the perfect mix of the blast beats, heavy guitars and melody. What starts off with a low audio clip of vocalist Trevor reading from a book on cannibalism quickly and quite brutally jumps right into a full force attack on your senses, that does not let up until the album's end. This venomous, yet melodic death metal outfit named after the brutal unsolved slaying of wannabe actress and temptress Elizabeth Short draws influence from forefathers such as At The Gates, Dissection and Carcass. What The Black Dahlia Murder does is up the speed and intensity of the style into a gore-soaked whirlwind all their own. They seamlessly twist from destructively fast blast beats to beautiful and dark melodic textures, creating a soundtrack to the horror and insanity surrounding the Black Dahlia legacy. The only thing better than hearing this band on their new full-length release is to catch them drawing blood live. The stage presence of this band completely transcends the hair swaying posing that this genre has become accustomed to, reintroducing an unbridled energy long absent from the current death metal scene. The Black Dahlia Murder is a band that is not to be missed, and once witnessed cannot be denied.
"SKELETONWITCH has been called every name in the fucking book: death metal, black metal, thrash metal, speed metal, heavy metal, epic viking blackened thrash 'n' roll, and so on. It seems the only description everyone can agree on is 'metal,'" says guitarist Scott Hedrick, "and that suits us just fine."
Indeed. Like Satan himself set loose in the hallowed halls of heavy metal, these Athens, Ohio-based headbangers careen wildly through the music's history, gleefully destroying and setting flame to every genre along the way, only stopping at the forefront of today's metal scene to look back and watch that fucker burn -- and then piss on the flames. No other band has tapped into the fire, fury, and frost of all things metal like SKELETONWITCH.
Their latest slab of savage, molten metal, Forever Abomination (out in October on Prosthetic Records), is a testament to their refined craft, honed through years of hard work and relentless touring. "We live and breathe this shit!" exclaims Hedrick. "We tour as much as humanly possible, and when we're home we write. There's technically no such thing as 'time off' when you're in The 'WITCH".
And it shows. On Forever Abomination, SKELETONWITCH's unique blend of metal was given a kick in the ass by Matt Hyde (Slayer, Hatebreed), who produced and recorded the album. The group's carefully crafted tunes and technical mastery are brought to the forefront by Hyde's monolithic production.
And at the end of the day, it's all about the songs. Each track on Forever Abomination has its own unique identity and ability to stand alone. "Everyone stepped up on this album and really pushed themselves. We've created something much larger than the sum of its parts. We've never been more proud of our work, and that's how it should be. We wouldn't release Forever Abomination if we didn't feel that way," says Hedrick.
In Early 2007 A group of high school friends (Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, And Suliman Arghandiwal) from the east bay first started jamming and writing music. The initial product being both misguided and adolescent, the band played its first show on June 15th 2007 In walnut creek. The First 4 song Demo (which is and forever will be out of print) was released in late june of 2007. The songs "tyrant", "verdict", Schleicher", And "Infidel" were the first tracks to define the bands sound, which at the times was hardcore grind and death metal in the vein of The Acacia Strain, Converge, and Despised Icon.
Later that year the bands parted with their bassist Dan Wissinger due to other commitments and their drummer Tommy Logan as well. Brandon "Brando" Hoberg (ex-Vivisection) Joined on bass and Andrew Baird (ex Someones Lullaby) On drums. The band continued to play shows around the bay area and over time broke out into areas such as the Central Valley, Sacramento, and Central Coast. In Winter 2007 The band recorded their 2nd demo (Which is and forever will be out of print) at TWS studios in Vacaville. The songs "Prophets", "Tyrant", and "100 Years From Now" pushed the band further in the realm of musicianship and well rounded song structure. The songs were released January 2008.
After nearly a year of playing songs from previous recordings, the band had done quite a bit of growing musically and began writing their debut EP which was eventually named "Leper Colony". Prior to recording, the band parted ways with their original singer Suliman for personal reasons and guitar player Alex Hofmann took up vocals and Rob Maramonte (ex-Eviscerated) joined on as a new guitar player. The songs were a huge leap forward on maturity as the band truly defined their own sound blending technical death metal, black metal, and atmosphere while still retaining a heavy and energetic vibe. The band Recorded with Sam Pura of Panda Studios in San Francisco. The Songs were released in January of 2009.
The band expanded its conquered territory and reputation greatly in the months after The Release of "Leper Colony". The band ventured from Chico, Fresno, Bakersfield, and in the summer of 2009 the band embarked on its first legitimate tour with Oakland's Antagony. The band toured California, Oregon, Washington, Idaho, Utah, Colorado, New Mexico, and Arizona. The bands came home successful after over 2 weeks of basement shows, parties, and van breakdowns.
Fallujah has since evolved to be one of those most aspiring and respected SF Bay area bands. The band evolved once again both musically and lyrically with songs concerning Satanism, religious fundamentalism, secret societies, nature, and social fallacies. With imagery provided by Artist and Singer Alex Hofmann the band progressed visually as well to a finely tuned machine. In late summer 2009 the band started writing their 2nd EP taking their largest leap forward combining atmospheric and depressive black metal, progressive death metal, and fusion to truly define a unique sound unlike anything else heard in the underground music scene. With the help of mini labels "Grind-house Music" and "Foot & Mouth Records" the EP is to be released worldwide. The band once again evolved in form with the parting of longtime bassist and guitar player Brandon Hoberg and Rob Maramonte due to musical and personal differences. The band took in Anthony Borges(ex-Scourge of Medusa, Valkyrja, and Suffokate) and Danny Farhoud (ex-Scourge of Medusa and Valkyrja). The band will be embarking on a month long US tour with friends Rise of Caligula and plans to release its next album in January 2010.
"Manic and raw Death/Thrash from a Baltimore gutter"
The Glass House
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