Club Mercy Presents: Real Estate

On October 18th 2011, New Jersey's Real Estate released Days, their second album and first for Domino. A coming of age moment for childhood friends Martin Courtney (Guitar and Vocals), Matt Mondanile (Guitar) and Alex Bleeker (Bass), Days was recorded over the course of five patient months in a remote New Paltz, NY barn-cum-studio with the help of Kevin McMahon (Titus Andronicus, The Walkmen.) A gorgeous suite of guitar-pop songs, Days is a testament to the fact that the sonic formula Real Estate developed and shared with their debut album (Real Estate, Woodsist 2009) heralded the arrival of a new, genuine and enduring group of voices in American independent music. Days sees the band tighten and refine their brand of timeless, melodic and genuine music- consolidating the breezy sketches of their earlier work into considered, graceful pop songs.

In the summer of 2008, high school friends Martin, Matt and Alex graduated from their respective colleges and returned to Ridgewood – the New Jersey suburb in which they had all grown up, first learned to play music and shared countless hours of stoned, aimless drives through together. Finding themselves living back with their families, revisiting old haunts and re-navigating the beautiful beaches and forests they had grown up with, they were equally inspired and confused by the powerful memories such places held. This sense of disorientation led to a natural creative spark that inevitably pulled them back to each other. As Martin himself puts it, "it wasn't even something worth talking about…it was always obvious we were going to play together again." The resultant eponymous debut album, (Woodsist, 2009) wove together their relived youthful summers and charmed thousands with its warm, heartfelt songs born of a truly natural, organic understanding and friendship.

The band spent the two years since the release of their debut touring around the world, working out the album's songs live, improvising their structures and allowing them to breathe enough to reach their most natural and refined end. Days, months and eventually years went by, seasons changed, and with that change Real Estate came of age. While Real Estate devoted itself to the golden haze of summer, Days, is a distinctly more evergreen and autumnal suite of songs.

The songs are built around deceptively simple, cyclical riffs; caressed and performed with a rhythm and restraint that is atypical for a band Real Estate's age. The instruments swim together, anchored down by Bleeker's firm Lesh-esque bass, ebbing and flowing, occasionally enriched with flourishes of country piano, soft synths and slide guitar. Several songs, like the album's rousing first single "It's Real" were written by Courtney in the way he wrote some of his first songs, laying out their architecture first on a bass rather than a guitar, allowing him to evolve the song's basic melody. Others, like "Green Aisles" and the Bleeker-fronted "Wonder Years" formed out of extended jams, providing them a fluid structure that only a band of craftsmen could make sound so effortless and guided. Courtney has also matured as a lyricist, adeptly capturing and singing youth's most potent crystalline moments with a surgeon's precision. He wrote most of the songs on Days early in the morning, immediately upon waking up, when the unscripted promise of a new day was still in its purest form. In "Green Aisles" he sings "all those aimless drives through green aisles / our careless lifestyle, it was not so unwise". Such a sentiment is an almost perfect lens through which to view Days, the coming of age album they've made. Days is greater than the sum of its parts, as defined by its ebullient moments as it is by its moments of restraint. Lyrically and melodically part of what makes Real Estate's music so vital are the moments where the disarmingly simple is made unexpectedly profound.

New Jersey is the central character of this record - its placid, boring microcities/municipalities juxtaposed with the often-overlooked majesty of its forests and oceans. Courtney, Bleeker and Mondanile don't view this place with the oft-repeated disdain and criticism associated with one of America's less cool states, but with a bemused sense of wonder and appreciation. It's where they're from, what fostered them – and, for better or worse – what has shaped them. Unlike many artists who deny their origins preferring to cultivate an aura of urban hardness and experience at the cost of genuine reflections, Real Estate sing about exactly where they come from.

To quote "Green Aisles" again, for Martin "all that wasted time," is maybe "not so unwise" because the careless sensations of youth that seem trivial in the adult world are actually something that endure and influence us long

Dante Elefante

Free Time

Free Time formed in the summer of 2012 around Melbourne luminary songwriter Dion Nania (Panel of Judges). After moving to New York in 2011, Nania kicked around for a while, played some lead guitar with fellow Melbourne transplants, Scott and Charlene's Wedding, then helped out the Twerps, playing bass on a national tour.

Shortly thereafter, he began writing new songs with the intent of putting a new band together, eventually enlisting the support of Adrienne Humblet on bass, Jonah Maurer on guitar, and Michael Mimoun on drums. Filling out Nania's jangly, sometimes heartbreaking pop, the band quickly recorded most of their first LP the day before Dion flew home to mix it. He returned with fragments for new songs and the band finished the record in December 2012.

Nania's songs tell stories of following love across the world, of being unsure about the future and of his place in it. Like the trans-Pacific ping pong of the last two years of his life, his songs veer between sweet sadness and wild exuberance. Free Time's eponymous debut is due for release on May 28, 2012.

$20.00

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Club Mercy Presents: Real Estate with Dante Elefante, Free Time

Wednesday, September 25 · Doors 7:00 PM / Show 8:30 PM at SOhO Restaurant and Music Club