White Lung

White Lung are known for their furious yet melodic approach to punk. Since adding guitarist Kenneth William in 2009, Mish Way (vocals), Anne-Marie Vassiliou (drums) and Grady Mackintosh (bass) have received nothing but critical acclaim for their distinct brand of punk and their tight, live stage shows. White Lung’s debut LP It’s The Evil (Deranged Records) was Exclaim’s Punk Album Of The Year in 2010 and the band was nominated for Punk/Hardcore Artist/Group of the Year at the 2011 Canadian Music Week Indie Awards.

Their second LP Sorry (Deranged Records) was released spring 2012 and pushed the band to a wider audience, receiving critical acclaim from SPIN, Pitchfork, Bitch, E! Music. Sorry landed on “Top Albums of the Year” lists Exclaim!, Magnet, amongst others while Rolling Stone marked Sorry in their “Top 10 Albums Of The Year”. Sorry was also nominated as “Best Album Art of 2012? by NME and made the shortlist for “Best Album Art” by Art Vinyl in London. A vinyl exhibit was held worldwide from Japan to Britain to Sweden. The band has toured through out North America extensively and went through Europe and the UK Fall of 2012.

Antwon’s unique style makes all the more sense when one acknowledges his punk roots. From his Bay Area powerviolence-steeped past through his tenure in filth-ridden hardcore band Leather, Antwon’s love of hip-hop has been offset by his appreciation for the more brutal niches of underground rock. Despite rock and hip-hop’s domination in three decades of pop culture, few attempts at bridging the stylistic divide between the two communities have yielded respectable success stories. Perhaps the most obvious reason for the long list of failures in this brand of crossover stems from the glut of ham-fisted appropriations from guitar-centric artists who have no real grasp of hip-hop’s roots. For every Check Your Head, there are a million Significant Other equivalents. Ultimately, the ability to operate in both worlds with any sort of style and credibility has required a genuine understanding and appreciation for their distinctively innate qualities. You can’t just cram rap verses into a rock format or lazily sample a Metallica hook and expect intriguing results. The magic of Antwon’s craft is that he manages to apply the aesthetics of crucial underground bands—the succinct outbursts of Infest, the mechanical throb and lush layers of Jesu, the cocaine-night nostalgia of Chromatics—into a hip-hop format.

Antwon’s deft ability to absorb and recontextualize disparate musical elements has not gone unrecognized. While it’s no surprise that his refreshing approach has won an audience in the hip-hop world, it’s the percolating excitement over his tracks in the fickle indie rock press world and the hardcore-matinee-level crowd eruptions at his shows that really demonstrate Antwon’s burgeoning position as one of the leading voices in the rap community. With this building fanbase sending him out for performances across the U.S., U.K., and the far reaches of the European continent, Antwon’s cross-pollinated empire looms larger every day.

NASA Space Universe

Drug addled punx making a noise.

Whatever Soundsystem (DJ Set)

Conrad Loebl (CYP2/IHeartComix), $U$PECT and Jacob Safari

$10.00 - $12.00

Tickets

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