Fake Babies

Fake Babies

Fake Babies is all things to all people. Fake Babies has never been afraid to utilize a sound that it found intriguing. Fake Babies has never shied away from an influence no matter how obscure or fleeting it may seem to be. Fake Babies is a band of musicians that grew into a collaboration of producers, or, Fake Babies is a group of producers that come together as a band. either way they are banded together, and they fucking produce.

By 2007 Robert James Nuzzello had been in many bands. As and adolescent he opened for the likes of BB King and Chuck Berry. As a young adult he performed the full gambit of pop and rock bands. After surveying the musical landscape in Los Angeles for a few years he moved back to New Haven, gently leaned his guitar against the wall and stared deep into a 1984 Akai MPC. Beats were made, tracks produced and eventually a new approach was formed using a new range of tools and stylistic elements.

At the same time Justin Courtney Roberts was in Baltimore finding new ways to create the music that had been growing in him since his childhood. There he developed sounds and characters to narrate the sweeping minagerie to be later known as "kids with crushes". These recordings made there way back north and Nuzzello knew a partnership was eminent.

Gary Kiernan Velush and Jason Norman Sirianni had both recently finished degree programs in performance from the prestigious Western Connecticut State University music program and, having bonded under an interest in nontraditional composition, were looking for a new way to make music. They rented loft spaces and hammered out free form waves of sound inspired by the likes of Steve Riech and Wayne Krantz but a focused channel for this energy remained elusive.

In 2008, a vessel for all this liquid potential presented itself. Gary, Bob and Justin procured a rehearsal space in New Havens infamous Daggett Street Square. Jay soon followed and the Submarine was born. At the time the New Haven music scene was in hibernation. Aside from regular sunday nights at the legendary BAR night club (which would provide some of the stylistic inspiration and liquid libation that helped cement the four artist in their common goal) the town had fallen on routine. So.. the submarine began throwing shows.

Drawing on the local talent and importing some from other independent music hubs such as Baltimore and Brooklyn the Submarine hosted some of the most remembered parties of that time. There Fake Babies honed a style based not only in sounds but in spaces. Somehow the bump of a deep bass kick resonates off of a wall painted pink more sweetly. The glitter flew, the pipes dripped with condensed sweat and most of the time, the cops were called.

Soon after, a large corner of the sub was devoted to a recording studio space and the production team known as Fuzzy Rainbow moved in. Having produced Fake Babies initial release "we started blues", the fuzzys presence was warm and welcome. With all the elements in line the work began to flow. Fake Babies 2012 release, a self titled EP, produced by Bill Ready of Fuzzy fame, showcases the raw party power of the earlier record with a delicate grace that only time and patience can produce.

Fake Babies continues to record and perform for every set of warm pink ears ready to receive them.

Violent Mae

VIOLENT MAE (Becky Kessler & Floyd Kellogg) was never intended to be a band. Becky asked Floyd to record and produce her first solo album, and as soon as they hit the studio, chemistry and dynamics between the two sparked the evolution of an artistic partnership. Their self-titled full-length debut record was released in November 2013. Becky, a songwriter, singer and guitar player, calls the Outer Banks of North Carolina home, where she finally settled as a teenager after moving every year or so, mostly around the Southeast U.S., to 11 different places. A friend invited her to live and work on an organic farm in Connecticut, where she soon met Floyd, a multi-instrumentalist, engineer and producer. The two began recording at Casa de Warrenton Studio in Hartford, expanding Becky’s songs with Floyd’s arrangements and parts. They ultimately formed VIOLENT MAE after making a record, playing all the instruments on it and opening for Nels Cline and Julian Lage at one of their first live performances. VIOLENT MAE won Best New Band at the 2013 Connecticut Music Awards and was recently honored by The Deli Magazine as one of New England’s Top Emerging Artists. A tour through NYC, Philadelphia and North Carolina, along with festival appearances and other shows around New England, have led to opportunities for VIOLENT MAE to perform for varied audiences and to steadily win fans. The duo is back in the studio writing, arranging and recording a second collection of songs and planning tours for spring and summer 2014.

Alex & The Zanders

Through re-orchestration NUNCUNT retains and secures its original passion, sass, and good looks in adding Kevin O’Donnell on bass and Jason Rule on drums, both of Two Humans and Sorority Noise, to create Alex & the Zanders. While maintaining NUNCUNT’s spirit of catchy melodies, driving piano, and brutally-blunt-radically-reverbed rhymes, the three of us are venturing out to create a more refined estro-rock sound.

$8.00

Tickets Available at the Door

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Cafe Nine

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Fake Babies with Violent Mae, Alex & The Zanders

Thursday, November 14 · 8:00 PM at Cafe Nine

Tickets Available at the Door