The Polish Ambassador ft. visuals by Liminus w/ DJ Vadim, a Special Appearance by Wildlight, T.Wilde and Templo
2637 Welton Street
Denver, CO, 80205
Doors 8:00 PM / Show 9:00 PM (event ends at 2:00 AM)
This event is 16 and over
The Polish Ambassador
For the Polish Ambassador project, born on the richly-colored streets of Chicago and San Francisco, infectious melody is paramount. However, this never overshadows the depth and harmonic complexity that have made the Ambassador a favorite amongst festival curators and beat aficionados worldwide. Over the course of 6 years, his sound has dipped and swirled through a staggering range of styles, with each album exploring uncharted sonic territory. Warm, analogue dreamwave; mind-altering glitch; world-infused groove; bass-fueled breaks; sexified down-tempo; electric lullabies; and psy-fi funk are just a few of the genres that have poured from the Ambassador’s soul into earbuds and ghetto-blasters across the galaxy.
Despite the political connotations of his name, the Ambassador is not a political partisan. Rather, he is a diplomat for a new paradigm rooted in creative joy, radical self-expression, and ecological principles. As part of this mission, the Ambassador has committed to carbon-neutral touring, instigating exploratory dance, and igniting fan participation.
Certain high-end consumables such as whisky, wine and cheese are said to improve with age, undergoing many complex processes to enhance and improve the flavour, colour and appearance. In the same vein, DJ Vadim has defiantly and soulfully been fermenting and malting his global musical elixir for coming on 20 years now, and can now well and truly be described as vintage.
DJ Vadim has become well respected as an innovator in a number of areas during his career, "a veteran presence in the DJ community as well as one of the foremost producers in too many communities to count, Vadim is never running out of ideas" (URB Magazine). In 1994, Vadim founded his own independent record label, Jazz Fudge and signed to Ninja Tune the following year. So begun Vadim’s adventure that is now approaching its twentieth year and has seen him tour across 69 countries and perform over 2500 times, with shows at some of the world’s most prestigious events such as Sonar, Glastonbury, Big Chill, V Fest, Fuji Rock, Roskilde, Exit, VInarock, Moscow Street Ball (to over 40,000 people), Notting Hill Carnival and Shambhala…To describe the man as an internationalist almost seems to sell him short.
Hard to put a peg on because he sticks to no rule-book, Vadim’s sound is not easy to describe, but it’s electronic, hip hop inspired and tinged with reggae, trip hop, soul, funk, grime, dub and bass, with elements of African rhythms, house and boogie. Vadim has produced numerous solo and group albums across these genres, recording in the studio and on his travels around the world, melding flavours and rhythms to create globally aware music with global appeal; he has been responsible for seminal underground classics such as The Terrorist, Black is the Night, Kill Kill Kill, Soldier, Talk to me and Bluebird and has worked with a variety of breaking talent and established artists, musicians, singers and groups, including Wretch32, Foreign Beggars, Alice Russell, Aaron Jerome (SBTRKT), DJ Krush, The Herbaliser, Belleruche, Killa Kela, Fat Freddy’s Drop and The Super Furry Animals. He is an evolutionist in sound, described once as ‘the John Coltrane of Hip Hop,‘ always pushing boundaries, always collaborating.
For an artist with such a long recording pedigree it would be easy to sit in cruise control, knock out music by numbers, and stay in the box, or just reproduce or re-hash earlier ideas. This however isn’t Vadim. One look at the discography and Vadim was there before people coined phrases for genres...making dubby bugged out ‘step’ music years before people even had heard of Croydon musically, creating future beats before people called it trip hop or headz, distorting basslines and drums before Glitch or Diplo and running his own record label (Jazz Fudge) before the advent of indie music. However it hasn’t all been clear sailing. In 1999, the US broadcast commission (FCC) decided absurdly enough that a pro-women empowerment record (Your Revolution featuring Sarah Jones) was too ‘crude’ for radio whilst allowing countless records that promote negativity to go. The decision ended up in court several years later under appeal with several leading Ivy league English professors coming to the defense of freedom of speech, freedom of expression and to argue the double standards of the ban and fine.
In 2007, Vadim was diagnosed with Ocular Melanoma, a very rare eye cancer. Fortunately for us, it wasn’t his time. Vadim has more music to make, and more shows to play; 6 solo albums to date, 1 remix album, 5 group albums (The Isolationist - 1999; The Bug - 1994, One Self - 2005; The Electric - 2011), countless mix cd’s and remixes. Hardest working man in show business? Trouper? Tireless? However you want to put it, be sure of one thing, when DJ Vadim first heard the phrase "Don’t sleep” he obviously took it literally.
With so much under his belt, what does the future hold? Not content with being uber busy, Vadim has taken it upon himself to film and direct music videos for his new album project, developing his eye as a budding photographer. Music aside, there is even word of a possible pop-up restaurant and bar. If the music is anything to go by, it will be very fine tasting stuff.
‘Some men see things as they are and ask why others dream of things that never were and ask why not’ Bernard Shaw
Liminus (Ari Makridakis) began his creative life as a painter. After attending the San Francisco Art Institute in the late 90's, Liminus became obsessed with interactive art and moved to Maui to dedicate himself completely to this vision. To make art that left room for the viewer's creative choices, Liminus began making flipbook-style paintings which could be configured into millions of unique art pieces. Within a year, Liminus was creating and showing his work digitally, using custom-built software, hand-made interface devices, large-scale projections, and portable printers. These works allowed viewers to wander through mazes of trillions of visual possibilities, add in their own text and images, and walk away with a print of their creation. Since 2004, Liminus has shown these interactive art pieces in fine art galleries such as Studio 333 in Sausalito, night clubs such as Supperclub San Francisco, festivals such as Priceless and Burning Man, and on a Carnival's Xingolati cruise. More recently, Liminus has broadened his artistic interests to include the political, creating posters and paintings for the Occupy movement. At the same time, he has also begun touring with The Polish Ambassador as VJ and director of fan interaction.
WWildlight is the space between the notes, the earth’s undulating pulse, the modern echoes of ancient rhythms. It is a sound that will spark your body into motion and swing your soul into flight. An unlikely pairing of a folk songwriter and an electronic music composer has yielded a new sound; music that gracefully traverses human emotions, but can also jumpstart a party into a syncopated bounce.
While vocalist Ayla Nereo delicately crafts songs that climb and tumble through a landscape of crescendos and harmonies, seasoned composer David Sugalski (aka The Polish Ambassador) keeps the beats and bass rooted deep in the subatomic layers of the earth.
Liam Shea, aka Templo, strives to blend atmospheric soundscapes with head bobbing beats. With his music, you will hear all original riffs and drum beats, found especially in his latest releases, which included a double EP, Sunrise and Sunset. In the last two years, Templo has played alongside some of the top experimental producers such as Kalya Scintilla, Random Rab, The Polish Ambassador, EOTO and Bluetech. Appearing at festivals such as Gem & Jam, Sonic Bloom, and Arise Music Festival, Templo presents a unique live experience incorporating downtempo trip-hop, funk and dub elements, with deep melodic bass sounds.
$20 - $25
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