1131 S. Broad Street
Philadelphia, PA, 19147
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
San Diego, CA's Crocodiles have signed to Frenchkiss Records and will release their third full-length album, Endless Flowers, on June 5th, 2012.
While following in the footsteps of the raw, anthemic psychedelia of 2010′s Sleep Forever and the "repeat-ready… art-punk renaissance" (Rolling Stone) of their 2009 debut Summer of Hate, the songs on Endless Flowers add a refined cohesion and unmistakable sunnyness to Crocodiles' glorious, noise and echo-cloaked pop. The title track opener is four and a half minutes of soaring, alarm-ringing guitars, while "Sunday (Psychic Conversation #9)" comes next with a resounding, punk-inflected charge. The 7-plus minute "My Surfing Lucifer" begins with two minutes of grimy, hissed spoken word before ascending to glammy, distorted heights; the bass-heavy and buzzing "Dark Alleys" is a motorik march; and the swirling "Bubblegum Trash" has a sweet, dirty charm. Nearly all are single-worthy, and are embellished with singer/guitarist Brandon Welchez's newly forward-mixed croon.
Crocodiles have evolved from their 2008 genesis as the core duo of Welchez and guitarist Charles Rowell into today's five-piece, which includes keyboardist Robin Eisenberg, bassist Marco Gonzalez, and drummer Anna Schulte. Last summer, the band headed to Berlin to rehearse and record Endless Flowers, which Welchez and Rowell had written last winter.
Four years ago Wymond Miles, guitar player and songwriter in San Francisco's The Fresh & Onlys, began writing solo material thematically based on the concepts of eschatology, anthroposophy, and Gnostic and Hermetic symbolism. Drawing from a vast musical pool of inspiration, including Scott Walker, Robert Wyatt, Arvo Part, and Nikki Sudden amongst others, Earth Has Doors is Miles' first solo release. Since beginning Miles had basically shelved these songs to attend school, focus on fatherhood, and commit to the demanding schedule of the F&O's. He earned a degree in humanities with an emphasis on the philosophical implications of the ecological/economic crisis of our times, and that subject matter can be traced throughout his first EP. These songs concisely yet esoterically document the existential crisis of our current epoch — moving from the nothingness of modern materialism, fragmented reductionist thought, and drug escapism to a world imbued with subjectivity and meaning through a new relationship with the Earth and cosmos as alive and full of inherent intelligence.