Knitting Factory Presents
PANIC AT THE DISCO www.panicatthedisco.com
fun, Funeral Party
416 S. 9th Street
Boise, ID, 83702
Doors 7:00PM / Show 8:00PM
This event is all ages
PANIC AT THE DISCO www.panicatthedisco.com
The members of Panic! at the Disco had barely graduated high school when their full-length debut, A Fever You Can't Sweat Out, transformed the suburban Las Vegas teens into national emo-pop stars. The band had materialized several years earlier, when friends Spencer Smith (drums) and Ryan Ross (guitar) began covering blink-182 tunes together. After tiring of playing another group's material, they recruited two additional classmates, guitar/vocalist Brendon Urie and bassist Brent Wilson, and the newly formed quartet decided to model its name after a line in Name Taken's "Panic." Crafting pop-influenced songs with theatrical touches, quirky techno beats, and perceptive lyrics, Panic! at the Disco posted several demos online that caught the attention of Decaydance Records, the Fueled by Ramen imprint headed by Fall Out Boy's Pete Wentz. Even though Panic! at the Disco had yet to play a live show, they subsequently became the first band signed to Wentz's label.
With their record scheduled for release in September 2005, Panic! at the Disco joined the successful Nintendo Fusion Tour and hit the road alongside Fall Out Boy, Motion City Soundtrack, Boys Night Out, and the Starting Line. The band continued touring into early 2006, while its single "I Write Sins Not Tragedies" found its way onto MTV and the Billboard Top 40. Proving to be a popular lineup, the Nintendo tour consistently sold out venues across the country. Wilson was fired from the group mid-year; undaunted, Panic! pressed on with their friend Jon Walker on board for a full summer tour that culminated with appearances at the Lollapalooza, Reading, and Leeds festivals. The guys picked up a Video of the Year award at MTV's annual VMA ceremony, beating out heavy hitters like Madonna and the Red Hot Chili Peppers, and a collector's box set version of Fever (featuring random Panic! paraphernalia and a DVD) came out just in time for the 2006 holiday season.
After additional tour dates, the bandmembers announced that they were eliminating the exclamation point from their name, a sign that seemed to foreshadow the mature, less emo-driven rock featured on Pretty. Odd. Released in March 2008, the sophomore album peaked at number two in the U.S. and showcased an evolving band whose tastes had grown to encompass the Beatles' psychedelic pop. The group supported the album with another round of shows, one of which was captured on the CD/DVD release ...Live in Chicago. The group took a hit in June 2009, though, when Walker and Ross left the lineup in order to form their own band, the Young Veins.
by Corey Apar - allmusic.com
Fun is Nate Ruess (of The Format), Andrew Dost and Jack Antonoff (of Steel Train). Formed during the winter of 2008, the indie pop band will begin recording their debut album this September with producer Steven McDonald, arranger Roger Joseph Manning Jr and a cast of characters. They will release a single in November and their debut album will be available in February, 2009.
Funeral Party is a four-piece band that formed late one night in a park. Hardcore bands and metal bands dominated the local music scene at the time in Whittier, California, an East Los Angeles suburb comprised of mostly working-class enclaves. In the East Los Angeles neighborhoods adjacent to Whittier however, a post-punk dance-craze revival was emerging and Funeral Party began gigging every weekend. The band quickly developed a following and D.I.Y. ethos that capsulated East Los Angeles' rich musical history. Initially, the band didn't even own equipment and had to borrow it from bands they played with at East Los Angeles backyard parties and warehouses. Funeral Party quickly achieved a mythic status, yet elusive reputation in the Los Angeles underground. Lars Stalfors, engineer for Mars Volta, invited the band to record in Volta's studio in East L.A. The sessions yielded "Chalice", which immediately became East L.A.'s theme song and could be heard bumping on iPods throughout Southern California. Funeral Party has achieved airplay on commercial and college radio alike, an admirable achievement for any young, unsigned band. What is unique about Funeral Party is the band's universal appeal; there exist numerous infusions in their music. This band is of critical importance as they have created a visceral music that encapsulates the experiences of contemporary youth, but their sound is solely dictated by the realities and experiences of the members themselves.For Booking Information, contact The Agency Group