102.3 BXR Presents
17 N 9th St
Columbia, MO, 65201-4845
Doors 7:00 PM / Show 8:00 PM
Mayer Hawthorne has come a long way since his 2008 debut, and right now, he says, “Life is great.” He’s released two well-received full-length albums, had songs licensed for film and television, and toured the world with Bruno Mars, Foster The People, Erykah Badu, Janelle Monae, and the late Amy Winehouse. His latest, Where Does This Door Go, features a host of top-flight production work from Pharrell Williams, Greg Wells, Jack Splash, John Hill, and Oak (of Oak & Pop), who contributes the smooth and powerful single “Her Favorite Song.”
The single premiered in May of 2013 and became an instant hit. Billboard called it “expansive,” and New York Magazine said “…sounds like seventies smooth-rock kings Steely Dan.” The track is the follow up to the first teaser for the album, “Designer Drug,” which topped the Hype Machine charts and gave Mayer the title of “Most Blogged Artist” on the site. The full album will be released on July 16th on Republic Records.
Mayer grew up just outside of Detroit in Ann Arbor, Michigan, and remembers, as a child, driving through the Motor City with his father and tuning the car radio I n to the region’s rich musical tapestry. He has produced music and played multiple instruments for much of his life and uses skills honed as a club DJ to create his own original dance floor fillers. Throughout the years he’s cited Soul legends Barry White and Curtis Mayfield as inspiration, along with late hip-hop producer J Dilla.
But comfortably relocated in Los Angeles, the hat he now wears is that of a yachtsman in the mold of Hall and Oates, Steely Dan and Michael McDonald. The old influences remain—the creative vision of Dilla, the urban elegance of Mayfield and White—but today’s Hawthorne is a smiling sophisticate. Some have described the vibe of Where Does This Door Go as “Steely Dan meets the Beastie Boys,” which suggests both a studio seriousness and playfully irreverent approach.
“The only rule I had when I went in to make this album was that it had to be fun,” he says.
In the last five years, Mayer has grown as a singer, songwriter and in his desire for collaboration. Working with touring partners like Winehouse and Badu bolstered his vocal chops by teaching him how to use his voice as an instrument. Lyrically, he’s moved away from the bitter break-up tone of his first two albums toward more diverse storytelling and personal coming-of-age content, and he’s relaxed his DIY ethos of crafting every song from start to finish.
Now, he’s motivated to create soul music that can win—win on the radio, win on the charts, win over clubs and win over hearts. With Where Does This Door Go, Mayer is back to his soul foundation and hip-hop roots, and is making the most enjoyable and youthful music of his career.
“This record for me is really about a journey into the unknown,” he says. “As a musician, you’re only as good as your next record, and you never know what’s through that next door.”
In the summer of 2010, Superhumanoids was birthed under the hazy air and bright blue skies of Los Angeles. A fascination for electronic sounds, instruments, pedals, and more, aesthetically united Max, Sarah, and Cameron. Like a petri dish growing each day, the band spent their time together intertwining and experimenting with their R&B upbringings and love for pop music. Bartered studio time, extensive touring, and the release of two EPs set the stage for what was to come and in the fall of 2011 these forces coalesced to create Exhibitionists.
Exhibitionists is the soundtrack to the last moments of dusk in LA. With swooning guitars, glimmering air, soaring melodies, the setting sun, and melting keyboards, something about the whole thing makes your breath stop short. Developed in the home studios of the Superhumanoids, the record takes a completely hands on approach from the trio. With each synth and guitar sound being completely made from scratch, the record brings a homegrown feel that encapsulates the thumps of the beating heart and lulls of swaying palm fronds from LA. And just as the record takes those elements and brings them to life, the live performance of Exhibitionists only continues to further that distinction. Despite being wrapped in an electronic blanket, the trio unravels each songs core to take the listener on a journey that highlights the living R&B undertones and driving groove that brings to light the soul of the record. What is found in the sticky air of the city of angels is found here in Exhibitionists, to ease between the spaces of your body, make you dance, and bring you home.
Tickets Available at the Door
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MINORS: $2 cash surcharge at the door for anyone under the age of 21.
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