Kevin Devine And The Goddamn Band
Now, Now, Harrison Hudson
1026 Spring Garden St.
Philadelphia, PA, 19123
Doors 7:00 PM / Show 8:00 PM
This event is all ages
Kevin Devine And The Goddamn Band
Kevin Devine is an American songwriter and musician from Brooklyn, New York, who is known for alternately introspective and political lyrics and melodic acoustic guitar tunes. He cites his influences as Bob Dylan, Elliott Smith, Guns N' Roses, Brother Paramo and Nirvana, among others. He grew up in Brooklyn and Staten Island, and has spent significant time in Manhattan and Queens as well. Devine graduated Fordham University at Lincoln Center in 2001, majoring in journalism. He also played in an indie/punk/emo band called Miracle of 86 after the (Miracle) New York Mets. Even before that, he played with a popular band in the local Staten Island scene called Delusion. At Fordham he was able to hone his acoustic solo skills by playing at various open-mic and college events which made him very popular among the student body.
During this time he also appeared in regular stints at the Wetlands Preserve. Although still relatively unknown, Devine gained some popularity with his 2003 album, Make the Clocks Move. Newer songs reflect Devine's political views and the recent death of his father to a stroke. He has recorded records for Immigrant Sun Records and Triple Crown Records and has worked with Brooklyn based producer Mike Skinner, who is also credited as the drummer on his solo records as well as the drummer for Miracle of 86. He signed with Capitol Records, who released his fourth album, Put Your Ghost to Rest, on October 17, 2006. Only four months after his major label debut, Devine was dropped from Capitol Records due to EMI merging Virgin and Capitol Records.
Devine was able to gather a strong fan base as a result of his exposure through touring with Brand New. First appearing as their opening act in their 2004 spring tour, Devine made a small splash among their fan base. However, opening for them again in April 2006, and joining their 2007 Spring tour with Manchester Orchestra, Kevin's following was multiplying by the day. (Kevin also opened for Brand New as a surprise act at the Triple Crown Records 10th Anniversary Concert.)
Devine's late 2007 touring schedule included a tour with close friend Jesse Lacey (of Brand New) and Grace Read at the end of July through early August, followed by a short trip to London, a spot on the Austin City Limits Festival, and a tour with Chin Up Chin Up throughout Germany. In October 2007 he toured with Andy Hull from Manchester Orchestra and Owen.
Kevin posted numerous demos via his MySpace profile in late 2007/early 2008 and after negotiations with Capitol records, "Put Your Ghost To Rest" was re-released on April 20, 2008 by Procrastinate! Music Traitors.
Kevin toured Europe with Jenny Owen Youngs and Tournaments in May and other tours followed throughout 2008 with Jesse Lacey, Rachael Yamagata and Matt Pryor in August and September 2008.
In late 2008, Kevin announced his new album Brother's Blood would be released in early 2009 on Favorite Gentlemen records, as well as a tour with Manchester Orchestra and the I Could Be With Anyone EP in support of both.
Threads – the second full-length release from Minneapolis-based Now, Now – explores the fragile and often transitory nature of our existence, our perceived understanding of the world around us and relationships shared with others physically and emotionally. Produced by Howard Redekopp (Tegan and Sara, An Horse, New Pornographers), Threads forms a sprawling sonic endeavor that showcases the bands incredible growth as songwriters and musicians. Vulnerable vocals give way to oceans of sound retaining definition via deftly layered guitar parts augmented by lingering synths which alternate between background and center stage.
"Jack come back/bring back with you the America even outsiders loved/ the America of open highways/the America of boundless forests/the America of sunsets by the river-pier/ an America generous of spirit." - Jack Kerouac, 'Gentleness'
The American rock n' roll of the '50s and '60s ran on raw, unfiltered emotion, and was driven by ardent soul. The muscle cars, steel mechanics, and never ending high
ways were the image, but the spirit was inherit in the far reaching melodies and layered vocals -- the ideal at the heart of American Thunder, Harrison Hudson's third full-length album. Behind the languishing spacious guitars and the overall smooth vibe there is Hudson himself, sharing the best moments of the American rock radio that lavished his childhood.
Formed in 2005 in Atlanta, GA Harrison Hudson began as a songwriter backed by a band. In 2006 his debut Angel On One Side…And the Other On The Other displayed a dark shade, a monument of Hudson's life at the time, but by 2008 Harrison Hudson had become a full band, a trio that found a new home in Nashville, TN releasing the no-frills, full volume, Blood, Sweat, and Sweat. As soon as recording was finished Hudson began writing again, 70 songs that would be sliced down to an integral 12 of pop hooks and rock twist free of overbearing romantic gestures, the shape of American Thunder.
In one aspect American Thunder can construed as one love story, one that goes bad as the girl just must leave, but that's a stretch as even the hyperbole romantic gestures of the more light-hearted songs (Bookstore Girl, Indie Rock N Roll Queen) can't take the sarcastic cynical voice that lies in the punch line of other tracks (Stay, Fire and Fizzle Part Two). This voice is the grounding point of the album, the reality of relationships brought to the front.
"It's the kind of thing where you see a beautiful girl and she's definitely the answer," Hudson describes the voice. "When she turns out to be just another human being like you, you resent her for it because she's is not perfect like you expected--and no one is."
To keep the spirit of the gritty early days of Rock N' Roll without ending up with a throwback record the band entered a modern studio with Kevin Dailey and Micah Tawlks behind the boards. To jump into an old rock studio of AM radio glory in Nashville would have been easy, but the end album would have been a plastic design. The old idea lost in a chase to recreate.
American Thunder accomplishes the goal. The spirit of the old days of Rock N' Roll radio have been captured and embraced, not re-manufactured.
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