Parade of Flesh presents . . .
Orange Goblin, Holy Grail, Lazer/Wulf
2720 Elm St.
Dallas, TX, 75226
This event is all ages
Orange Goblin triumphantly continue to uphold the traditions of great British heavy rock and metal. Now with 6 critically acclaimed albums under their belts, the Orange Goblin express train just keeps on gathering speed and the band are now considered pioneers and legends in the stoner / biker-doom metal field. From the psychedelic noodlings of 'Frequencies from Planet Ten' to the greasy, biker groove of 'Time Travelling Blues', the crushing cosmic doom of 'The Big Black' to the aggressive punk-metal fusion of 'Coup de Grace' , the all out rock / metal majesty of 'Thieving From The House of God' and more recently the plague-ridden Sabbathian-Doom of 'Healing Through Fire', the Goblin have continued to motor onward, freeing themselves from any stagnant pigeonhole or 5 minute trend that may have been thrown their way. This is ROCK the way it should be….unpredictable, exciting and dangerous!!!!!
Straight up Heavy Metal from Pasadena, CA on Prosthetic Records.
Formed in Athens, GA in 2006, the wulves began as a five-piece, including vocalist Jimmy Baldwin and guitarist Robert Sullivan. After recording and self-releasing their 2006 debut demo, "Demo-Lition!," the band enjoyed local success as a gleefully violent metal band in a skeptical microcosm of indie rock. The band's reputation as Athens' most fun, irreverent and evil circus had earned the nomination of "Best Up & Coming Band" by the city's Flagpole Magazine.
But L/W's buzz of positive critical reception was stricken by the departure of founding member Sullivan and the increasingly bleak prognosis of Baldwin's health. The vocalist's throat had become pocked with polyps, and while the looming reparative surgery saved his vocal cords, it effectively ended his tenure as the band's frontman. Thus, the ranks of L/W rapidly dwindled to three, leaving Aiken, Peiffer and then-drummer Mathius to fend for themselves without their chosen genre's staples of harsh vocals and dual guitars.
Ironically, this new instrumental approach to their existing material and to the writing process of their forthcoming full-length, "The Void That Isn't," added exciting new layers to their already diverse sound. Less had, essentially, become more. What could have been a void, wasn't, and made the remaining parts that much more substantial.
This trimmed lineup allows for a heartier imagination, better communication between its members, and more confident stints into uncomfortable stylistic territory. The lack of a regular vocal crutch opens the band's instrumentation to more diverse audiences and breaks previously troublesome language barriers, while allows for more abstract arrangements overall. In June of 2008, Lazer/Wulf's new identity was named "Band of the Year" by Athens' Flagpole Magazine, topping the reigning indie-rock and pop incumbents.
Once "The Void" had been released, however, the Lazer/Wulf ranks dwindled again, this time in a way that couldn't be ignored: they needed a new drummer, and the Void's advertorial cycle must fall aside while the line-up is secured. After two years (!) of active searching, jazz drummer Brad Rice was finally found and inducted in 2011.
Now, Lazer/Wulf has shed the security of genre conventions in favor of creative curiosity and more honest and emotional song-writing, growing increasingly toward the likes of Dysrhythmia, Don Caballero and Battles, while firmly rooted and informed by its thrash and prog-metal origins. Its music continues to expand in every direction, heavier and lighter, wider but more focused. The machine is varied, vicious and endlessly willing.
Lazer/Wulf's first recording with this new line-up, the vinyl/cassette/downloadable EP "There Was A Hole Here. It's Gone Now," will see independent and digital release on 4/24/2012.