XPN Welcomes: Sallie Ford & The Sound Outside
Mount Moriah, Pine Barons
2639 Poplar St
Philadelphia, PA, 19130
This event is 21 and over
Sallie Ford & The Sound Outside
Sallie Ford & The Sound Outside's new record 'Untamed Beast' (Partisan Records, 2/19) is a visceral rock and roll romp. Like a "cross between Ella Fitzgerald and Tom Waits" (Mashable) Sallie has established herself as one of the most powerful female voices in indie rock. Ford and her group - Tyler Tornfelt (upright bass), Ford Tennis (drums), and Jeffrey Munger (lead guitar) - recorded the album's 11 tracks with Adam Landry and Justin Collins (Deer Tick, Middle Brother) at Jackpot! Studios in the band's hometown of Portland, Oregon. The band will preview tracks from the new album with an NYC performance during APAP on January 11 at Rockwood Music Hall, 7pm.
On the new album the band creates a powerful statement on finding freedom through defying conformity. Through clever (often racy) turns of phrase, Sallie twists traditional notions of gender and genre. She says "it's time for a girl to infiltrate the boys world of rock n roll and grab it by the balls. To me rock n roll isn't a genre, it's an energy." From the exuberantly sexy "Do Me Right" to the free-spirited cry of "Party Kids," 'Untamed Beast' has a lust for life.
'Untamed Beast' is the follow up to 2011's 'Dirty Radio' (Partisan Records) which Brooklyn Vegan called "phenomenal and monumental." In 2011 Sallie Ford & The Sound Outside made their national television debut on Letterman, were one of the most talked about new performers at Bonnaroo, the Newport Folk Fest and Bumbershoot, and were championed by Jack White and The Avett Brothers.
Fiercely contemporary yet rich with classic influences, Mount Moriah's Miracle Temple sports bigger arrangements, louder guitars, bolder vocals, and more soulful rhythms than their acclaimed self-titled debut. Through their artful personal storytelling, the band develops a piercing portrait of a "New South" where progressive traditions are still fitfully breaking free from conservative ones. Mount Moriah's cathartic vision for their home and themselves is writ large in their lovingly critical negotiation with romantic, political, and gender identities; geographical perspective; confrontation and forgiveness. The drive for change, resolute but tinged with regret, is arrestingly captured in the cover image of a burning barn.
At the heart of Mount Moriah are singer/guitarist Heather McEntire and guitarist Jenks Miller. Bassist Casey Toll joined the band in 2010 while James Wallace provided drums, organ, and piano on the album. Miracle Temple was recorded over five days at Beech House in Nashville and co-produced by Mark Nevers, Miller, and McEntire; mixed by Nevers; and mastered by Alex McCollough. McEntire, Miller, and Toll wrote the music, with all lyrics by McEntire except for "Union Street Bridge," co-written with the poet Sarah Messer. Additional tracking was done by Miller, James Wallace, Jeff Crawford, Jaron Pearlman, and Daniel Hart. The expanded arrangements feature an impressive variety of guest stars. Hart provides violin, and Allyn Love plays pedal steel. Indigo Girl Amy Ray sings gospel-tinged backing vocals alongside Bibis Ellison, Ryan Gustafson, and Midtown Dickens' Will Hackney and Catherine Edgerton.
Children of the Forest; Conceived by the roots.
Lived by vascular contraptions;
Then born again into the vast abyss of worldly Dexter Conciousness,
to endure the lilypad of tremulant pleasure-seeker Elong Shrine.
Shrine was one of the few indigenous survivors of Rimb. Though he suffered the tortures of the damned, his sadistic pre-Rimb ways have resurfaced in a menacing fashion.
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