Brett Dennen

Brett Dennen

“It was time to get back to basics.” Brett Dennen says of his fifth record, Smoke & Mirrors. “I wanted to return to the folk and acoustic music I loved when I began writing. I decided to tap into my memories and explore new emotional territory as honestly as I could.”
Brett Dennen's music career began humbly around the camps of the Sierra Nevada mountain range–a retreat to which he would eventually return for inspiration on Smoke and Mirrors. “Being in the mountains, aside from the inspiration, was so crucial to me, because as a kid I used to spend so much time in the mountains. And just being there helped me regain that self-confidence. I remembered who I was.”
Brett’s 2006 release, So Much More, officially launched him as a discovery artist and drew frequent comparisons to troubadours like Paul Simon and Tom Petty. In 2008 his Hope for the Hopeless didn't stray too far from the songwriter's comfort zone, though a partnership with producer John Alagia (Dave Matthews Band, John Mayer) led to a high level of production not yet heard on any of his albums. In 2011, Dennen’s Loverboy was his biggest departure to date: a danceable collection of songs influenced by the road and recorded by a studio filled with friends and imperfect takes.
“After several years of consistent recording and touring, some real time off was necessary. I bought a house in the mountains and reconnected with my roots as a songwriter. I walked through the hills, enjoying the solitude, and only wrote when I was inspired.” The result – a beautiful collection of the intimate and anthemic.
Brett has always found inspiration beyond his music as well. A talented visual artist and watercolorist, he’s incorporated his paintings into his shows, and into his relationship with fans. He’s climbed Everest and Kilimanjaro, guitar in hand, in support of several important non-profits, including The Impact Plan and the Love Hope Strength Foundation. And his unique taste and appreciation for food and drink is now on display through the launch of his new venture Dennen Wines. Brett’s irresistible spirit runs through it all.

Noah Gunderson

Noah's newest EP, called Family, pays homage to the people who have shaped his life--rather than the self-aggrandizing so common to the often homogeneous world of singer-songwriters."Family comes in many forms," says Noah. "It lives with us, for better and for worse. It shapes us. Thats what this album is about."

Fittingly, a member of Noah's family, his sister Abby Gundersen, plays violin and sings vocal harmonies on the EP. Her soft voice and lush string accompaniments compliment beautifully what are a magnetic and emotionally charged group of songs. The two have been playing music together since Noah was 15 and Abby was 12 years old, while growing up in the Seattle area. They've also performed in the local band The Courage together. "The musical communication I've had with Abby is unlike anything I've experienced elsewhere. It's a really special thing. Having her with me makes me so much more confident in what I'm doing," says Noah. (Also, Abby recently moonlighted as a tour accompanist for acclaimed singer-songwriter Jarrod Gorbel).

The songs on Family are consistently impressive and defy genre. Whereas roots-tinged songs like "Family" conjure up shades of a solo Ryan Adams, the sweeping and etherial "Fire," bears similarities to the lush harmonic feats of Fleet Foxes. Perhaps the album's standout track is the pulsating "David," which combines the haunting darkness of Tom Waits with the lyrical angst of Neil Young. "The song is about who I want to be, while realizing who I am. I want to be less like my Father and more like my Dad."

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