Music Farm Presents
Krizz Kaliko, Ces Cru, Stevie Stone, Prozak, Mayday
32 Ann St.
Charleston, SC, 29403
Doors 8:00 PM / Show 9:00 PM
This event is 16 and over
TECH N9NE prepared his fans for his current masterpiece, K.O.D. when he dropped Sickology 101, the hottest collaboration album of the year. He announced the farewell of the TECH N9NE everyone had known. His music was getting darker, and this, he explained, was his specialty. On Oct. 27, the new TECH N9NE arrives.
With memorable features from Academy Award winners Three 6 Mafia, Strange affiliates Krizz Kaliko, Brotha Lynch Hung and Kutt Calhoun, K.O.D. allows TECH N9NE to paint the most vivid pictures he's ever attempted. Powered by tracks like "Show Me A God" and "Leave Me Alone," it may be his most personal collection of songs yet.
"I've seen so much pain recently," TECH N9NE divulges, "so many dark things. I had to take those experiences and make something beautiful out of them. I couldn't let myself fall into that hole with no chance of getting out."
It was a deep despair that, regardless of his success, TECH N9NE could not shake. While touring, appearing on TV and acknowledging his support from an ever-growing fan base, his mother was waging war with her health. It's these intimate battles that pushed his music to new corners – that helped him climb out of the hole and release his anger and pain on the tracks of K.O.D.
"I know people are feeling some of the same things I am," TECH N9NE confesses, "and maybe this will let them see that everyone has those dark things they go through. Everyone can face them and be stronger in the end."
Boasting a career most rappers strive for, TECH N9NE has consistently proved himself to be one of the hardest working entertainers in the game. In 2008, he reaped the rewards of his tireless efforts: He SoundScanned over 1 million units, making him the most successful Independent Hip-Hop artist in history.
With hits like "I'm A Playa," "Caribou Lou" (which boasts 7.2 million MySpace plays), "Riotmaker," "Like Yeah" and "Everybody Move," it's no wonder he counts a total of over 4.5 million YouTube video plays and an average of 40,000 MySpace visitors each day.
Catch TECH N9NE and the rest of Strange Music on the K.O.D. Tour 2009. For more information, visit therealtechn9ne.com.
Krizz Kaliko began his musical career in the late 1990s when he began working with a local producer by the name of IcyRoc Kraven. Another local rapper by the name of Tech N9ne was also collaborating with IcyRoc at the time, which led to the two rappers meeting. Tech N9ne was currently working on a song titled "Who You Came To See" and Krizz made a comment that the song could have a better hook. Tech offered up the opportunity to prove his case, and Tech was blown away when Kaliko proved just that. Tech would bring Kaliko into his "inner circle" which would eventually result in Kaliko signing to the new-found label Strange Music co-owned by Tech N9ne and Travis O'guin.
Since then, Kaliko has often contributed to albums put out by Tech N9ne, be it being featured as a rapper or simply providing background vocals for the tracks on the album. Although the largest portion of his work is that of his collaborations with Tech, he has also performed similar tasks for fellow labelmates Kutt Calhoun, Skatterman & Snug Brim, and Prozak. Other collaborations include tracks with the Kottonmouth Kings, Potluck, E-40, T-Pain, Twiztid, and Andy Mineo.
His debut album, Vitiligo released on May 6, 2008, charted on several Billboard charts including peaking at number 19 on the Top Independent Albums in the week of May 28, 2008. In the same week, he peaked at number 167 on the Billboard 200.
His second studio album, Genius, was released on July 14, 2009.
A number of his songs can be heard in the background of the strip club scenes in the movie "Big Fan" starring Patton Oswalt.
Krizz chose the title Shock Treatment for his third studio album. Other titles he considered were "Son of Sam" and "Walk on Water."
"S.I.C.", his first EP, was released on May 17, 2011. In June 2011, he was featured on Winnipeg's Most's second single, Forgive Me, from their second album GoodFellaz.
On May 15, 2012, Krizz released his fourth studio album, titled Kickin' and Screamin'. It is currently his highest charting album on the Billboard 200. The album has features from long-time collaborator Tech N9ne, as well as rappers Twista, Chamillionaire, T-Pain, Twiztid and Rittz, while the production is almost entirely handled by Seven. In November, Krizz released his second EP Neh'mind. The song "Damage" featuring Snow Tha Product was made the lead single. A video for "Damage" was shot and released on YouTube on December 14, and got over 100,000 views in two weeks.
Introduced to each other in late 2000, Ubiquitous and Godemis found an immediate chemistry on stage and began performing as CES CRU. Their first full-length album, Capture Enemy Soldiers, was released in 2004. Since then, they have won numerous MC battles, been nominated for three Pitch Music Awards and collaborated with local favorites, Mac Lethal, Miles Bonny and Human Cropcircles. The Playground, is available now! Hit our website www.cescru.com or just google cescru. We are on Itunes and physical copies are available at local Kansas City music outlets such as Streetside records or 7th Heaven. Keep digging and enjoy!
For Stevie Stone, the release of Rollin' Stone, his debut album on Strange Music, signals a move
beyond his past and his arrival with the premier independent rap company. "The album is all
about progression," he says. "It's about my shift from Ruthless Records over to Strange Music.
Everything about Strange is about getting out and touching the people. Everybody's in tune
with the music and with what I'm doing. I've got their undivided attention. They make sure they
know and understand their artists."
Stone backs his words up on the explosive, bass-heavy lead single "808 Bendin'," which features
a remarkable verse from Strange Music honcho, Tech N9ne. The two bonded early on regarding
their mutual love for the 808 drum machine that was a signature of many classic rap songs
created in the 1980s.
"I'm 808-driven," Stone says. "I love that pulse, that backbone. Without pulse, there is no life.
That's what Tech is always saying. I heard the beat for '808 Bendin',' did the verse and the
hook. I thought it was something way, way different for Tech."
Stone keeps the energy at a fever pitch on the confrontational "Raw Talk", featuring Hopsin and
SwizZz, the menacing "Get Buck" and the stark "Keep My Name Out Your Mouth", featuring
Elsewhere, Stone showcases his storytelling abilities on the tremendous "Dollar General."
Inspired by the 2007 film, Street Thief, Stone flows with a controlled fury about robbing a series
of businesses. WillPower's somber, piano-driven beat and the whispery chorus, delivered by
Yelawolf, create a potent, otherworldly, sonic ambiance. "I put it like it was a dream," Stone
explains. "I'm not saying that I'm the one that's robbing. It's almost like I'm watching the movie
and fall asleep. It's about my dream."
Music has enabled Stone to live out his dreams and escape his problems. On the soulful "My
Remedy," he details how his problems fade away as soon as he hits the stage. Nonetheless,
music has not provided a total escape. The wistful "2 Far" reveals how Stone's love for music
has created tremendous struggle in his relationship with his woman.
Then there's the dramatic "My Life." On this emotional cut, Stone details the challenges he's
created for himself and his family by pursuing his music career. Although the emotions were
raw, the song took Stone nearly two years to write. "I was wrestling with how much I want to
give to the people," he says. "It's revealing a lot of stuff. I'm talking about my being away from
my kids, my family and loved ones. I'd been writing it for a year or two because I had the beat
for a minute, but I didn't know how much I really wanted to put out there. I just let go and let the
music take me."
Music has taken Stone on the road. Given his love for touring, it makes Stone a natural fit on
Strange Music, as one of the company's key components is its touring enterprise. Add in Stone's
bond with Tech, his high quality music and his dedication to his craft and it's no wonder Stone
is the latest addition to the Strange Music roster. It's also why Stone wrote the song "Perfect
"My first show ever, when I was in high school, was with Tech. Eleven years later, it comes full
circle," he says. "I'm on the label. It's something that I've always wanted. I think I'm a perfect
fit with them."
Born and raised in Columbia, Missouri, Stone has been surrounded by music his entire life. His
mother was a singer and choir director who played piano and organ. One of his sisters also sang
and played instruments. While his mother favored gospel, blues and the work of Marvin Gaye,
Teddy Pendergrass and Luther Vandross, his sisters listened to rap and R&B, providing a wide
range of sounds, styles and artistic influences.
By the time he was five, music consumed Stone. When a beat would start playing, Stone would
be instantly compelled to dance. He later started playing the piano and practicing on the drums.
Stone was simultaneously developing his basketball skills. He received an offer to play
basketball at a junior college in Des Moines, Iowa, and was going to pursue the opportunity.
A few weeks before he was slated to report to school, Stone landed a performance as an
opening act at a concert at the Fulton Fairgrounds. "When I hit that stage, I got the bug," he
recalls. "There was no doubt about it. Music was what I was going to do. I've never turned
Within a few years, Stone secured a production deal in St. Louis with Fly Moves Productions,
requiring he relocate from Columbia. Stone jumped at the opportunity. "You should never be
content with where you're at," he says. "I've got the shoot-for-the-moon-end-up-in-the-stars type
Stone signed in 2007 with Ruthless Records, the label founded by the late gangster rap pioneer
Eazy-E and the recording home of N.W.A. While signed to the imprint, he learned the work ethic
needed in order to succeed in the music industry. He realized that an artist has to do as much as
possible for themselves and not rely on a label.
So, when Stone parted ways with Ruthless a few years later, he was poised for success. He
reconnected with Tech N9ne and Strange Music, which had developed into rap's biggest
independent success story.
Now, with Rollin' Stone about to arrive in stores, Stevie Stone realizes that his climb to success
isn't over. "After every ladder, there's another ladder. You've got to keep climbing the ladder,
keep moving. That's what I'm doing right now."
Normal is not a word that people used to describe Prozak. Not his appearance, not his music,
not his views on life and society. So, it makes perfect sense that the Saginaw, Michigan rapper
selected Paranormal as the title of his new album on Strange Music.
"I chose that title because genre-wise I can do rock-rap, the hip-hop, storytelling, a little bit
of the dark stuff," reveals the artist-director also known as The Hitchcock of HipHop. "I'm
Paranormal to the music industry. One thing I keep hearing from people whether it's A&Rs or
publicists is that they've got to figure out how to market me. After hearing that so much, I felt
like what I do is paranormal to the scene. My music is something that's outside the range of
normal. This is not cookie-cutter hip-hop. You can't say this is gangster rap or backpack rap or
that this is just for the hipsters. You're not going to be able to categorize it that simply. I make
complex music for complex people."
Indeed. Bolstered by production from Mike E. Clark (Insane Clown Posse, Kid Rock),
Michael "Seven" Summers (Tech N9ne, XV), Robert Rebeck (Tech N9ne, Kottonmouth Kings)
and The Legendary Traxster (Mariah Carey, Ludacris), Paranormal takes listeners on a powerful
lyrical and sonic journey into the mind of one of rap's most compelling artists.
"The Tell A Tale Of Two Hearts," for instance, was inspired by Edgar Allan Poe's short
story "The Tell-Tale Heart." Prozak's song, which sounds like Tim Burton meets hip-hop,
discusses what happens when two people are in love and one of them dies suddenly. The twist
is that the deceased person is still present in their lover's life. They do not want to leave their
Prozak then teams with a live band and DJ Starscream from Slipknot for "The End Of Us."
This hardcore track features Prozak exploring the consequences of living in a consumer-driven
"Everybody is worried about buying $300 and $400 cellphones," Prozak says. "It's like we're
farm-raised, like guinea pigs right from birth. Everything is marketed to you from the time
you're old enough to even understand what it is. It just happens at the beginning and goes all the
way through life. The funny thing is in the genre of hip-hop, everyone is worried about image.
All it does is push everything even further. Everybody's worried about $800 outfits and 20-inch
rims, but none of these people even have a lifestyle that can support that. It's about consumerism
and everybody being brainwashed into thinking that they've got a have these things in order to
be accepted. It spiraling out of control and eventually it will all collapse."
Another volatile subject Prozak examines on Paranormal is prejudice. On the charged
song "Hate," he looks at the implications of persecution based on racial, religious and economic
grounds. Shot in a train station from the 1880s that had segregated waiting rooms, the song's
explosive video features appearances by stand-ins for The Pope and members of the Ku Klux
Klan and Taliban.
Prozak takes a more optimistic approach with "Million Miles Away." On this thoughtful
selection, he wonders if humans would be able to create a utopian society if they could wipe the
slate clean and start over. While filming the video for "Million Miles Away," Prozak and his
team traveled throughout Michigan, Illinois and Missouri and had people explain the one thing
they would change about the world if they could.
As his songs and their subject matter demonstrate, music is about much more than image for
Proazk. It's about substance.
"People write about stuff that interests them and that they feel passionate about," he says. "The
topics on my album are the things that matter to me. To me, all you have is life. You have to
look at the things that are going on that are incorrect or the things that are affecting your life, the
hypocrisy of what's going on out there. All that stuff matters. I know that this is entertainment
and that people listen to music and watch music for an escape from reality. I wouldn't say that
I'm a political rapper, but a lot of those things do matter. In making music for people, I believe
you have somewhat of a responsibility to put something positive out there or bring attention to
things that people should be aware of for part of a greater good."
Prozak's razor-sharp focus has helped him become one of rap's most formidable independent
artists. During the last decade, he's appeared on four national tours and done more than 1,000
performances, where his moshpits rival those of any heavy metal show. The Michigan rapper
earned a lofty 3.5 Mics in The Source for his 2008 album, Tales From The Sick, and has
collaborated with Tech N9ne, Twista, Cypress Hill and Insane Clown Posse, among others.
As a filmmaker, Prozak released the first two installments of his A Haunting On Hamilton
film series, which opened with sold-old screenings of 2,000 people per screening in Saginaw,
Michigan. He also directs his own music videos, ensuring that his art is properly presented
Now, with Paranormal, Prozak has delivered a project that hits hard lyrically and aurally, the
type of release that stays with a listener long after the music stops.
"I wanted to put out the best record that I thought I was capable of, an album that would really
define who I am," Prozak says. "If you want to know who I am or what kind of artist I am, this
record will set that tone completely. It's a really deep record. To me, it's an album. It's not a CD
of tracks. It's an album. It has that feel."
A Paranormal feel at that.
¡MAYDAY! may sound like a battleship distress
call, but the Miami-based hip hop group is
generating a sound too strong for any ship to produce. The unique blend of electro-rock fusion is
changing the frontier of music as they flex their muscles in areas of funk that hip hop has yet to explore.
Their call to attention and explosive live show is impossible to ignore and have earned the group
accolades from critics, music aficionados and hip hop artists alike. ¡MAYDAY!'s recent series of EP's
has set off media alarms throughout 2009 and provided music fans with a taste of the near future as they
prepare to release their sophomore album Stuck on an Island in 2010.