As electronic influences continue to penetrate the live rock, jazz, and jam ethos, one band consistently rises to the top, bringing together fans from across the musical spectrum. EOTO crisscrosses the country blowing out basement dives, packed theaters, and stages under the stars. Check your festival schedules: this 100% improvised dubstep/breakbeat/house/drum & bass/trip-hop duo is the premier late-night party in the country.
Throbbing bass and thudding beats are the signatures of this project from drummers Michael Travis and Jason Hann. Born out of their shared love of electronic dance music, EOTO’s M.O. is to take the free-wheeling party vibe of a DJ set to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration. Live drums, guitars, and keys, and vocals are mixed, remixed, and sampled on the fly using cutting-edge programs. This is all done without a script, and without a net.
Hann plays a hyper EQ’d drumkit, chock full of multi-touch screens and MIDI controllers, and throws a number of effects on his otherworldly vocal styles. Travis takes on subsonic frequencies, generating the band’s crushing low end with analog, digital, and software synthesizers, occasionally picking up guitar or a bass guitar and showing off his proficiency with instruments of all shapes and sizes.
Hann, has been playing percussion professionally since the age of 12. Years of collaborating, touring, and recording with the likes of Youssou N’Dour, Isaac Hayes, Dr. Dre, Loreena McKinnett, SCI, and a slew of other established artists running the gamut from Latin jazz to R ‘n’ B and soul allows him to move fluidly between styles. Adding to this is his depth in African and Latin drumming traditions, allowing the futuristic EOTO sound to keep itself rooted in the past.
For the last 16 years, Travis has been the drumming octopus in SCI. He morphs roles to melodic multi-instrumentalist in EOTO, providing the raw basslines and harmonic tapestry that fill out the soundscape of the duo. Both Hann and Travis have the chops and stamina for physically demanding, EOTO improvised sets, which have been known to go upwards of 4 straight hours. “When we’re playing live for 3 hours a night, it’s like playing tribal drums in a ceremony,” Hann explains. “I’m looking at one person at a time out there, and thinking ‘what can I do to make you dance?’”
An EOTO set is a nebulous beast. Setlists are only broken up into tracks for the sake of posterity. In reality, changes in mood, energy, and inspiration are reflected—in real-time—by rhythmic and melodic shifts. The duo moves effortlessly from choppy dubstep to whip-smart, four-on-the-floor house to psychedelic trip-hop. It’s a dance marathon, but everyone’s in it together. The EOTO set is dependent on crowd energy and activity, effectively breaking down the wall between artist and audience.
Because EOTO starts fresh every night, the band’s evolutionary progress has been thrust into hyperspeed, eclipsing standard acts who return to their dusty catalog for every performance. This is apparent when following the musical evolution of their live performances, which are recorded every night and made available to their fans. On EOTO’s first 2 studio releases--2006’s Elephants Only Talk Occasionally, and the 2008 release Razed, EOTO bounced playfully between house, trance, and breakbeat. A huge change in their sound came when Travis and Hann first saw, felt, and heard the cathartic vibes that dubstep could produce at DJ Skream’s set at Shambhala during the Summer of 2008. This influence saw the duo become the first National, live, dubstep act in the US. The wobbly, buzz-saw bass and heavy backbeat style has become a signature of their sets, as heard on their live recordings and on the 2009 studio release, Fire the Lazers!!! Newer material has the duo co-opting sounds from outside the realm of electronic music with scratchy punk riffs and fuzzy sludge metal bass.
While the recording of each album is no different than the live performance—completely improvised in one take—the records are an appetizer to the live performance. Hann and Travis are consummate road dogs, playing almost 200 shows a year. EOTO has played more than seven hundred unique showcases in 48 different states in the five years since the project’s inception. Each set is recorded and released (www.livedownloads.com ) so fans can capture their unique EOTO dance throwdown, reliving the experience again and again.

LA native born and raised producer ETC!ETC! may have spent most of his studio life on the Electro House point, but his transition to Moombahton productions are what have been commanding the most attention from top-notch tastemakers around the globe as of late.

ETC!ETC! gravitates his aural attention onto anything that moves the room. First attracted to Electro house for the big bass and floor-shattering fast-paced BPM, ETC!ETC! started to shift his focus to moombahton in early 2011 and starting to make an impact in the scene almost immediately .

In just the past 12 months he has been played almost on a weekly rotation on BBC Radio 1 by Kissy Sell out & DJ Kapyer ,and the following keeps Growing.

With an eclectic mix of different audio flavors coming out of his arsenal it's no wonder ETC!ETC! has garnered a diverse array of highly-prestigious support from EDM leaders Wolfgang Gartner, AC Slater, Congorock, 12th Planet x Skrillex, Mstrkrft , Dillon Francis, Diplo , Bro Safari & many others.

With multiple forthcoming releases on Mad Decent, Teenage Riot Records ,Party Like US, Rot10 Musik and T&A , 2012 will be a big year for ETC!ETC!

Atlanta, GA
Block Society|Trillitary|Billionaires

"I’m Dan, I like Bass Music..."

As an already well-established dj in the southeast, Thedanbrown decided to jump into the production game with a project called Clerks in the late summer of 2012. Armed with roots in Metal/Dirty South Hip Hop/old School Jungle and even Classical (Dan is a classically trained Cellist); Clerks look to provide a Bass heavy approach with plenty of melody to keep it interesting.
Starting off with a mixtape of all original productions and a few free remixes the Clerks sound was unleashed. In November of 2012 His Debut E.P. “Temple of Time” was released on local legend Charlie P.’s Abstract Logic Recordings. Clerks next release was "Be Here" featuring the vocal talents of one of the most respected MC's in the Scene - Armanni Reign. Released on the Sine language Imprint along with remixes from Fellow ATL heavyweights Logam and HPNTK. An all original Mixtape with long time collaborator Paul Swytch of TRiLLBASS Was Featured on Do Androids Dance. 20 Original tracks featuring the likes of General Jah Mikey, The Wheeler Boys, Mighty High Coup, Charlie P. and a few other special guests was released in 2014.
2014 Saw the Creation of the collective known as The Block Society with Clerks on the Roster and several single track releases. The Block Society is Rooted in ATL but includes a worldwide group of forward thinking producers and DJs. Solid Artist and Label Management will Push Clerks ever Forward in 2015.

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