Pledge Music Presents
Will Dailey, Bleu, John Francis
3025 Walnut Street
Philadelphia, PA, 19104
Doors 7:00 PM / Show 8:00 PM
This event is all ages
It is cliché for a reason, life happens in mysterious ways. If not for a bout of appendicitis that left him in great debt and physically beaten and battered, Boston singer/songwriter Will Dailey might never have made the sparkling album Back Flipping Forward (which will initially be released digitally by CBS Records), a collection that demonstrates why he took home the 2006 Boston Music Award for Best Male Singer/Songwriter.
"I was out in L.A. doing the whole major label showcase and power lunch hustle. It's really just a terrible experience," Dailey says laughing. "You have these people taking you out to lunch, you're sitting next to all these famous faces and they're telling you, 'You're going to be famous.' When all you really want to do is make a great record and hit the road."
Unfortunately, just as things were picking up in the courting Dailey calls "the dance," he was hospitalized with appendicitis. Imagine his surprise when he, with no insurance, came out with a $50,000 hospital bill. Anyone who's ever been sick and far from home can understand what happened next. "I get [out of the hospital], limping about, and I didn't know what to do, so I thought, 'I gotta go home for a little while. I know how to get back on my feet there,'" Dailey recalls. "So I come back to Boston and immediately get a phone call from my manager, 'We're going to make this record on our own.' Originally, he wanted to meet with all these producers back in LA, people who've produced Neil Young etc. and I said, 'I know the perfect guy to do this album with.'
That guy was Tom Polce. And in working with Polce, as well as friends, who Dailey says, "Are amazing musicians who deserved a crack at it all," Dailey has come up with a collection of 10 tracks that are genuine, intelligent, and show the best of the singer/songwriter genre.
On songs such as the lovely melodic opener "Boom Boom," the genteel "Eliza," the infectious pop-rocker "Bi Polar Baby," and the gorgeous Appalachian folk closer, "Dear Grace," a number usually done a capella live, Dailey shows his eclectic influences, from Tom Waits to early Rod Stewart, while conveying a sound that is fresh and contemporary and, as one reviewer stated, "You hear a long forgotten master being channeled here."
One thing Dailey knew making this record after the experience of his first album, Goodbyeredbullet, was that he wanted it to be a shared experience. And while he clearly can manage on his own, as evidenced by "Dear Grace," he appreciates music as a communal art. "For me I like having a group of people, an ensemble, and getting everyone's energy into this thing I created," he says. "Last time I was more on my own, but I didn't want this album to be that way. It is not as much of a spiritual experience. When you bring in all these different talents and personalities on something that you created and bring it to the next level together, it's tremendous. I remember being in the studio thinking, this is the best thing I've done so far.'"
Working with longtime friends also gave him the opportunity to continue to pay back a Boston scene he is very proud of. That's a big part of the reason the Boston Music Award meant so much to him. "Those bands and artists who win a Boston Music Award are just hard-working Boston musicians," he says. "I haven't seen a person win one of those awards who isn't tenacious and bringing something to the music scene here. So getting that award is a gratifying feeling of accomplishment."
He admits being a little surprised because, like a true troubadour, he took his act on the road, building up a following and dedicated fan base the old-fashioned way by traveling around the country with his guitar. "Sometimes I didn't mingle as much in Boston 'cause I would head out and go tour the country or I'd position myself on the west coast and play up and down the west coast alone for a month and then come home, play a show, then leave again," he says. "So to be out and come home, put out a record, and win an award was a testament to the fact that this is home, this is my base."
Dailey says Back Flipping Forward was definitely informed by his experiences outside of his native city as well. "There are a lot of characters in songs like 'Hollywood Hills' and 'Eliza,' talking about fleeing to Mexico, spinning the tale of something that's definitely not the true life of a guy hanging out in Boston," Dailey says. "That kind of national experience and the traveling, getting your hands dirty on the road, definitely seeps back into your art without even trying."
And while there are specific characters at the heart of those songs, the themes and ideas in Dailey's lyrics hold true regardless of where a track was written. Within such songs as "Eliza," "Good To Me," and "Undone," the ideas of redemption and restlessness play out as if in an early Bruce Springsteen song. In one of the strongest lyrical passages, at the conclusion of "Rise," Dailey sings, "When I grow up/I hope I get the hang of this/I bleed from 6 strings/I let the truth fall from my lips."
It's that commitment to honesty that makes Dailey's rise an impressive one. Here is a troubadour traveling around the country on his own, determined to reach fans through the strength of his music. And now he finds himself, and the album he made independently, signed to CBS Records. Dailey admits he hasn't let himself think too much about being on the label whose famous logo adorned albums by the likes of Springsteen and Dylan, but he does confess it has at least crossed his mind, "It was the label of Paul Simon."
Dailey shares something else with those storytellers, namely an appreciation for the lost art of the album. Because even though the songs on Back Flipping Forward were written in a span covering the past three years, together they represent an album. That unifying theme was important to him. "I sat down with my producer and we picked 10 that just went together seamlessly," he says. "I had a lot of songs on hand and could've thrown a lot more out there, but I wanted to make a nice cohesive record. I wanted to make sure the whole album stuck on the wall, not just a few songs."
With different radio stations around the country having already picked up five or six songs and early press response being very strong, Dailey is finding out that in this case his instincts were right on.
Bleu is a pop artist, professional songwriter and producer. His latest solo CD, FOUR, was released on his own record label through Redeye Distribution due in part to his very successful Kickstarter fundraising campaign for which he won "Best Music Project 2010" (Kickstarter Awards). FOUR has been critically admired in the press by LA Weekly, Sunday Times UK, Classic Rock Magazine UK, American Songwriter, All Music Guide, Boston Herald, Huffington Post and many more. Bleu's work as a professional songwriter and producer has landed him cuts on Platinum and Gold selling records by artists like: Jonas Brothers, Boys Like Girls, Selena Gomez, Jon McLaughlin, Kate Voegele, Hanson and many more. He currently lives in Los Angeles.
At 12, John Francis started writing, recording, and performing. Any stage would do, but mostly, Francis cut his teeth in the church, like many great performers. Son of ministers and musicians, Francis grew up with folk, rock, and gospel music at the center of his life. At 18, he enrolled as a Literature and World Religions major at Messiah College near Harrisburg, PA. There he immersed himself in the classics of poetry and prose, honing his craft as a songwriter. During these years, John played guitar for Gospel band on Sunday mornings. After graduating, Francis traveled to Ireland where the musical traditions of his family's homeland added more fuel to the fire.
While living in Philadelphia, Francis released the critically acclaimed "Strong Wine & Spirits". With the single "Heavy, Heavy Love", the record garnered extensive radio play in the North East. Drawing on the deep waters of Rock n roll, Folk, Country, and Gospel music, Francis conjures the spirits of his eloquent brand of songwriting, and passionate live shows. The Philadelphia Inquirer wrote, "Artful..brooding…intense."
Francis was honored by ASCAP as the recipient two national lyricist awards. The prestigious Sammy Cahn Lyricist Award, for his song "Love Came to Me Dressed in Red". (Previous winners include John Mayer and Josh Ritter.) And recently he received the Jay Gorney Award for socially conscious lyrics for his poignant song, "Who?"
Francis has played in some of the most renown listening rooms and theaters in the U.S., Ireland, UK, Switzerland, and Germany. He has played upon invitation for the United Nations in New York. In August of 2011, Francis performed for the inaugural "Johnny Cash Music Festival" in Jonesboro, Arkansas at the ASU Arena, alongside Kris Kristofferson, George Jones, Rosanne Cash, Rodney Crowell, and Tommy Cash.
He has also shared the stage with Ray Lamontagne, Jeff Tweedy, Amos Lee, Buffy Sainte-Marie, M.Ward, Josh Ritter, Suzanne Vega, Rachael Yamagata, Rickie Lee Jones, Andrew Bird, Jimmie Dale Gilmore, Peggy Seeger, Tom Paxton, the Hooters, and festivals with Steve Earle, Judy Collins, Aimee Mann, Rufus Wainwright, Mavis Staples, and Arlo Guthrie.
John Francis now makes his home (when not touring 200+ days per year) in Music City…Nashville, Tennessee. In Nashville, he recorded his newest release 'the Better Angels' in the Cash Cabin Studio. Produced by John Carter Cash in the fabled home studio of his parents Johnny and June.
'The Better Angels' was released Nov.9, 2010 through the Dualtone Music Group. It was "Most Added" to AMA Radio 3 weeks running, and climbed to #18 on the Americana Charts. Featuring legendary musicians: Kenny Vaughan (Lucinda Williams, Marty Stuart), Ken Coomer (Uncle Tupelo, Wilco), Michael Rhodes (Sheryl Crowe, J.J. Cale), Robbie Turner (Johnny Cash, Waylon Jennings, Willie Nelson) and featuring Rachael Yamagata with a vocal appearance, 'the Better Angels' is a musical achievement. The record features the single "Johnny Cash on the Radio" and the two songs for which Francis received national songwriting awards.
Like his songs, Francis is rooted in the real, vulnerable, and gritty stories of human experiences, his own and those he encounters. And as he tours and travels, he's collected stories of others, and built his own story on that great "ribbon of highway".
Inside the soaring vibrato-laden tenor and the catchy rock / folk melodies, you can feel the pain, the redemption, the sorrow, and the transcendence in the voice of a young man who is, as Shane Claiborne puts its, "…a poet and a troubadour; a provocateur of dreams and an instigator of movements. Most of all, he is a friend. He is a friend of mine, but he is also a friend of many down-and-out people the world has stepped on, pushed aside, and tried to ignore. His voice becomes much bigger than his own, and his stories tell the stories of injustice and freedom that are thousands of years old. Listen, and be inspired to do something daring with your life."
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