The Memories, White Fang
117 W. Main St.
Durham, NC, 27701
Doors 9:00 PM / Show 10:00 PM
Inspired by the honesty of contemporaries like Mike Hunchback, the DIY aesthetic of early Thermals and Nobunny albums, and all the poppiest melodies of her favorite singles, stoned songwriter Colleen Green creates the original pop soundtrack to all the days you spend in a daze.
Green's strength is in application and in doing so she builds a familiar sound; at the same time it's unlike anything you've heard before. Her songs run the gamut in musical styles, from Ramones rip-off pop punk to dreamy stoned drone to getting-ready-for-da-club-shit.
I know a couple of things about Colleen Green.
One thing that's for sure: she's a songwriting phenomenon. She sings lovely, catchy, fuzzy songs that range from 80s pop goulash to psychedelic drone; from 90s power punk to homemade Sebadoh-style songs of heartache. Think of her as a sort of female Daniel Johnston, with her at home making comics, armed with a seemingly unlimited amount of well-composed songs, her lamentations on out-of-reach love, her self-medication, her bedroom recordings. She proudly displays her musical heroes' influences on her sleeve. She plays live shows alone on stage with only an electric guitar and a drum machine to accompany her.
Is she a genius? Who knows.
So let's get down to the bare bone facts. These are the things I know about Colleen Green to be true: Colleen Green sprouted up some years ago in Massachusetts, deep within the forests of the Merrimack Valley. She was raised by a loving family that brought her up on a steady diet of delicious oldies and sugary cereals. Colleen Green went to school, learned how to speak the language of the streets, and by second grade was rapping on school grounds. By the age of 11 she had discovered punk rock and never looked back. From that point on she was obsessed with music.
Green moved to Oakland, California in 2008 in search of hot sun, good bud, good buds, and nice boys. Fortunately, five of her best friends decided to join her, the best of which being Kayla. Along with their friend Steve O, Green and Kayla created the Full House House in West Oakland and invited countless great bands from across the nation and world to play in their living room. Kayla can be seen on the front cover of the "Green One" 7", and is also one of two main characters in Green's comic strip, "Real Shit Daily".
Recently, Green retreated to a cave in Los Angeles, where she can now be found sleeping, smoking, baking magical treats, and staring at the wall. Within two lonely months, Colleen had written and recorded Milo Goes to Compton; within five she had released both that tape and the 4 Loko 2 Kayla CD-R EP as well. Both of these albums have been in heavy rotation since the day they arrived in my mailbox.
Anyway, that is just the beginning of the Colleen Green story. If you can, get to know her. And text her. You will love her
"A brutal gem for the real indie club bound to blow up speakers and inspire many bands out there to get way more creative (or violent) with their re-appropriation of 1960s Girls in the Garage tropes." --20 Jazz Funk Greats
"Like coffee for your ears." --Pitchfork
"Slightly snotty but totally cool fuzz pop music." --Neu Magazine
The folks that make up Gnar Tapes!
GNAR TAPES is a Portland based cassette collective and producer of new musics. We make limited edition tapes of bands and artists from Portland and beyond. We are devoted to making, spreading and advocating not just the admiration of cassettes and the new cassette culture, but also to living a band-to-band, label-to-label, friend-to-friend lifestyle and sharing with people all over the globe. Though we do not distribute tapes from other imprints, we are down to trade with other labels. Demos are always, always accepted and listened to. And hey, if you're ever in Portland drop us a line. Let's party. Forever.
four freebirds high on life/doing the things we wanna do/we'll get as high as we fucking please/fuck it.
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