TACTICS PRODUCTIONS PRESENTS:
On An On
2704 Elm Street
Dallas, TX, 75226
Doors 7:00 PM / Show 8:00 PM (event ends at 11:55 PM)
On An On
ON AN ON is an American experimental-pop band out of Minneapolis, MN, made up of long-time friends and collaborators, Nate Eiesland (vocals, guitar), Ryne Estwing (bass, vocals) and Alissa Ricci (keys, vocals). On July 24, 2015 they will release their sophomore album And The Wave Has Two Sides.
“This is another first record for us in a way.” says keyboardist Alissa Ricci “This time we came into the studio as a band. ‘Give In’ (our debut) was us learning to think less and trust our instincts. What you hear on that record is a band beginning. It’s mysterious, and flawed, and honest.”
Formed in 2012, ON AN ON began when the trio congregated in the Toronto studio Stars & Sons with producer Dave Newfeld to start a brand new band. “We didn’t plan what we were going to sound like ahead of time. We just had some demos and a blank slate. It felt like selling all of your possessions and starting fresh”, states Ricci. Their debut Give In captured the origins and exploration of their new sound in real-time.
“We had each been in bands prior to ON AN ON and had day jobs and careers, but we just decided to go for it”, says Eiesland, “We gave all that up so we could jump into the deep end of something new. It was a risk, but it felt right, and as an artist if you don’t trust your gut you’re screwed.” Critics confirmed that the risk had paid off. Give In topped many best of 2013 lists and ON AN ON were touted by TIME, NPR and MTV as one of the new bands to watch in the first year of their existence.
After touring across the US and Europe for a year and a half, pairing with artists such as Junip, Tennis and Geographer, and at festivals including Bonnaroo, Governor’s Ball and Iceland Airwaves, the band returned to their hometown of Minneapolis to begin writing what would become their sophomore follow-up. During this period, the band began to explore live tracking, allowing them to approach the writing process more collaboratively, vocalist Nate Eiesland adds, “By tracking everyone in the same room at one time, we tried to capture the interaction between the parts we were playing. There’s a subtle energy to things that get recorded that way; a tension in the sound. When we would make it to the end of what everyone in the studio knew was THE take, there was always this moment of pure electric silence. It was a magic feeling.”
One of the most important factors during this process was to continue to explore new musical territory and to build on the sound they had developed while touring. “Making another Give In would have been the easy thing to do”, says bassist Ryne Estwing. “This time we wanted to make something more direct and visceral. We decided to use a more old school recording approach to capture that immediacy.” With a fresh collection of songs written, ON AN ON ventured to California to record at the famous Sunset Sound in Los Angeles with legendary producer Joe Chiccarelli (White Stripes, Spoon, The Shins, My Morning Jacket). The influence of sun-drenched Californian landscape can be clearly heard in the new record, pushing the vibrancy and the energy of their debut to ever-greater heights.
The first insight into the record is the hauntingly suspenseful “Drifting”. This track encapsulates the band at their most vulnerable yet; “Drifting is inspired by falling asleep behind the wheel and trying to forget unforgettable things. We’ve never had a song that sounded this naked.” Second single “It’s Not Over” shows the band in an entirely different light, delivering a summer dance-floor anthem, with a driving bass line and inescapably catchy, highly-processed drum beat. The song “is about long-term love. It’s about regaining a sense of context to help in the moments, or the seasons, of insecurity that are a part of loving someone forever”, says Eiesland. “It’s funny that the first two songs we put out from this album are the ones that were the furthest from our comfort zone.”
Hands can be so many things: welcoming, scolding, loving, clenched into a fist. With Hands as your name, you have to both capture emotion and prove that the music you create with your own is worthy of the moniker. Luckily these Hands are up to the challenge.
Hands makes music like a rip tide, swirling in overlapping loops and riffs, slowly enveloping you. The group’s members – Geoff Halliday, Ryan Sweeney, Sean Hess and Alex Staniloff – craft their hypnotic sound from a single dropping note that builds into a reverberating roar that crashes over you like a wave. It’s a mesmerizing trick that they pull off on their debut LP, Synesthesia. Building off the success of their Massive Context EP (Small Plates) released in 2012 and a 7” to be released on White Iris in January, songs like “Videolove” and “Trouble” show Hands’ innate ability to blend instruments and electronics into a deep texture that moves ethereally through genres. Hands moves from rock to synth-pop to skyrocketing stadium anthem, often within the same song. The interplay of Sweeney’s esoteric guitar riffs, Hess’ technical tempos, Staniloff’s thumping bass and Halliday’s soaring vocals and affected keyboards help Hands build a dynamic atmosphere, where a lesser band would only manage empty atmospherics.
A relative newcomer to the LA scene, Hands began as a two-piece from Philadelphia before Halliday and Sweeney headed west and added the low and thump of Hess and Staniloff. The band made a mark on the scene immediately, quickly playing packed shows across the country including stops at SXSW, CMJ and Deluna Fest, headlining Echo Park Rising, sessions with Daytrotter, and a west coast jaunt with Maps and Atlases. Hands’ ability to win over fans with their feverish live show and dance-party-ready sound has already earned them opening spots for the likes of Deerhoof, DeVotchKa, Foster the People, and Kimbra as well as playing shows to sold out crowds at venues across LA.
For now, Hands’ graceful and danceable indie rock is still under the radar, as evidenced by their spot in TIME Magazine’s “11 Bands You Don’t Know (But Should)” List, but they are quickly rising to the surface, bringing their melodies and thumping beats with them. Over the past year, Hands has built a devoted following for their evolving palette of sounds, soaring melodies, and complex looping song structures. With overwhelming responses to first listens of the record and Hands hitting the road for most of 2013, surely this is the year that Hands will start to make waves. Big big waves
Formed in 2011, by vocal and instrumentalist Taylor Rea, Zhora was introduced to North Texas audiences as a pop-electronic duo working in Dallas, Texas. The group’s high-energy shows and genre bending aesthetics garnered them a Dallas Observer Music Award nomination and a slew of memorable shows as regional music fans started to take notice of Rea’s latest project. Zhora’s reputation for high-energy performances, and striking visual imagery with addictive melodies, gives Dallas fans a thirst for a fresh pop voice and new and exciting flavor.
$8 In Advance | $12 Day of Show
Tickets Available at the Door