The Echo Presents
Tall Tales and the Silver Lining, Western Lows
1822 W Sunset Blvd
Los Angeles, California, 90026
This event is 18 and over
A pastiche of post-rock, chamber-pop and contemporary classical composition, San Fermin is the work of Brooklyn composer and songwriter Ellis Ludwig-Leone. His self-titled debut album is strongly influenced by his unique background in classical music, which includes a job assisting composer/arranger Nico Muhly.
After finishing his musical studies at Yale, Ludwig-Leone wrote the album in six weeks while holed up in a studio on the mountainous border between Alberta and British Columbia. He focused on life?s top-shelf issues – youth, nostalgia, anxiety, unrequited love – and tied these vast themes to different characters through vocal contributions from longtime friend Allen Tate, as well as Jess Wolfe and Holly Laessig of Lucius.
San Fermin is not an album of singles but rather a sweeping, full-bodied listen with multiple distinct peaks and ambitious thematic connections. Ludwig-Leone composed all of the album’s arrangements and lyrics in full prior to collaborating and recording, noting that “writing for a large group of unknown musicians infused the writing process with a kind of operatic scope.”
The first track released from the album, “Sonsick,” tackles many of these larger themes head-on. “I was near the end of a relationship and, not coincidentally, the song contains a direct confrontation between opposing views on the subject,” he says. “I realized that the most intense moments are the ones in which conflicting emotional worlds exist inside you, equally, at once.”
San Fermin will be available on CD, vinyl and digital outlets via Downtown Records this fall.
Tall Tales and the Silver Lining
Tall Tales and the Silver Lining
After the release of their 2011 album, Nice to Meet You Again, Southern California’s, Tall Tales and the Silver Lining decided to try a different approach to producing/distributing their songs for the follow-up project. Front man/songwriter, Trevor Beld-Jimenez, thought it would be an interesting notion to record sets of tracks throughout the year and release one single per season, beginning with summer. Each session was recorded at a different studio, in both Los Angeles and Ventura counties, and various artists were brought on to do the design for each cover, including Kyle Field, Jason Bays, and Seth Pettersen. The Seasonal Singles were initially released online as they were individually completed. The vinyl pressing of Tall Tales and the Silver Lining marks the birth of these twelve songs in a physical media format, and is the band’s first release with Rocketship Records.
While performing extensively throughout California, the band has played shows with a myriad of notable acts, such as: Dawes, Kurt Vile, Deer Tick, Little Wings, Kimya Dawson, Blitzen Trapper, Neal Casal, Beachwood Sparks, Langhorne Slim, Mother Hips, Tom Brosseau, and many more. The group is influenced and motivated by a wide array of artists ranging from the likes of The Rolling Stones to Burt Bacharach, Neil Young and Crazy Horse to David Gates, and Minor Threat to Tom Petty. Beld-Jimenez states that the songs on this album find their messages stemming from “friendships, longing, love, an arch-nemesis, partying, depression, joy, babies, and family.” Tall Tales and the Silver Lining recently celebrated their fifth anniversary as a band, in one form or another, and this compilation is their sixth release.
Western Lows didn't form. Not all at once anyway. The project came into being slowly, in fits and starts, over the course of 2011 - a year that found Jack Burnside at loose ends, bouncing between a collection of Los Angeles practice spaces, apartments and home studios as he wrote and demoed the material that would eventually make up Glacial, Western Lows' debut LP.
Spring of 2012 saw Burnside travel to Athens, GA to record with Andy LeMaster (Now It's Overhead, Bright Eyes, R.E.M.) at Chase Park Transduction. Tasked with creating a sound, as opposed to capturing one, the pair spent weeks working into and oftentimes past the small hours of the night. Finish lines inched slowly backwards as the scope of the recording expanded.
Glacial combines the hushed intimacy of Burnside's compositions with the wide screen panoramic sweep of LeMaster's production to striking effect. Echoes of Yo La Tengo, Mazzy Star and even The Cure are present; the record's sonic space seems almost physical, a sort of gauzy dreamworld - dawn or gloaming, depending on how you look at it.
Live, Burnside is joined by Julien Bellin (Polls) and Michael Orendy (Frankel, Meow Meow).
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