Mondo Zombie Boogaloo
Southern Culture on the Skids, Los Straightjackets, The Fleshtones
Todd-O-Phonic Todd (WFMU)
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 6:00 PM / Show 8:00 PM
This event is 21 and over
Southern Culture on the Skids
Southern Culture On The Skids has been spreading the rock and roll gospel since since they formed in Chapel Hill, NC in 1983. Guitarist/singer Rick Miller, drummer Dave Hartman and bassist/singer/heartbreaker Mary Huff, play a greasy mix of surf, rockabilly, R&B and country-fried garage with a side of psych, all the while driving fans into ecstatic, sweat-drenched paroxysms of joy. It's a musical gumbo Miller calls, “Americana from the wrong side of the tracks.“ The band has been prolific and ubiquitous for over thirty years, touring everywhere from the North Carolina Prison System to Mt. Fuji, Japan and delivering what Rolling Stone calls “a hell raising rock and roll party.“
In 2014 the band was honored by the Southern Folk Life Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. The flame-adorned La-Z-Boy from the cover of their Plastic Seat Sweat LP now resides at UNC-CH!
THE ELECTRIC PINECONES
Southern Culture On The Skids' newest album, The Electric Pinecones, will be released on September 16, 2016. It's the band's fifth album on their own label, Kudzu Records. The album features 12 original SCOTS tunes - 11 brand new songs and a whole-lotta NOLA remake of the SCOTS classic, “Swamp Fox - The Original.“ All the tunes were produced and recorded at Rick's studio in NC, The Kudzu Ranch.
The Electric Pinecones is a bit of a departure for the band conceptually and sonically. The inspiration for the record was born in an alter-ego side project from the early years of the band. “The Pinecones was folk-a-hill-a-billy garage band we used to put together just for kicks,“ Miller relates. “We loved the sound of '60s west coast folk rock and psych bands. The Pinecones was our outlet for material that was not in the SCOTS vein. We even opened for ourselves occasionally. The Pinecones set list was the jumping off point for this latest collection of songs.“
The first single off the album, “Grey Skies,“ is a minor key mood piece with that folk-a-billy, psychedelic sound. Listen to how the acoustic 12-string riff slides into the band's hypnotic rhythms that propel Mary Huff's reflective vocal into the mind's eye of times past and love lost. “Check out the Mellotron on the chorus - that is a first for us,“ Miller says.
The lead off track, “Freak Flag,“ is more upbeat, but no less tweaked, with modulating guitars riding on pounding drums after the first verse. The song's message is a good one - it is okay to be different and always respect yourself. The band debuted the song to an auditorium full of rowdy students at Carrboro Elementary School. “I was nervous,“ Miller says “if the kids don't like something they let you know, but when they started singing along with the second chorus and waving their imaginary freak flags in the air, I knew it was a hit!“
“Dirt Road“ is Mary's three-minute ode to sances, thunderstorms and good lovin' long gone. The song is a backwoods southern gothic ghost story that opens with a big tom fill then twists and turns around a folky strum and a fuzz guitar. Mary's spooky-good vocal takes it down that dirt road way back into the piney woods.
The album also has some country rock songs that highlight the melodic side of SCOTS, with “Baby I Like You,“ “I Ain't Gonna Hang Around“ and “Given To Me“ featuring some of the best harmonies Rick and Mary have ever recorded.“Waiting On You“ is the longest song on the album, coming in at 4:22; it's a folk-garage-rocker with a sing-a-long chorus that segues into a surf raga breakdown before heading back to the big riff and out.
The album has traditional Southern Culture flavor too. Check out the remake of “Swamp Fox - The Original“. This take goes back to the beginnings of the song and is much closer to capturing the essence of the many all-nighters the band pulled in NOLA with friends and colleagues. The country funk of “Rice and Beans,“ is a good humored tale of a cash strapped southern courtship, and “Midnight Caller“ is Mary's slinky R'n'B flavored woman-to-woman warning about bad men looking for good times.
Song for song, on The Electric Pinecones, Southern Culture On The Skids continues to blow minds and blur the lines between genres delivering a stellar album. From their 1985 debut Voodoo Beach Party, to their 1988 international smash, Dirt Track Date (featuring the hit single “Camel Walk“), and now to the SCOTS-ified tunes of The Electric Pinecones, 30 years, 200 songs and 1,000,000 road miles in, Southern Culture On The Skids just continues to get better with time.
When it comes to delivering high-energy rock and roll instrumental music, no one equals the finesse, power and perseverance of Grammy-nominated Los Straitjackets. Yep Roc Records is pleased to deliver the band's latest offering, Jet Set, a collection of 14 carefully crafted guitar-driven songs that prove to be the most diverse and inventive of Los Straitjackets' oeuvre.
Before Jet Set evolved, the band was hit with a crushing blow when original guitarist, Daddy O Grande a.k.a. Danny Amis, was diagnosed with Multiple Myeloma in the summer of 2010. "It took me out of commission for two years, even put me in a wheelchair for a while, but once I started recovering I began writing new songs like crazy and was able to record with the band again," Amis explains.
After Amis underwent a successful stem cell transplant in 2011, the band played a benefit concert for Amis in Los Angeles that featured guest appearances by Conan O'Brien, Johnny Rivers, and more. As Amis recovered, and grew stronger thoughts turned to a new recording and Jet Set was underway. The group decided to include Amis' replacement, Greg Townson (of The Hi Risers), along with Amis and fellow founder Eddie Angel in a three-guitar alignment.
Longtime friend and revered musician Janne Haavisto, formerly drummer for Finland's Laika and the Cosmonauts, produced the album. Los Straitjackets returned to The Pow Wow Fun Room studios in the Mar Vista neighborhood of Los Angeles where they recorded The Further Adventures of Los Straitjackets (2009) and Twist Party!! (2006). Haavisto put melody at the forefront of this collection, backed by an amalgam of sweeping percussion, lush horn arrangements and distorted strings.
"It's all here, the instrumental fury and superb melodic textures. It brings me back to the magic feeling I had when I first saw the band in 1994," said Glenn Dicker, co-founder of Yep Roc Records.
Jet Set has its fair share of guest appearances. Friends from Conan, The Basic Cable Horns, added their signature sound to two songs on the record: "Crime Scene" and "Walking Down Third Street." Additionally, Finnish actress and musician Irina Bjorklund contributed to tracks like "Low Tide" and "Sardinian Holiday."
It's been 18 years since Nashville-bred Los Straitjackets first dressed in their easily recognizable attire of Lucha Libre masks. Since then the group has toured around the world, released 11 studio albums, 2 live LPs, including collaborations with Eddy Clearwater and The World Famous Pontani Sisters. But it's Jet Set that brings something extra to the table. Guitarist Eddie Angel reflects, "I think it's remarkable that this far into our career, we could do something that I'd consider our best work."
The Fleshtones are garage rock standard bearers, mixing fuzz guitar and Farfisa organ sounds with rockabilly, ’50s and ’60s R&B to create a potent retro stew the group likes to call “super rock.” The band formed in 1976 in Queens, NY, and have been killing it in live performance for more than 3 decades. The Fleshtones are vocalist/keyboardist Peter Zaremba, guitarist Keith Streng, bassist Ken Fox, and drummer Bill Milhizer and aimed to return rock & roll to the simplicity and unself-consciousness of the ’50s and early ’60s.
Todd-O-Phonic Todd (WFMU)
The terrifying Todd-O-Phonic Todd will be spinning scary surf, ghoulish garage, sinister soul and repugnant rockabilly in honor of the horrific holiday!
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