Neon Gold Presents: POPSHOP BROOKLYN
Strange Talk, Betty Who
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 11:30 PM / Show 11:59 PM
This event is 21 and over
Kisses is a Los Angeles-based pop project featuring Jesse Kivel and Zinzi Edmundson.
The band's sophomore release, Kids In LA, is a departure from the luminosity of their first album, focusing instead on the starker wintertime in Southern California. While The Heart of the Nightlife took listeners on a neon-hued journey through Palm Springs at peak vacation season, Kids In LA inverts that thematic motif, opting to explore the empty and slightly-haunted off-season of the vacation world.
Kids In LA was recorded over a year and a half and produced by Saint Etienne's Pete Wiggs and Tim Laracombe. Driven by crisp and thudding drum machines, the record is riddled with the evocative rhythms of late 80s freestyle (Debbie Deb, Lisa Lisa). Paired with lightly-effected guitars and warm analog keyboards, the mood is distinct: cold and anxious, yet rich, inviting, and melodic.
"The sunny but sad dance music from this LA duo suggests Bernard Sumner jamming with Belle and Sebastian. ... Just behind Gorillaz, Foals and RJD2 in a list of the most blogged-about current acts, according to the Hype Machine, are Kisses, a new duo from Los Angeles who specialise in a sort of dreamy, wistful disco with a hint of 70s Guilty Pleasures about it – think Oh Lori by Alessi Brothers worked up into a high gloss by Gino Soccio. The name is revealing – Kisses. It's a reminder that, while funk was about sweat and sex, disco was about yearning and romance, ie ripe for the C86 treatment." --Guardian UK
Commanding, crisp, and perfect for summer: Cast Away is the highly anticipated debut by Melbourne, Australia’s electro-pop charmers Strange Talk. Following up on the international buzz brought on by 2011’s self-titled EP, Cast Away is 11 tracks of indie-meets-electro gems: relentless, hook-laced hits (breakout single “Climbing Walls”), rave drenched anthems (“Falling In Love”), big tom dance floor bangers (“Another Day”) and minimalist electro ballads (“Come Back Home”). Packed full of shimmering synths and pulsing pop beats, Cast Away is one epic, dazzling listen. “It was a long journey, making this record said frontman Stephen Docker, “We really challenged ourselves. It’s odd: you’ve got a classically trained violinist, a dance producer with a DJ background, and two funk/soul musicians. It’s weird how it all gels together, but that’s the unique flavour of Strange Talk.”
Off the back of killer singles like “Climbing Walls,” “Eskimo Boy” and “Sexual Lifestyle,” Strange Talk frontman Stephen Docker, producer/DJ/bassist Gerard Sidhu, Travis Constable (drums) and Gillan Gregory (guitar) have already made their mark, both in Australia and beyond. They’ve joined the line-ups of such festivals as Parklife, Stereosonic, Future Music, Soundscape and Falls; opened for the Rapture, Neon Indian and Marina and The Diamonds; hit the #1 spot on Billboard’s Uncharted chart in the United States; and wowed New York City at 2011 and 2012’s CMJ Music Marathon. Now Strange Talk will make their U.S. debut with Cast Away this August.
In October 2011 Strange Talk decamped to a friend’s farm in Castlemaine, Victoria, 90 minutes north-west of Melbourne. In between breaking to play headline gigs across the country, they wrote and layed down tracks. “The farm was amazing,” remembers Stephen. “It had moose heads on the wall, an amazing veranda which overlooked a huge field with cows, a big lake, a gym so we could keep fit (laughs)... After a while it was sad to come back to Melbourne, because when you’re being creative like that it’s hard to leave it behind.” There was, says Stephen, “mood talk” about the direction of each new song, “For example, should it be a big club banging tune, or even a ballad, which is something completely out of our realm.” The singer took heed of advice given by the Presets’ Julian Hamilton. “He’d said to me, ‘If you’re onto an idea, roll with it – whatever comes out you’ll most likely stick to.’”
After the Christmas break in February 2012 Strange Talk headed for the coast, Gerard’s sister lending them her beach house in Victoria’s Mount Martha. Here, the second half of Cast Away fell into place. On the recommendation of pals Van She, Strange Talk had fallen in love with the gritty, digital workhorse sounds of synth – the Dave Smith Poly Evolver. Six songs in, they replaced older beds with their new favorite toy. By April, the record was complete. Enter mixer Tony Hoffer (M83, Phoenix, Beck).
“Tony was the perfect man for the job, he brightened everything up,” enthuses Stephen. “We record and produce everything ourselves, so over that whole process we really learned what works for us and what doesn’t. The thing that sold us on Tony was what he did with M83’s ‘Midnight City,’ I haven’t heard a song with such glitz, but at the same time such gritty sound.”
On Cast Away Strange Talk have widened their scope, reaching back into influences past and present to create a whole new sound. Basslines are deeper; melodies even more euphoric. “For the first EP we were heavily into M83, Phoenix, Passion Pit and Two Door Cinema Club,” Stephen admits, “but growing up, our biggest influences were people like Michael Jackson, the Police and Queen, among others, all of which I think you can hear more of on this record. We’ve stepped away from the ‘indie’ thing somewhat; the album’s a lot more complex, and really shows how we’ve progressed as producers and musicians.”
A year of shows and Strange Talk has morphed into one of the country’s most exciting live acts. It’s long way from the bedroom duo Stephen and Gerard envisioned when they met on MySpace almost three years ago. “We all know each other a lot more now,” Stephen laughs. “It’s weird how it works with such a diverse mix of backgrounds, but I think that does the project justice. ‘Climbing Walls’ was when the penny dropped for us. Now, we just want people to have fun, lose themselves in the songs. Enjoy the journey, from start to end.”
Stephen Docker (vocals, keys)
Gerard Sidhu (bass, keys)
Travis Constable (drums)
Gillan Gregory (guitar, keys)
Betty Who blends indie and pop music into an irresistible mix of bold soundscapes, Top 40 hooks, and knowing lyrics. Born and raised in Sydney, Australia, she played cello by age four and began writing her first pop songs in her early teens. Her voice is striking and memorable, and, according to Billboard, “shimmers with a self-assuredness extremely uncommon in an unsigned artist.”
Her recent debut EP “The Movement” was welcomed with rave reviews, including being crowned “Best EP of 2013” by both Billboard Magazine and Popjustice, being called “This Year’s Major One To Watch” by MTV Buzzworthy, and being called “The Artist Who Will Save Pop Music” by Idolator, with The Guardian, Digital Spy, Arjan Writes, Kick Kick Snare, All Things Go, Pop On And On, Jon Ali, and countless others chiming in with equal praise, as the EP soared to 250K+ streams and 70K song downloads.
She is currently working with producer Peter Thomas of Pulse Recordings on new material, and describes her artistic goal quite directly: “I’d just like to make people dance.”
For the rest of her story, just press “play”.
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