KXLU 88.9 and Burger Records presents:
Hunx and his Punx
The Garden, Grmln (@ the Flyway at the Fox), Las Feas
200 W. Second St
Pomona, CA, 91766
This event is all ages
Hunx and his Punx
HUNX AND HIS PUNX have returned with Street Punk—a new album filled with the catchiest and most hateful punk songs heard in eons. Street Punk is an unrelenting tour de force, echoing early 80s hardcore, 90s grrl sounds, Darby Crash on helium, and the female answer to The Misfits.
After members dropping like flies and moving around the country, Hunx and His Punx is now led by Seth Bogart and Shannon Shaw, who split songwriting and vocal duties. In the years since their last album, 2011’s Too Young To Be in Love, Seth recorded a solo album called Hairdresser Blues (2012) and started a homemade TV Show called Hollywood Nailz, while Shannon released Dreams In The Rat House (2013) with her other band Shannon and the Clams. Somehow during all of this Seth and Shannon managed to secretly meet in Los Angeles and Oakland to gob out Street Punk.
Recorded in just a couple days by Facundo Bermudez (who has produced albums by Mika Miko and No Age), Street Punk includes a cover of the Beastie Boys' early hardcore anthem “Egg Raid on Mojo" and songs about bad skin, teen angst, social wimpery, trash, isolation, schizophrenia, peroxided delusion, rat parties and vengeance.
Vada Vada! Wait, Vada Vada? Not only is “The Vada Vada” a dance (a Kabuki-like flailing of self provoking either the wrath or admiration from the now anachronistic form of sweaty, middle aged flesh) – and developed by twin brothers Wyatt and Fletcher Shears of the Southern California band The Garden – it’s also the band’s calling card. It’s a genre. It’s a song off their new record, The Life and Times of a Paperclip, out July 23rd on Burger Records. It’s an all-encompassing philosophy of radical self-identity through hyperactivity, music, and monster movies. It’s a way of life.
Twin brothers from Orange, California, Wyatt and Fletcher were born into the crashing wave of OC hardcore and, from the get-go, were instantly ahead of their time. The obligatory “scum punk” phase that most have in the later years of high school came and went for the brothers as fourth graders. And while the rest of their peers were first discovering The Dead Kennedys and Black Flag, the brothers Shears preferred the hostile and art damaged rhythms of Saccharine Trust, The Minutemen, and Killing Joke.
A result of two years of unbridled energy, The Garden present their new album, The Life and Times of a Paperclip: sixteen songs about inanimate objects, made up words, and declarations of inconsequence that leave you scratching your head and tapping your foot. It’s a punk record. It’s brooding and humorous, abstract and dense. Though, refreshingly, it’s completely un-self aware. There’s no wallowing in sad, reflective, wide-eyed introspection. The Garden don’t have time for that. After all, the band’s only working with a bass guitar and drum set here – their chosen tools of destruction are limiting in the best way, leaving room for only the stuff that hits the hardest and matters most.
From day one, the Shears brothers set out to make a great LP, and they succeeded. The Life and Times of a Paperclip is an invitation into their universe. It’s a challenge. And it’s one we should all accept.
Grmln (@ the Flyway at the Fox)
Born in Kyoto, Japan and raised in Southern California, 19-year-old Yoodoo Park is the man behind indie rock outfit GRMLN. In the summer of 2010 in between sessions on his surfboard, Park began recording guitar-driven dream-pop in his garage to soundtrack the journeys in his car. Park chose the name GRMLN to echo the feelings of otherworldliness and disconnect he felt during those summers. Currently a student at the University of California Santa Cruz, Park pens songs there when he's away from his makeshift recording studio and his live band, in which he plays with his brother. Entitled Explore, Yoodoo's debut EP is just that: a young artist inspired by the scenery of his coastal surroundings, discovering and developing his singular voice to create a wistful palette of blues, greens and golds.
On Explore, Park pairs clean, jangly guitars and strong backbones of bass with his yearning, muted vocals that employ reverb to soften, not distort. GRMLN's sound may be unmistakably Californian, but there's a sense of nostalgia that pervades Explore, hearkening back to Park's roots in Japan, where he still spends every summer. Tracks like album opener "Relax Yourself (Dolphin Cry)" and the slow-burning "Live.Think.Die" encapsulate the wistful aesthetic of Explore, with twinges of heartbreak and melancholy tales of wasted youth darkening the album's summertime mood. "Patio" brings Explore to a close on a restless note with one of the album's most soaring melodies, bolstered by haunting harmonies that build a feeling of despair lingering on far after the album's final minor key. Explore is a bittersweet portrait of a young man, making music to catalogue his memories as they slip away with every passing California sunset.