52 Church St
Cambridge, MA, 02138
Doors 8:00 PM / Show 9:00 PM
This event is 18 and over
"As a collection, it's a statement of intent," Bell X1 frontman/songwriter Paul Noonan says of his band's new Yep Roc release Blue Lights on the Runway. "For me it's hard to separate the songs from how they were made and the wild and frothy sea of change that the band were trying to hold steady through. I think we pushed ourselves creatively and tried to go places we hadn't been"
Blue Lights on Runway, Bell X1's fourth studio effort, marks a quantum creative leap for the Dublin combo, which has already earned an enviable reputation for its artfully constructed song and playfully introspective lyrics. On the new album, the band - singer Paul Noonan, guitarist Dave Geraghty and bassist Dominic Phillips - delivers a compelling set of melodically infectious, emotionally resonant new tunes whose colorful lyrics are informed by an assortment of offbeat observations and unconventional personal experiences. Such memorable numbers as "Light Catches Your Face," "How Your Heart Is Wired," "The Great Defector," "Blow Ins," "One String Harp" and the self-referentially witty "A Better Band" boast indelible melodic hooks and inventive arrangements, while deftly blending organic and electronic textures.
Blue Lights on the Runway (which the band co-produced with Phil Hayes) substantially reinvents Bell X1's sound, thanks in large part to the group's distinctive use of an arsenal of synthesizers and samplers, which the band uses to build distinctive soundscapes that brilliantly complement the tunes.
"I think the beats and synths are the core of the drama of the record, the theatre of it," Noonan says, adding, "The original premise was to come up with songs that could stand up and make sense if delivered with a single voice and instrument, and then dress them in beats and noises from boxes. We stuck to that approach in some cases, but in some of the songs the 'dressing' felt a little gratuitous, so we left them be. So the album ended up as a bit of a mongrel, and I think it's the better for it."
Blue Lights on the Runway is the first Bell X1 album to receive a simultaneous worldwide release and is Bell X1's first new release since its international breakthrough Flock. That album debuted at Number One in Ireland, where it was certified Platinum five times over. Despite reaching North America nearly three years after its U.K. release, Flock also earned Bell X1 a large American fan base, where the band toured extensively and received a flood of critical acclaim.
With her warm, guileless vocals and earnest, evocative songwriting, Tristen has emerged as a truly individual talent, bridging genres and emotions to create a distinctive sound all her own. The Nashville-based songstress’ American Myth debut, Charlatans At The Garden Gate, is an ambitious and impassioned collection of finely honed modern pop, rich with exquisite arrangements and a remarkably intuitive lyrical approach. Weaving classic country, traditional rock ‘n’ roll, and reflective singer/songwriter balladry, songs such as the elegiac “Baby Drugs” and the spectral folk-tinged “Battle of the Gods” display an exceptional new artist opening herself to the world through heartfelt melodies and glorious hooks.
Born Tristen Gaspadarek, she grew up in the Chicago suburb of Lansing, Illinois, where her musician father, instilled in her a love of music. She began singing from the time she could speak, took up the piano at the tender age of 8, and, inspired by her local Oldies 104.3 and The Beatles, began writing her own songs. It wasn’t long before she picked up the guitar and started performing her original material in local coffeehouses. Upon graduating DePaul University in 2007 – with a degree in Relational, Group, and Organizational Theories of Communication – Tristen decided to focus on her music and moved to Nashville.
“Nashville is a song town,” she says of her journey, “and I felt like maybe I could give it a shot here, get away from home. You learn a lot about yourself by throwing yourself into a completely different environment.”
Having previously recorded countless demos at her dad’s home studio, Tristen now took control of her craft, cutting songs on a $200 Mbox Mini and posting them on MySpace. An album’s worth of her home recordings, entitled Teardrops & Lollipops, were then packaged in handsewn sleeves and sold at shows. She soon became part of Nashville’s emerging community of young artists, a loose collective of musicians and writers deeply connected yet simultaneously unbound from the city’s country heritage. It wasn’t long before her poignant, powerful songcraft caught the attention of local producer Jeremy Ferguson, who suggested they work together at his Battle Tapes Recording.
“People come out of the woodwork here,” she says. “If you’re playing shows and you’re any good, people want to be involved and want to help you. Everybody’s here for the same reason, to make great records.”
Together Tristen and Ferguson recorded a 5-song EP, dubbed Deceivers Are Achievers, which drew local raves and serious blog love. For her debut full length, Tristen gathered together a number of players with whom she’d already shared stages at such local venues as The Basement and The Mercy Lounge.
“The people here, the musician community, has been so supportive,” she says. Everybody here just wants to be a part of if they find it interesting. People just want to play, that’s how it works.”
The resulting Charlatans At The Garden Gate displays Tristen & Co.’s reverence for the 70s singer/songwriter sound, a naturalistic approach abounding with vintage organs, sweeping string arrangements, and intricate harmonies.
“You can’t escape the fact that we all love and revere music made in the ’60s and ’70s,” she says. “I’m sure that’s why it came out the way that it did.”
Songs like “Avalanche” recall the forlorn romantic sweep of Roy Orbison, while the album-opening “Eager For Your Love” is instantly irresistible with its timeless melody and haunting chorus. Though her songs are intensely personal, they are also populated with a cast of carefully etched characterizations that allow for intimate connection between artist and audience. What stands out is Tristen’s consistent desire and determination “to say something. I’m interested in the story. That’s how I approach it: what is this about and what needs to be said?”
“I’m bored of people’s diary entries made song,” she explains, “so I try to encompass broader ideas. I write about people, about how we relate to each other. You can analyze social dynamics and simplify everything into different patterns – sometimes people see themselves, sometimes they see others, either way I’m having a good time trying to figure things out.
$15 advance / $17 day of show
Tickets Available at the Door
The Sinclair is general admission standing room only.
Tickets available at TICKETMASTER.COM, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box office Tuesdays-Saturdays 12-7PM. Please note: box office is cash only.
Sat, February 28
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