The Echo & 89.9 KCRW Present
The Helio Sequence / Menomena
1822 W. Sunset Blvd
The Echoplex is located below The Echo, enter through the alley at 1154 Glendale Blvd
Los Angeles, CA, 90026
This event is 18 and over
Watch & Listen
The Helio Sequence
Negotiations, the fifth full-length album written, recorded, and produced by The Helio Sequence, would sound different had it not been for a flood. In 2009, while touring in support of Keep Your Eyes Ahead, singer-guitarist Brandon Summers got an unexpected phone call in the middle of the night. Back home in Portland, OR, the band's studio/practice space was under nearly a foot of water. Heavy rains had caused the building's plumbing to overflow like a geyser. But Summers and drummer-keyboardist, Benjamin Weikel, were lucky: All of their best equipment was either on tour with them, or racked high enough off the studio floor to be spared.
Still, the band needed a new home. After three months of searching, Summers and Weikel settled into a 1500-square-foot, former breakroom-cafeteria in an old warehouse. They no longer had to work their recording schedule around loud rehearsals by neighboring bands, but were free to create late into the night in uninterrupted seclusion. With twice the square footage, the space also had room for more gear, a lot more gear. They decided to use this opportunity to try something different.
Summers and Weikel, who started playing together in 1996 and self-produced their first EP in 1999, have always been gearheads. But it wasn't until the success of Keep Your Eyes Ahead that they could afford to step things up: The duo spent months (and many hard-earned dollars) retooling their studio. They left behind much of the cleaner-sounding modern digital studio equipment and instruments they'd always relied on, and embraced vintage gear that would color their recordings with a warmer, deeper sound: Tape and analog delays, spring and plate reverbs, tube preamps, ribbon microphones, and analog synths.
As the new studio came together, so did the songwriting. It proved to be the most spontaneous, open, and varied writing process they had ever experienced. Weikel, who was listening to minimalist/ambient composers like Roedelius and Manuel Goettsching, had created dozens of abstract synth loops of chord progressions and arpeggios. The two would put a loop on and improvise together with Summers on guitar and Weikel on drums, recording one take of each jam. Other songs like "One More Time", "October" and "The Measure" quickly formed from rough one-minute sketches by Summers, while the down tempo "Harvester of Souls" was completely improvised musically and lyrically in a single take.
Tempering the free form approach to writing was Summers and Weikel's meticulous attention to production and arrangement. Taking cues from the spaciousness, subtlety, and detail of Brian Eno and late-era Talk Talk records, they moved forward. Listening to the recorded live jam sessions, they set to work transforming the ditties into actual songs. "Open Letter," "Silence on Silence," "Downward Spiral" and the title track — some of the spacier, mesmerizing songs on Negotiations — came together in this way. Summers' one-minute demos were brought to life in collaboration by Weikel spending weeks working on sound treatments and synth landscapes to enhance the songs.
Lyrically, Summers affirmed the improvised ethos, working deep into the night ad-libbing alone in front of the mic, abandoning pre-written lyrics and instead preferring to create in the moment. His delivery was largely inspired by the starkness and understated romanticism of Sinatra's Capitol era "Suicide Albums", imparting a more introspective and personal tone. "I used to view a lyric as a statement," he says, "Now, I see it more as a letter you're writing to yourself or a conversation with your subconscious."
This collection of shimmering, reverb-heavy songs is a meditation on those inner dialogues (hence, Negotiations) with solitude, memory, misgivings, loss, atonement, acceptance and hope. Most of all, it's a record that serves as a testament to the beauty, blessing, and excitement of a fresh start.
Menomena is a band from Portland, Oregon made up of multi-instrumentalists Justin Harris and Danny Seim. Both members of the band share singing/songwriting duties while recording themselves in their homes.
The band formed in late 2000, when ex-member Brent Knopf graduated from college and returned to Portland to collaborate with Harris and Seim, who had been playing music together since high school (Knopf parted ways with Menomena in 2010).
They self-released their debut album, I Am the Fun Blame Monster! in 2003. The album was packaged in an 80-page flipbook that Seim designed and individually hand-assembled. It later received nationwide distribution through Portland-based label FILMguerrero in 2004. In 2005, Under an Hour was released as a three-track album of instrumental music written for and performed with Monster Squad, an experimental dance company based in Portland.
In 2006, Menomena signed with Seattle’s Barsuk Records and released Friend and Foe the following year. Shortly before the release, Menomena signed to City Slang in Europe, and began traveling the world playing music. Friend and Foe’s packaging features elaborate artwork by cartoonist Craig Thompson, consisting of die-cut shapes, decoder rings, and hidden messages. It received a Grammy nomination for “Best Recording Package”.
The fourth Menomena LP Mines was released in 2009 and the band spent the next two years playing their music everywhere from the Coachella festival in California to the Laneway Festival in Australia, to Hawaii and Alaska, as well as performing on national television.
Justin and Danny's fifth Menomena album, Moms is out September 2012 on Barsuk Records.
$17.00 - $19.00
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