Watch & Listen

For mercurial L.A. music-maker Will Wiesenfeld, Baths has been a long time coming. The 21-year-old has spent the better part of his days living amidst "pleasant" and "unremarkable" in the suburbs of the San Fernando Valley, so perhaps it's due to a general lack of local inspiration that Wiesenfeld's own work has never fit into a prefab box of its own. Over the last six years, under the handle of [Post-Foetus], Wiesenfeld has gainfully explored the intersections and outer reaches of both electronic and acoustic music. With Baths, his eclecticism finds its greatest focus yet, in a hail of lush melodies, ghostly choirs, playful instrumentation and stuttering beats.

Wiesenfeld's trip began at age 4, when he willed his parents into enrolling him in piano lessons. (The family upright, purchased that same year, sits in his bedroom today.) By 13, he'd begun recording his own music using Digital Performer and a MIDI keyboard - a brief, ill-advised foray into Eurobeat that was set right when Wiesenfeld heard Bjork for the first time. Mind blown, he quickly boned up on viola, contrabass, and guitar and took the name [Post-Foetus], stringing together countless live configurations to execute his increasingly inimitable compositions. [Post-Foetus]' fourth album - a Dntel-ish, song-based melange dubbed The Fabric - was released on Mu-Nest in January.

Though Baths represents the next evolution in Wiesenfeld's oeuvre - which also includes the excellent ambient project Geotic - it came together under nigh-opposite circumstances. Last September, [Post-Foetus] was invited by L.A. electronicist Daedelus to share a bill with a handful of local Beat Music luminaries. Witnessing a burgeoning movement firsthand sparked something in Wiesenfeld that the 'burbs never could. In a fit of inspiration, Baths was born, though not into a preexisting scene. As is to be expected, this music goes its own way: fueled by spontaneity, tempered by Wiesenfeld's background in classic songwriting. Those two influences collide in glorious ways on Cerulean, Baths' stunning debut.

Emerging from the endless summers of Venice, CA to teaming up with Shlohmo, Jonwayne, D33J, RL Grime and more to form the Wedidit crew, Jasper Patterson aka Groundislava has transformed from bashful video gamer to full-fledged composer. The son of Michael Patterson (who directed A-Ha's standout music video "Take On Me" and Paula Abdul's "Opposites Attract"), Groundislava has roots that draw from 80s nostalgia, TV and pop culture that grow and transform into the 21st Century aesthetic of electronic music.

Recently tapped for official remixes of Slugabed and Shlohmo as well as Kutmah's Brownswood compilation, Groundislava returns with the 'Feel Me' LP, the follow-up full-length to his self-titled 2011 debut. A mature step for the artist, 'Feel Me' showcases Groundislava's unique sensibilities for developing sweeping soundscapes, luscious backdrops and somber tracks in a distinct sound all his own.

The subdued groove and melancholic melodies of tracks like "Suicide Mission" featuring ghostly vocals from Baths and "Bottle Service" featuring Shlohmo balance the big room dynamics and technicolor soundscape of tracks like "Olympia 2011" and the bass heavy boom of "Cool Party". On others, like "TV Dream" featuring the enigmatic Clive Tanaka, Groundislava composes an ebullient ode to a friendship's inception, soaking it in summery vibes and phantom playfulness.

'Feel Me' is available now on Friends of Friends. Cool to him.

Here's another pleasantly disorienting number from adventurous Atlanta beat-maker Patrick Loggins, aka Time Wharp. Built on a series of ridiculously over-the-top sawtooth waves, a stumbling drum kit, and a sonically abused jazz chord progression, "Cuspcake" is psychedelic lounge music, somewhere between Animal Collective and UK bass/dubstep producers like Velour or Optimum. --Noam Klar, Don't Die Wondering

$12.00 - $15.00

Tickets Available at the Door

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Baths with Groundislava, Time Wharp

Thursday, October 3 · Doors 9:00 PM at Signal Kitchen

Tickets Available at the Door