A Free Evening of Americana Featuring: The Danberrys
224 S. Blount
Raleigh, NC, 27601
For fans of Old Crow Medicine Show, Shovels and Rope, and The Punch Brothers.
The story of The Danberrys begins in the late 1990's in Dickson, Tennessee, population just over 12,000.
Dorothy Daniel first discovered her soul mate and singing companion, Ben DeBerry, while in junior high school. "When Ben was in eighth grade, and I was in seventh grade,” Dorothy told Billboard, “(I saw him play) ‘Knockin' On Heaven's Door’ at a talent show. He had this teal electric guitar, and I fell in love with him.”
Once they started dating in high school, they discovered their own musical connection not long before graduation, when Ben pulled out his guitar and strummed along while Dorothy sang a couple of Jewel tunes. During college, they went their separate ways until one fateful night when they crossed paths at a late night bar. The next day, they confessed what they both knew all along: they had always wanted to be together. Not long after that, they were married.
The five years they spent apart yielded the songs that would become the building blocks of The Danberrys. "I didn't write all that much during that time," says Ben of the years they were separated. "What little I wrote had more of a rockier, electric sound." Dorothy, however, came back to the relationship with a stack of songs on which she’d been working. "They were all songs about how much I missed Ben," she laughs, "And how I wanted to be with him."
Four of those cuts made it onto the band's 2011 EP, Company Store. Touted by Larry Vanderpool of The Examiner as a record steeped in Appalachian music tradition and oozing rich soulful harmonies, Company Store won The Danberrys a 2011 Independent Music Awards "People's Choice" trophy and the honor of appearing on stage at The Ryman with the legendary Robert Earl Keen.
"We put the EP out as a total experiment," says Ben. "It was like: we have these songs, we're here in Nashville, there are 300,000 studios available and players who want to play the stuff so let's see what happens. Then WSM Radio found it and liked it and thought we were perfect for the Robert Earl show. It was quite the honor."
Stoked by the success of Company Store, Dorothy and Ben returned to the studio this past winter with engineer Wilton Wall, mandolinist/co-producer Ethan Ballinger and friends to record their first full-length album, The Danberrys. Drawing on a broader palette of moods and sounds than existed on the EP, the couple chose to lead off the set with the gentle quiet of "Here We Go Round."
"We took a slight chance leading off with that tune," notes Dorothy, "especially in this day and age, when everyone wants to grab your attention with louder and faster." Following "Here We Go Round" is the careering drive of "Rain In The Rock," a cut that's one part country gospel and one part runaway train. There's more country gospel with "Blow On Wind," a tune that owes its inspiration to Neil Young and The Band, the godfathers of Americana who regularly inspire Ben and Dorothy’s songwriting.
The Danberrys also has a chant-like ballad ("Meet Me There"), a gorgeous country hymn worthy of comparison to Emmylou Harris ("Jordan"), a song about living the Southern life ("Jimmy") and an exuberant party song a la Stephen Stills' Manassas ("Come Give It"). There's even a trucker song ("Big Rig") that Ben wrote in the studio, picking up the terminology from the back of a compilation of old highway songs.
"I thought I'd make it nonsensical," says Ben of ‘Big Rig,’ "except that it's not nonsense if you have the key to the terms. I hear from the truckers that the lingo is kosher,” he laughs, “so it's not too fraudulent."
Early reviews of The Danberrys are, naturally, 100% positive. “The vocals and the harmonies are outstanding, as is the instrumentation all over the disc,” says Chuck Dauphine of Music News Nashville. “I don’t know if you can define it, but all The Danberrys need is to be heard!”
“There’s a flavor of bluegrass that’s always worked on me,” says Music City Roots’ Craig H., adding that their music is “characterized by old world tonalities, polished, modern drive and jazz-smart instrumental work.”
For their part, The Danberrys – who are still a self-managed grassroots operation – are humble yet excited about their album and about the future. “We tried to arrange the record in different ways but what it came down to was making it more than just a bunch of songs. We wanted to make it a ride you could listen to from beginning to end.”
As for the future, Ben says: “We already have demos for three more tunes on tape, so we’re getting ready to do it again.” For current and future fans, that’s nothing but good news.
The Pour House Music Hall
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