Floating Points & Falty DL All Night at Output with Hunee and Jacques Renault in The Panther Room
74 Wythe Avenue
New York, NY, 11211
Doors 10:00 PM
This event is 21 and over
Sam Shepherd aka Floating Points is one of the driving forces behind Eglo Records. As a Co-Founder and the first artist to release on the label, its fair to say that the young Mr Shepherd contributes a large piece to the Eglo puzzle. A neuroscientist by day, Dj/Producer/Composer by night, Floating Points knows no boundaries when it comes to creativity and expression. Classically trained from a young age and with a strong passion for Jazz, Floating Points has progressed into one of the worlds most exciting producers, as well as one of the club scenes leading Dj's.
Drew Cyrus Lustman is a musician in love with complexity and beautiful simplicity alike. On the one hand, the 26-year-old one-time sushi chef grew up playing piano and upright bass in jazz and classical groups, and cites Frank Zappa, Miles Davis, Squarepusher and Weather Report as life-changing influences; on the other, he loves clubs, loves to dance, and considers hip hop, house, jungle and UK garage to be as important as any of those virtuoso musicians.
Vitally, there is no sense of any divide between these influences – Drew does not see technical music as separate from music that is there to stimulate good feelings and soundtrack good times. His first releases in 2007 may have been unashamedly Squarepusher-influenced IDM, but they were tracks for the rave and not mere exercises in programming complexity, and listening to their tear-out jungle breaks now, they are unmistakeably the work of a man who dances in the studio. Which he does. And even more impressively, in his more recent releases, these precursors from across the globe and throughout musical history are tied together on the later tunes that brought him to global attention into a sound that could only come under the city lights of his adoptive home of New York in the 21st century.
The breakthrough with these latter tracks came when he dropped the tempo and allowed his beats to breathe, which found him a natural home on the British label Planet Mu, itself revitalised by its immersion in the possibilities of the dubstep and post-dubstep underground. Centring on the rhythms of UK garage provided the key which unlocked Drew's natural sense of the interconnectedness of electronic funk styles, the limber beat patterns allowing him to forward from UKG into dubstep space, back into NYC's orginal garage and further back still towards disco. The rolling rhythms of jungle were still there too, albeit sublimated, and underlying it all was the fresh-to-death gleam and defiant boom of hip hop.
His timing was impeccable: the 'Love Is A Liability' album and 'Bravery' EP came just as the post-dubstep underground was becoming far more fluid, and his easy stylistic shifts provided the perfect bridge between the new garage of artists like Brackles and Geiom, the cosmic hip hop of LA and Glasgow, and those people who were falling in love with house music all over again via Funky, Omar S and Karizma. But where some English producers might say "it's all house", he says "it's all hip hop! Ya dig?"
Back in New Haven, Conneticut where he was born, a younger Drew would let his mind roam: smoking a lot of pot and "watching the paint drip off the paintings" in the Yale Art Museum, or sitting at home reading Herman Hesse's Journey to the East and Siddhartha over and over. Now, thanks purely to those two Planet Mu releases, he is travelling in person all over the planet. Drew still has the yen to make wild jungle, and one day maybe he'll end up back in smoky jazz clubs. But right now, he's still as in love with current club music as the scene is with him, slipping easily between and ahead of new genre collisions even as they happen. It takes improvisatory skills to deal with a musical world that shifts and reconfigures as wildly as that of 2010 – but if anyone has those skills it's FaltyDL.
Jacques Renault was a post-punk Washington, D.C. native who moved to Chicago in 1997 to continue his studies of viola, but in turn got an education in dance music. Tapping into the well-established Drum 'n' Bass scene, he held a residency at Smart Bar and became a buyer at the legendary Gramaphone Records. This broad, raw exposure to House lead him straight back to the classics of Disco and to its
heart, New York City, where he landed in 2002.
As a DJ, Jacques has held residencies at New York's famed venues Happy Endings, APT, Tribeca Grand and 205 Club, and has been a guest around the globe in venues like Tokyo's Womb, Rio's D-edge and London's Fabric and Plastic People. With his remixes, edits, original tracks and collaborative project Runaway, he has released music on internationally acclaimed New York labels DFA, Chinatown, RVNG INTL, Throne of Blood, Italians Do It Better, Editions Disco, and Wurst, as well as Tokyo's own Mule Musiq & Crue-L, Parisian imprint I'm A Cliché, Munich's Permanent Vacation, Sydney's Hole In The Sky & Future Classic and of course London/Berlin's Rekids.
Along with his Runaway partner Marcos Cabral, Jacques has launched the new label On The Prowl, and OTP Party Breaks featuring their own material as well as original and remix work from Andy Ash, Simoncino, Brennan Green, TBD, Cosmo Vitelli, The Revenge, Azari & III, Tensnake, Nicholas, Coyote, & Kaos to name a few. Jacques has also taken up production duties for a number of artists including Warp Records' the Hundred In the Hands, which also featured Richard X, Eric Broucek and Chris Zane.
After nearly a decade of playing for others in NYC, Jacques, along with good friend Nik Mercer, began producing his own series of events called Let's Play House. The duo has brought in guests from abroad like Horse Meat Disco, Mugwump, Mock n' Toof, Cosmo Vitelli, and Kaos as well as local talents DJ Spun, Morgan Geist, TBD, Beg to Differ, Brennan Green, Midnight Magic, and Dan Selzer to name a few. Let's Play House is a moving party that uses Brooklyn warehouses, Manhattan ballrooms, hotel lounges, and everything in between for its regular events.
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