The Mast

The Brooklyn-based duo The Mast is vocalist and instrumentalist Haleh Gafori and percussionist and beat maker Matt Kilmer. Influenced by early IDM, post dubstep, and experimental beat music as well as acts like Mount Kimbie, Massive Attack, and Bonobo, the band creates a warm and inviting sound that propels the body to dance and soaks the mind in a bath of endorphins. In their live shows, The Mast creates a full-spectrum sonic experience incorporating live electronics, percussion, and vocal improvisation within and between songs enabling the spontaneity they were accustomed to as instrumentalists.

Haleh and Matt have also taken charge of creating the visual element of The Mast, directing, editing, and occasionally filming the videos themselves. Their most recent video “So Right” premiered in Interview Magazine, was featured in the Huffington Post and USA Today, and was chosen as Tubefilter’s must-see video alongside Arcade Fire’s “Afterlife.” Their video “UpUpUp” which features a pop and lock dancer in butoh-esque body paint and beat-synced projections screened at Bumbershoot, was featured on Pitchfork, and has gotten over 350,000 views on Youtube.

Before they became The Mast Haleh and Matt toured all over the US as well as in Europe and Canada, playing venues and festivals such as Bonnaroo, the Mimi Fest in Marseilles, the David Byrne-curated series at Carnegie Hall, Preservation Hall in New Orleans, and the Hillside Festival in Canada. Upon returning, they settled back in Brooklyn, built a studio, and began concocting a new sound. The first incarnation of their new band led to the 2011 release Wild Poppies which featured them on percussion and electric guitars.

While on tour, they began incorporating some of the electronic songs they had been making in their studio and eventually the infinite sonic palette that electronic music afforded was too seductive to let go of. Their exploration culminated in the new album Pleasure Island which was released on Jan 28, 2014 on Channel A Records.

Nitemoves is the electronic guise and internet handle of musician/sound designer Rory O'Connor. While supporting other electronic artists as a drummer (Tycho, Com Truise), O'Connor quietly composed his debut release, 'Longlines', in 3-6 hour chunks occupying the back seat of a moving car.

Championing influence from Satie, Jenkinson, & Corgan, the work was composed with the whole in mind, rather than a collection of isolated microcosms. It is a conscious endeavor in variety and continuity, attempting to bridge the gap between influences that have a tendency to contradict each other.

Written amid a period of introspection and wanderlust, it reinstalls the idea of the folk musician: traveling the country while funneling inspiration from all directions in an attempt to tell a story, to paint a picture of time passing. The title itself reflects an exercise in patience, constructing populations of simple melodies and rhythms, permitting them time to grow alongside each other and form complex relationships.

Headaches

Toronto's Headaches, aka Landon Speers, is a prolific musician whose work is characterised by layered textures and evocations of the subconscious. Never settling on one genre but constantly experimenting with ambient, drone and IDM sounds, Landon's first release on NeuroPlastic is a warm, weird-pop, chopped-up electronic single.

$10.00

Tickets Available at the Door

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Glasslands Gallery

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The Mast with Nitemoves, Headaches, with after-show DJ set by Beautiful Bells

Sunday, August 18 · Doors 8:30 PM at Glasslands Gallery

Tickets Available at the Door