Hill Country Live Presents
410 7th St. NW
Washington, DC, 20004
The Defibulators, described alternately as “Hee-Haw on mescaline” and “CBGB-meets-Grand Ole Opry,” will release Debt’ll Get’em,’ the follow up to their acclaimed 2009 debut ‘Corn Money,’ on August 27th. Recorded in Woodstock with D. James Goodwin and Eli Walker and Brooklyn with co-producer Brian Bender (Langhorne Slim, Jose James), the album is an au courant, urban take on classic country, channeling the frenetic energy of their legendary live shows into tight, punchy hooks and foot-stomping sing-alongs.
From “Pay For That Money,” a pedal steel and fiddle lament about debt, to “Ponytail Run,” a dreamy ode to beauty just out of reach, the album is full of gorgeous harmonies and razor-sharp wit. “Everybody’s Got a Banjo” is a biting, 70′s swamp funk-inspired nod to the instrument’s recent ubiquity (“If you don’t know how to play it, well it still looks cool”), and “Cackalacky” is the tongue-in-cheek story of an Appalachian musician who moves to New York City to make it big in roots music.
The band’s boundless energy and infectious sense of joy onstage earned them a nod as one of Brooklyn’s best emerging bands in Vice Magazine, and a devoted following in a city not known for its love of country. “It’s most fun to play for people who don’t think they like country music,” says singer Erin Bru. Guitarist/singer/songwriter Bug Jennings agrees, adding, “There’s something about the fast-paced, frantic, neurotic energy of New York that makes our style work.”
The band garnered immediate critical notice for their debut in 2009, with New York Magazine raving that “[Bug] and singer Erin Bru slip into harmonies that recall the storied Gram Parsons-Emmylou Harris duets,” Under the Radar hailing it as “a boozy concoction worth swigging until last call,” and Pop Matters describing it as “a drunken square dance on speed.”