Doc Roc Presents
423 N Main St.
Tulsa, OK, 74103
This event is all ages
Jim James has spent the better part of almost two decades as the lead singer and songwriter of My Morning Jacket. Through six studio albums, My Morning Jacket has grown into one of the most acclaimed rock and roll bands in the world. Alongside the band's recording and touring, James has maintained a steady, bordering on voracious, flow of work. In 2009, he released the Tribute to EP, with his versions of six George Harrison songs. He has also lent his voice to albums by the likes of the Decemberists, the Roots, America, Booker T. Jones, and the Preservation Hall Jazz Band, and recorded and toured with the Monsters of Folk—which teamed him up with Conor Oberst, M. Ward, and Mike Mogis—and participated in the Woody Guthrie tribute album New Multitudes alongside Jay Farrar, Will Johnson, and Anders Parker. In 2013, James released his debut solo album, Regions of Light and Sound of God. The album demonstrates James' soulful songwriting, his captivating voice and showcases his talents as both a producer and engineer.
Tall Tall Shadow, the third album by Toronto singer-songwriter Basia Bulat, is the bravest album she has made. Raw and spectral, heartbroken yet jubilant, these ten songs tell the story of a very hard year in the artist's life and all the love that helped her through it.
Whereas the singer's past two LPs, including 2008's Polaris-nominated Oh, My Darling, were made in Montreal's all-analogue Hotel 2 Tango studio, Tall Tall Shadow is a more modern thing. This is a record with echo and reverb, electronic flutters and electric autoharp, voices that charge and incandesce around buzzing guitars, lonely piano and rattling percussion.
To get to this place, Bulat co-produced the album with Tim Kingsbury and Mark Lawson. Kingsbury, a member of Arcade Fire, "can play anything," she says. Lawson, who has worked on records with Akron/Family and Colin Stetson, and who won a Grammy for his work on Arcade Fire's The Suburbs, is a studio alchemist; "he hears [new] things" in Bulat's songs.
They started recording in Toronto, at a reverberating 60-year-old dance hall. Once again, Bulat put together a band: her brother, the punk-inclined drummer Bobby Bulat; Holly Coish on keys and backing vocals; Kingsbury and Ben Whiteley on guitars and bass. One song features Whiteley's father, the folk legend Ken Whiteley, on gospel organ. But Tall Tall Shadow isn't acoustic folk music: like Beck's Sea Change or Buckingham Nicks, chord and strum are a launchpad for wilder sounds.
Bulat's goal was to keep challenging herself. "Promise Not to Think About Love," with shimmying bass and dancing handclaps, is the poppiest track she has ever released. "It Can't Be You," played on an Andean charango, is one of the simplest. "Never Let Me Go" is all crescendo, a woman in a storm, and the title track reaches soaring for another day: has there ever been a better showcase for Bulat's powerhouse voice? For her steam-train heart?
"Two months before I was due to begin recording, I suffered a deep loss," Bulat says. "I kind of started over." She started; and she didn't stop.
Adv $25, DoS $27, Door $29, Mezz $40