The Pretty Reckless
Heaven's Basement, Louna
54 North Orange Ave
Orlando, FL, 32801
This event is all ages
Watch & Listen
The Pretty Reckless
One night several years ago, Taylor Momsen's father took his daughter to a White Stripes show. "Before that, the only concert I'd been to was Britney Spears," says the singer, songwriter, and guitarist. "But once I saw Jack White onstage, that was it. I grew up as a dancer and I thought you had to dance to be a girl in the music industry. Then I saw the White Stripes and I was like, 'No, you don't. I can do that.'" Momsen was nine.
Jack White's raw power and deceptively simple guitar-and-vocal attack proved to be highly influential on the now 16-year-old Momsen, who began humming melodies before she could talk and writing songs at the age of five after falling in love with The Beatles. "I was obsessed with them," she says. "I also loved Led Zeppelin, The Who, Pink Floyd, Audioslave, Soundgarden, Oasis, and Nirvana. That's what I listened to. My rock idols are all men."
So it's not surprising that Momsen channels a lot of masculine energy on LIGHT ME UP, her rock-and-roll-heroine-in-the-making debut album with her band The Pretty Reckless. The songs, all written by Momsen and Ben Phillips with their producer Kato Khandwala, run the gamut of emotions, alternating at times between seething rage and a bruised vulnerability. With Momsen's inky vocals, pummeling riffs, and swaggering attitude, LIGHT ME UP sounds a bit like what might have happened had Led Zeppelin been fronted by "a chick." The album's ferocity could raise an eyebrow from those expecting a pretty, blonde teenager to gravitate toward straight-up pop songwriting. "It's heavier than people might expect from me," says Momsen, who is best known as the actress who plays Jenny Humphrey on The CW's Gossip Girl. "But this album is the most honest expression of who I truly am."
Momsen is a smart, emotionally complex young woman who has developed a strong identity despite growing up in the notoriously critical and fickle entertainment industry. Born and raised in St. Louis, MO, Taylor spent much of her time in NYC and at thirteen, she relocated to Manhattan. At two years old, Momsen signed to a modeling agency and a year later she began acting professionally appearing in commercials as well as films such as The Grinch Who Stole Christmas. In 2007 Momsen was cast as a lead in the CW show Gossip Girl.
"I didn't choose acting or modeling, I got thrown into it," Momsen says. "I liked it, so that wasn't a problem, but music and songwriting are what I've always really wanted to do. I've been working with producers and hanging out in recording studios since I was five, I just couldn't put out an album when I was eight," she says with a laugh. "Now I can."
LIGHT ME UP is an unflinchingly honest chronicle of Momsen's experiences, filtered through her unique point of view. "The record is about life," she says. "It covers everything: love, death, and music itself. It's rock and roll. It's sex. It's drugs. It's religion. It's politics. Each song tells a story about the trials and tribulations and emotional struggles that I've experienced or observed. It's not a happy pop record, but it's not Satan-worshiping either. The lyrics aren't meant to be taken literally, they are open to interpretation."
The songs tackle everything from romantic insecurity (the full-throttle rager "Make Me Wanna Die," which also appears on the soundtrack to the film Kick-Ass), to despair ("You"), to how working non-stop can you make you feel like one of the un-dead ("Zombie"). Momsen pushes back against the haters on "Light Me Up" and asks how far you have to go to get forgiveness on "Going Down." With her growly, world-weary alto, Momsen can do it all: garage-rock rave-ups ("Miss Nothing"), punchy blues-rock stompers ("My Medicine," "Since You're Gone"), as well as emotional power ballads ("Just Tonight") and lovely acoustic guitar and string-driven numbers ("You").
"I'm not just writing something because I think people might like it," Momsen says. "I hope they do, but I'm writing it because I have something to say. So many feelings go into the lyrics that it's hard to explain what they're about. Momsen first hooked up with Khandwala (Blondie, Drowning Pool, Paramore, Breaking Benjamin) and partner and songwriter, Phillips in October 2008. By the spring of last year, they felt they had hit upon a sound that felt authentic to her.
"The three of us have similar musical taste, so it was easy to find that singular vision," Phillips says. "Kato and I worked very hard to help Taylor reach her potential because we could see how talented she was right off the bat. She went into the vocal booth and began to sing and we turned to each other and went, 'Holy sh*t, she's f**'ing great.' Her voice was astonishing. So many artists these days let their voices be discombobulated by computers. Taylor doesn't do that. She doesn't need to. She can walk into a room and kick your ass."
Heaven's Basement are about evolution, growth and reaching new heights. Defiance, risk taking, and self-challenge are the bands hallmark.
"2012 will see us bust open the doors and unleash everything that Heaven's Basement holds to stages across the UK and beyond"
Having toured across Europe playing hundreds upon hundreds of shows alongside bands such as Papa Roach, Shinedown, Buckcherry, Black Stone Cherry and appearing at festivals such as Sonisphere and Download; Heaven's Basement are a band who've built their reputation on a setting Britain's underground alight and then taking that energy to bigger stages across Europe.
"We've experienced so much in the relatively short and explosive time Heaven's Basement has been around, we're all from different backgrounds but there's a potent chemistry that is created when we come together"
Their desire to leave an everlasting impression on rock music is fueled by one sole ambition between them; to reach the summit of their potential and to be regarded alongside the bands that inspired them.
"We're proud to come from the country that has without doubt produced some of the greatest rock n roll bands of all time. There's now a void that needs filling. Everything we do revolves around filling that void"
No other rock group from Russia has exploded onto the music scene quite as rapidly as LOUNA. Their first English language album, "Behind A Mask", was released on April 30th via Red Decade Records and MEG/RED. Frontwoman Lousine Gevorkian was named the best female rock vocalist in Russia in February of 2013 at the annual Nashe Awards, the closest analog in Russia to the Grammy's or American Music Awards for rock musicians, she was nominated for the same award the year before.
They are the most commercially successful rock band of the modern protest movement (of which PUSSY RIOT has become the most internationally renowned). They donated their song "The Time of X" to the White Album project raising funds for PUSSY RIOT's support and defense. MTV USA came to Moscow in the Fall of 2012 and will feature LOUNA in an upcoming documentary about protest musicians around the world called "Rebel Music" airing in October on MTV.
After the release of their first EP, which lyrically focused on the many modern social problems that exist, they were quickly named the 2009 Best New Artist of the Year at the annual Russian Alternative Music Prize (RAMP) awards. They released their first album, "Let's Get Louder" in December of 2010, selling out every venue during their first national tour of Russia supporting the album. Two singles, "Fight Club" and "Let's Get Louder" reached #1 on the Russian radio charts, with "Fight Club" remaining in the top 10 for a record-breaking 16 weeks and also being named the 2011 Rock Song of the Year at the annual Nashe Awards. Along with this, LOUNA was nominated for Breakthrough Artist and Solo Performance of the year. "Mama," their first single from their February 2012 album, "The Time of X", went straight to #1 on the Russian radio charts.
LOUNA has performed on the main stage as a headliner at every major festival throughout Russia, and is almost universally considered the most in demand young rock band in all of the Russian world. They have played in Russia with numerous international artists such as Limp Bizkit, Billy Talent, Paramore, The Killers, Bullet for My Valentine and many others. In early 2012, they were invited to perform as one of the main headliners at the 50th-birthday concert festival honoring Russian rock legend Victor Tsoi of the band KINO, playing to audiences of over 15,000 people in both Moscow and St. Petersburg.
$15.00 - $50.00
Tickets Available at the Door
All lineups and times subject to change
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Ticket Limit - 4 ticket limit for this event per household, customer, credit card number and email address. Patrons who exceed the ticket limit will have their order cancelled automatically and without notice.
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