Tric Town Presents
Buried Beds, Teen Men (Members of The Spinto Band)
The Jolly What, Little Invisibles
270 E Main Street
Newark, DE, 19711
This event is 18 and over
"This is one of those bands that's so good, you simply cannot understand why the world hasn't discovered it yet. Buried Beds is a pop group - no apology necessary, because doing pure pop well (i.e. not boring people to death) is a high-wire act not too many people can pull off. The band was formed in 2003 by Philadelphia indie music mainstay Brandon Beaver (how's that for a pre-existing stage name!) and Eliza Jones. Check out Tremble the Sails, to understand what talented people can do with piano, acoustic guitar, banjo and violin. The arrangements are lush and interesting, the lyrics focused and funny, and the vocal harmonies are Beach Boys good. All the vocals, by the way, were recorded at home, with the band members in their PJs."
Teen Men (Members of The Spinto Band)
Featuring Nick Krill and Albert Birney of the Spinto Band
The Jolly What
Inspired by Delaware indie stars The Spinto Band, The Jolly What! toured the East Coast and Southern California in 2010. The band... is known for its unpredictable live shows and constantly revolving lineup.
And so there is, that dark powerful beauty that resonates throughout Little Invisibles’ brand of hauntingly melodic alternative pop. With Gina’s aching voice and poignant keyboard at the fore, the band’s epic, sweeping songs rise and swell like waves on a moonlit shore until they crash over the listener like a sea of Byronic heartbreak. Five of these impossibly moving songs—all composed, like the rest of the group’s music, by Gina—make up Closer, Little Invisibles’ stunning debut.
A dramatic unveiling if ever there was, Closer, which Gina co-produced, is a veritable jewel box of wide-screen modern rock. Within: jaw-dropping riches like the opener, “Breathless,” all ghostly piano, soaring vocals, and danceable trip-hop beats; the wounded-but-defiant lament “What Once Was,” the EP’s only piano-less track; and “Headrush,” a sultry duet with co-composer Lance Davis that pulses with heart-beating rhythms and gothic (small g) melodrama.
If it all sounds a bit Jane Eyre, well, then why not? Gina, who’s been through the relationship mill as much as any mature artist, maintains that she’s merely allowing her romantic angst to flower into songs that are beautiful and, ultimately, redemptive and uplifting for those who hear them. “When I’m happy I never go to the piano to write,” says Gina, who holds a bachelor’s degree in piano performance and studied at Boston’s Berklee College of Music. “I write first and foremost from emotion, and after a breakup you never have to look far for inspiration. But even then there usually ends up being an element of hope in my songs.”
Raised in a musical family (her brother, Rich Degnars, is Little Invisibles’ drummer), Gina became a fixture on the northern Delaware/Philadelphia/New York club circuit with her previous band, Stygian Veil, which released one acclaimed album, 2001’s Poison Berries. Little Invisibles materialized in 2009, the transition dovetailing perfectly with the striking songstress’s move to more clubby beats and soundtrack-ready melodies. Strong songs are strong songs no matter what the setting, and for live appearances the band can tailor its flexible lineup to fit the given scenario; in configurations ranging from a quartet (keyboards/guitar/bass/drums) to the duo of Gina and Rich (keyboards/drums) or Gina solo, Little Invisibles have been casting their spell on audiences across the East Coast and beyond, entrancing new fans with every performance.
One outspoken fan is Grammy-winning producer Phil Nicolo (Rolling Stones, Aerosmith, Sting, James Taylor). “Little Invisibles have a wonderful focus and depth that is rare in modern music,” Nicolo says. “I find Gina’s unique imagery a breath of fresh air.”
“I’m just trying to write songs that are sonically compelling,” says Gina. “Music that gets a physical reaction from people, and, hopefully, resonates with them emotionally, too.”
One listen to Closer shows that her approach is working beautifully. Despite the name, Little Invisibles is an act unlikely to remain small or hidden for long.
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