John Scofield & Uberjam w/ Charlie Hunter
3801 Chestnut St
Philadelphia, PA, 19104
Doors 8:00 PM / Show 9:00 PM (event ends at 2:00 AM)
This event is 21 and over
One of the "big three" of late 20th and early 21st century jazz guitarists (along with Pat Metheny and Bill Frisell), John Scofield's influence grew in the '90s and continued into the 21st century. Possessor of a very distinctive rock-oriented sound that is often a bit distorted, Scofield is a masterful jazz improviser whose music generally falls somewhere between post-bop, fusion, and soul-jazz. He started on guitar while at high school in Connecticut, and from 1970-1973 Scofield studied at Berklee and played in the Boston area. After recording with Gerry Mulligan and Chet Baker at Carnegie Hall, Scofield was a member of the Billy Cobham-George Duke band for two years. In 1977 he recorded with Charles Mingus, and later joined the Gary Burton quartet and Dave Liebman's quintet. His own early sessions as a leader were funk-oriented. Between 1982 and 1985 Scofield toured the world and recorded with Miles Davis. Since that time he has led his own groups, played with Bass Desires, and recorded frequently as a leader for Verve, Emarcy, Gramavision, and Blue Note, using such major players as Charlie Haden, Jack DeJohnette, Joe Lovano, Eddie Harris, and a host of others.
Scofield started a long-term relationship with the Verve label in 1996 with his acoustic album Quiet. He cut the funky A Go Go with Medeski, Martin & Wood in 1997, while 2000's Bump featured members of Sex Mob, Soul Coughing, and Deep Banana Blackout. Released in 2001, Works for Me featured a more traditional jazz sound, but for 2002's Uberjam and 2003's Up All Night, he was back to playing fusion. Drummer Bill Stewart and bassist Steve Swallow rounded out the John Scofield Trio for 2004's cerebral and complex live album EnRoute. In 2005, Scofield paid tribute to legendary soulman Ray Charles with That's What I Say. He featured a number of guest vocalist/musicians, including Dr. John, Warren Haynes, and Mavis Staples.
In 2007, Scofield released his debut for Emarcy, This Meets That. Once again, the set was theme-related and featured the guitarist in the company of a large horn section -- winds as well as brass and reeds -- playing original compositions as well as those from the rock and pop vernacular. Two of the more radical offerings on the album were the completely rearranged jazz-rock versions of Charlie Rich's "Behind Closed Doors" and the Rolling Stones' "(I Can't Get No) Satisfaction." Scofield took another left turn on 2009's Piety Street. He hired Jon Cleary on keys, ex-Meters bassist George Porter, and drummer Ricky Fataar to play on a set of spirituals and gospel tunes, all done in a grooved-out soul-jazz manner. In 2010, he was the featured soloist on the Metropole Orkest's Emarcy date 54. Scofield returned to a theme-based format for his next date for the label, A Moment's Peace, a collection of ballads that ran the gamut from Gershwin to the Beatles, and included some original compositions. The set, which was released in September of 2011, featured the guitarist in the company of drummer Brian Blade, organist Larry Goldings, and bassist Scott Colley. Also in 2011, MSMW Live: In Case the World Changes Its Mind was released by Indirecto Records. The double-length set is culled from the Medeski, Scofield, Martin & Wood 2006 world tour; its contents reflect material off Scofield's A Go Go and the MSMW studio offering Out Louder. Over a decade after Uberjam, the guitarist rounded up some of his collaborators from that disc -- Avi Bortnick (guitar and samples), Adam Deitch (drums) and guest John Medeski -- along with Andy Hess (bass), and Louis Cato (drums), to issue Uberjam Deux in July of 2013.
With a career spanning 18 years and almost 20 albums, Hunter consistently ups his game as an innovative writer and bandleader. He has worked with the likes of Norah Jones, Mos Def, John Mayer, D'Angelo and countless others. He is widely considered the authority on the seven and eight-string guitar, and continues to stun audiences with his ability to simultaneously bust out tasty bass parts, melodic leads and swinging rhythms. Hunter has previously recorded for the venerable Blue Note label, Concord, Ropeadope and others. His recent independent venture is steered by his motivation to release music that most inspires him. Critics have touted his genius technique, but it's his profound artistic sensibility that propels his original music. Hunter's signature style of writing and performing has secured his
place as one of today's great guitarists.
Hunter's newest album is a duo recording with drummer Scott Amendola. "Not Getting Behind Is The New Getting Ahead" was recorded with Hunter and Amendola playing in the same room simultaneously -- an old-school recording method that has been virtually lost in today's cut-and-paste world
"A terrific guitarist" –Downbeat
"A homespun marvel" -New York Times
"…a man who [has] built his badass reputation by conquering hairy bass lines and heady post-bop
melodies simultaneously on custom eight-string instruments… Hunter is still a musical beast." -Guitar
"…Hunter - well known for playing a seven-string instrument - rips through the air with superrock fuzz
and fusion mettle." -Rolling Stone
Sat, December 21
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Sun, December 29