Doc Roc Presents
Redlight King, The Bourgeois
423 N Main St.
Tulsa, OK, 74103
This event is all ages
You hear it again and again.
When one door closes, another one opens. However, it’s true - especially in the case of Sick Puppies. In the Fall of 2014, Emma Anzai [bass, vocals] and Mark Goodwin [drums] parted ways with their guitarist and vocalist. Weathering and persevering through this potentially life-changing event, the gold-selling, chart-topping Los Angeles-based and Australian-bred hard rock outfit knew one thing.
They were going to make more music as Sick Puppies.
“There was no question” affirms Emma. “We had no doubt that we wanted to continue. Mark and I got together and basically said, ‘first and foremost, we love music. We love this band and our fans, and we have put so much into it, and we are not done and want to take it further.’ In order to do that, we needed to find the right member.”
Instead, the “right member” found them. With stints in several bands under his belt, Texas-born singer and guitarist Bryan Scott reached out to Emma via Facebook within days of the announcement. He sent her a video of himself performing, and she swiftly replied.
“Both Mark and I knew he was the guy right away - he was cool and he sounded great. It was a natural progression. We were totally on to something” said Emma
“Something just overwhelmed me,” admits Bryan. “I had a feeling that I needed to reach out. They needed a singer and guitarist and that’s what I am. I had always loved their music and as soon as I saw the post, I went home and immediately sent Emma a message. We clicked right off the bat. Music is in their blood - it’s who they are. They live and breathe it every day. I’m the same way.”
There's stubborn. And then there's Kaz stubborn. The singer-songwriter of Redlight King refused to take no for an answer when music business suits denied his request to sample a Neil Young classic, pressing relentlessly until he got a "yes." More importantly, Kaz held on to vanquish the inner demons that nearly wrecked him several years ago. Now, with "Something for the Pain," Redlight King's redemptive Hollywood Records debut album, Kaz relives both his darkest days and the turn-around, when he clawed his way back to the light.
A latticework of rock and hip hop, the album conjures old school sounds, thanks to Kaz and producers Wally Gagel and Xandy Barry, as well as the good vibes at Hollywood's TGG Studios (now called Wax Studios, whose alums include Jimi Hendrix, the Doors and, yes, Neil Young). "I'm all about mixing in the old sounds," Kaz says, "and giving it that warm, analog feel. There is sampling, hip hop grooves and beats, but I also wanted good old fashioned meat and potatoes: bass, guitar, drums."
The sound may be warm, but his songs revisit the cold climate of Kaz's native Hamilton, Ont., and the even chillier emotional landscape of his lost years. In the astonishing hip-hop flavored debut single, "Old Man," Kaz offers a reluctant salute to his father, a larger-than-life figure who taught school by day and raced stock cars at night ("The life he demanded/Kept us all in a struggle/When he ruled with his fist/It kept us all out of trouble"). "No father issues here," says Kaz with a laugh.
Hard-edged rockers like the blustery "Bullet in My Hand," "The Underground" and the title track take listeners on a vertical drop into an abyss Kaz once knew all too well. "Most of it was written while the feelings were still there," he recalls. "My songs are written about real issues, real experiences. I like to bring listeners in deep, and give them time to look around."
Kaz starts "digging six feet up" (as he puts it) on songs like "Comeback," "Built to Last" and the irresistibly melodic "Driving to Kalifornia." Collectively, they describe the hard labor of rebuilding a life, then hitting the road, with the wintry east receding in the rear view mirror. The album ends with the acoustic-flavored "Past the Gates" and "When the Dust Settles Down," the former a hope-filled forward glance, the latter a last look back. He may be whistling past the graveyard, but it's such a pretty tune.
Kaz grew up in Hamilton, Ont., once a booming steel center on the shores of Lake Ontario, and now struggling in the global economic meltdown. He grew up in middle class home where his parents "struggled to pay the bills." Like his dad, Kaz loved cars and drag racing (Redlight King is named for the light "tree" that signals the start of a race). As he grew, music also began to take hold. He loved Queen, Springsteen, Dylan and Lennon no less than A Tribe Called Quest, Rakim, Treach and Nas. He started writing early on, recording his first track at age 16. But in his teens, music took a back seat to judo. He was good enough for a shot at Canada's Olympic training center to prepare for the 2000 Games. But he didn't make the team -- a blow that would take a toll later.
Meanwhile, Kaz returned to music, landing a deal and releasing an album in Canada. That led to a Juno Award nomination for Best New Artist, but the affirmation wasn't enough to halt a steep slide. "You know why it's happening," he recalls of his struggle with substance abuse. "You don't know where the end is, you've lost all rationality. You're borderline insane. But in the end, you make a decision to start again, and the only way was to forgive myself for my mistakes."
It worked. Kaz came back strong, headed to California in a rebuilt '49 Mercury pick-up and converted his two-year nightmare into the song cycle that became "Something for the Pain." Says Kaz, "Writing songs when you're in a dark place is dangerous. The songs I wrote for this album I won't write again. I won't have to."
Just because he lives in Los Angeles now doesn't mean he's gone Hollywood. When the mood strikes, he takes his rebuilt 1950 Harley up the PCH, just to clear his head. Hot rodder that he is, Kaz is currently restoring a rare 1937 Lincoln Zephyr coupe, with plans to make "a film capturing the journey and process of bringing the car back to life," he says. "Hot rod culture runs deep in my roots."
Music runs even deeper, and with the release of "Something for the Pain," Kaz will take the show on the road very soon. He knows his music touches a raw nerve, but that's part of the appeal for him. "I hope people will be able to connect with it and take from it what they need," he says. "It's about the human condition. In the end, we're all the same."
Ever get the feeling you’ve been lied to?
Zach Mobley and Ty Clark grew up in the bowels of rural Oklahoma. They coped with the oppression of the Bible-Belt in different ways. Zach (guitar/vocals) spent most of his adolescence holed up listening to punk rock and plotting his escape. Ty (drums) also took solace in music but fell victim to the opioid epidemic that plagued his community.
After a stint in one of the state’s many overcrowded and underfunded prisons, Ty reclaimed control of his life and responded to an ad placed by Zach. The two quickly realized they shared similar tastes in music and a similar distaste for the hypocrisy surrounding them. Another small town pariah, Vance Young (bass), was added later to complete the lineup.
The Bourgeois (pronounced booj-wah) are an alternative rock band from Tulsa, OK. Musically, the band draws inspiration from a wide variety of artists; the sonic rush of Nirvana and Smashing Pumpkins, the disenfranchised melodicism of indie rock stalwarts like The Smiths and Violent Femmes, and a dash of aural post-punk weirdness, a la The Talking Heads and The Pixies, are all keys to the band’s signature sound. The band prides themselves on their ability to channel their influences without sounding antiquated or derivative.
The group hit the ground running with their first single, Perverting the American Dream, which was accompanied by a video produced by Delo Creative (The Flaming Lips, Miley Cyrus, Broncho). Perverting the American Dream has since racked up over 300,000 plays on music streaming service Jamendo.
They followed with the Steve Haigler (The Pixies, Brand New) produced album, We're Still in the Gutter, But Some of Us Are Looking At the Stars, and steadily built a following through their energetic live performances, creative music videos, and sardonic sense of humor.
In 2016, the band played shows with Eagles of Death Metal and Electric Six to promote the release of the Designer Genes EP, produced by Trent Bell (Flaming Lips), Rob Schnapf (Beck, Kurt Vile, FIDLAR), and Brad Wood (Smashing Pumpkins, Placebo, mewithoutYou). It was downloaded over 1,000 times within it's first week of release at NoiseTrade and was also featured in Alternative Press. A video for the track Summer of George was retweeted by Jason Alexander (George Costanza) himself.
Adv $20, DoS $22, Door $24, Mezz $35