Double Tee & Dead Nation Present
BURGERAMA Caravan Of Stars Tour 2013 with THE GROWLERS
Cosmonauts, Gap Dream, Together PANGEA, LA Luz, White Fang, Colleen Green
128 Northeast Russell Street
Portland, OR, 97212
Doors 6:00 PM
This event is all ages
Watch & Listen
When the Growlers put out their "Greatest sHits" compilation and their subsequent "Couples Vol 1-8" series there was no doubt the writing team of Brooks Nielsen and Matt Taylor and their band of merry menacers could output as many songs about the Growler life as they wanted to.The question would be what of that output to put out.
Now, with several moon cycles and a couple hundred tunes behind them, The Growlers are set to release their latest batch of sonic brownies, "Hung at Heart", January 22 via Everloving Records, and yes their goodies are still laced with that psychedelic circus of surf, sex, and hobo trance, boom boom twang that makes for a hell of a high!
However, getting these treats out of the oven wasn't all that easy. Indie Iron Chef, Dan Auerbach, had initially tried his hand in the kitchen but when the dish ended up overcooked, the Growlers brought it back to the home kitchen, drank the juice and started over.
Warning to the hipster savants: This is a Growlers record. Fuzzy genius and working class logic mix easily in love songs that extol the virtues of the free market in mate selection (One Million Lovers). "Some Day" opens up the Hope and Magic aisle in the sentimental supermarket where Nielsen sings about turning 'bologna into steak and tallboys into champagne.' The real magic however, has been the relentless pursuit of happiness on the road while traveling throughout the hundreds of gigs performed to get from Costa Mesa to London to Brazil and back. At every stop along the way the kids and creeps have joined the Beach Goth caravan that is the Growlers experience. It is the experience they have coined that has landed them on the big stages of Coachella (where their set began at 4:20) and Lollapalooza 2012 and though nothing in life is certain, one thing will always remain true: The Growlers will continue to live a simple blend of surfing and experimentation, both in music and road dog life.
"Their raucous set was like if the Velvet Underground had turned to the MC5 at their Boston Tea Party concert in 1968 and, instead of insulting them, had turned and made love to them—and that was how Lou Reed wound up wearing that dog collar. I couldn't make out a single lyric, but did they really close the set with 'Little Honda?'" --LA RECORD
"Swirling, distorted psych, bulldozed along by pounding primitive drums, fuzzed out vocals, all glued together with a heavy spaced out guitar drone. If that ain't the ingredients for record of the month my name is Prince Bloody William. Imagine if you will the best of THEE OH SEES jamming deep with MOON DUO, with the aid of some sort of retro type drug that only Brace Belden knows the name of and you would almost be right on the money. Heavy, without losing one single hook, repetitive without being the least bit boring and shamelessly stepped in the glory years of acid rock without being a boring regurgitating hipster. Be warned, this record will give you a contact high." --Maximum Rock N Roll #337
From glam to gunk this Ohio trippy man can be found making his home recordings that range from Peter Koppes to Slade. Or just at home resting with his pretty little pup Judy. Nothing stands in Gabriel Fulvimar's way.
From Los Angeles by-way-of Newhall, Pangea play poppy, snotty, shitty, fitty, punky, stunky garage-pop and roll. est. 2005
Featuring Shana Cleveland (guitar), Marian Li Pino (drums), Abbey Blackwell (bass), and Alice Sandahl (keyboards); the group brings a relaxed beach-babe vibe to their take on the sweet, thick harmonies of 60's girl-group, garage, and doo-wop bands. Born in the Summer of 2012, La Luz is driven by thumping, energetic bass lines, danceable surf beats, trembling organ, reverb-soaked guitar, and a wild love of rock 'n' roll. The band recorded their first EP Damp Face with the help of their friend Johnny Goss in a sweaty apartment across from the laundry room in a Bothell, WA trailer park. The initial run of 100 home-dubbed cassettes sold out after the bands' first few shows and in February 2013, Burger Records re-popped the cassette. A full length record is now in the works and La Luz looks forward to inspiring damp-faced dance parties in clubs, basements, theaters, and backyard seances all over the world!
four freebirds high on life/doing the things we wanna do/we'll get as high as we fucking please/fuck it.
Inspired by the honesty of contemporaries like Mike Hunchback, the DIY aesthetic of early Thermals and Nobunny albums, and all the poppiest melodies of her favorite singles, stoned songwriter Colleen Green creates the original pop soundtrack to all the days you spend in a daze.
Green's strength is in application and in doing so she builds a familiar sound; at the same time it's unlike anything you've heard before. Her songs run the gamut in musical styles, from Ramones rip-off pop punk to dreamy stoned drone to getting-ready-for-da-club-shit.
I know a couple of things about Colleen Green.
One thing that's for sure: she's a songwriting phenomenon. She sings lovely, catchy, fuzzy songs that range from 80s pop goulash to psychedelic drone; from 90s power punk to homemade Sebadoh-style songs of heartache. Think of her as a sort of female Daniel Johnston, with her at home making comics, armed with a seemingly unlimited amount of well-composed songs, her lamentations on out-of-reach love, her self-medication, her bedroom recordings. She proudly displays her musical heroes' influences on her sleeve. She plays live shows alone on stage with only an electric guitar and a drum machine to accompany her.
Is she a genius? Who knows.
So let's get down to the bare bone facts. These are the things I know about Colleen Green to be true: Colleen Green sprouted up some years ago in Massachusetts, deep within the forests of the Merrimack Valley. She was raised by a loving family that brought her up on a steady diet of delicious oldies and sugary cereals. Colleen Green went to school, learned how to speak the language of the streets, and by second grade was rapping on school grounds. By the age of 11 she had discovered punk rock and never looked back. From that point on she was obsessed with music.
Green moved to Oakland, California in 2008 in search of hot sun, good bud, good buds, and nice boys. Fortunately, five of her best friends decided to join her, the best of which being Kayla. Along with their friend Steve O, Green and Kayla created the Full House House in West Oakland and invited countless great bands from across the nation and world to play in their living room. Kayla can be seen on the front cover of the "Green One" 7", and is also one of two main characters in Green's comic strip, "Real Shit Daily".
Recently, Green retreated to a cave in Los Angeles, where she can now be found sleeping, smoking, baking magical treats, and staring at the wall. Within two lonely months, Colleen had written and recorded Milo Goes to Compton; within five she had released both that tape and the 4 Loko 2 Kayla CD-R EP as well. Both of these albums have been in heavy rotation since the day they arrived in my mailbox.
Anyway, that is just the beginning of the Colleen Green story. If you can, get to know her. And text her. You will love her
"A brutal gem for the real indie club bound to blow up speakers and inspire many bands out there to get way more creative (or violent) with their re-appropriation of 1960s Girls in the Garage tropes." --20 Jazz Funk Greats
"Like coffee for your ears." --Pitchfork
"Slightly snotty but totally cool fuzz pop music." --Neu Magazine
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