Gaiser (Live), Matador (Live) + Hobo (DJ set)

Gaiser Live (Minus)

"My 'bedroom' has always been a room full of gear that happened to have a bed in the corner." - Jon Gaiser

Following a string of finely crafted Minus EPs (And Answer, Neural Block and Eye Contact), Gaiser has become one of the most exciting and sought after producers of his generation. With an instinctive feel for the intricate mechanics of minimalist sound sculpture, his music contains the perfect balance between rhythmical energy and sonic finesse and nowhere is this more apparent than on his thunderous debut album Blank Fade.

Growing up in Grand Rapids, Michigan, Gaiser spent most of his teenage weekends succumbing to the gravitational pull of Detroit, hanging out with friends and going to gigs. At that point he was into punk and playing drums in a few different bands but everything changed around the age of 14 when he experienced his first Techno party. Richie Hawtin was at the controls and Jon was completely blown away by the pure energy of the music and the originality of the sounds. From a musical perspective, everything was so new and fresh that he immediately set about figuring out how it was created. He quit the bands and began collecting drum machines, synths and fx units, before finally moving to Detroit after graduating from high school.

For the next few years, if he wasn’t at home patiently programming his machines and perfecting his studio skills, he could be found digging through crates of vinyl at Record Time in Detroit. Plus 8 had an office in the back of the building, so it wasn’t long before he got acquainted with Tim Price, Clark Warner and the rest of the crew and from this chance meeting he has developed into an integral part of the Minus family. It’s not hard to see why. His natural energy and rhythm are clearly responsible for the irresistible drum patterns that drive his productions forward but it’s also the subtleties - the delicate melodies and dramatic changes in atmosphere that give his sound such a distinctive edge. Music has always been in his blood, his early punk rock exploits counter-balanced by the more considered approach needed to learn piano and symphonic percussion and by drawing on these earlier experiences, he has avoided the genre’s more self-referential clichés.

Now living in Berlin, Gaiser was recently back where it all began for him all those years ago, mixing and matching his sounds with the rest of the Minus crew on the first leg of the Contakt global tour in Detroit. There’s clearly a certain symmetry at work here but more to the point it represents the culmination of three years of hard work and constant touring across Europe, the US and Japan. What always stands out about his performances is the ability to make an immediate connection with the audience, soaking up the vibe and playing according to their reactions. He’s a musician who lives off his instincts, channelling his moods and emotions directly into his computer, translating new experiences and sensations into sound. There simply is no other way.

Matador Live (Minus)

Minus are proud to present the newest member of the family, in the form of Matador. In the past four years Gavin Lynch’s sounds have found a home on Perc Trax and Cocoon, plus most recently on Plus 8 , where Richie Hawtin recently introduced the young Dubliner ahead of his first Minus event (at Berlin’s Watergate, joining the Minus team for the official Fly Bermuda after party), with his stellar remix of Bryan Zentz’s D-Clash. After that introductory taste, Matador now takes the bull by the horns for his first full EP for Minus, exploring the twisted but organic techno sound he’s best known for.
Hawtin fans will recognise the EP’s title track instantly as a jewel in the crown of his recent Boiler Room set in Amsterdam, for the hugely influential internet broadcast’s Minus showcase from ADE 2011. All bleeping soft focus melody lines and cantering kicks, it’s a slowly building bomb.
Elsewhere there is shimmying, suggestive minimal coated in warm tape hiss on ‘Mambo’ and brooding, heavily-weighted backroom sounds speckled with rasping, rising synth lines and glistening percussion on ‘Hitbox.’
‘Nomans Land’ is a bouncy, with wispy hi-hat ringlets and a buried-in-the-mix, undecipherable vocal running through it. The little details around the edges are what bring the groove alive. Coming from a different angle altogether is Korrado’: its melancholic notes hang above firm, pulsing kicks and bittersweet overtones.

Hobo (Minus)

It should come as no surprise when you listen to the body of work that Joel Boychuk has created under his Hobo guise, that each individual output sounds so different. Hobos are wanderers - migrant work-seekers, constantly on the move. You can tell that he is aware of this fact every time he steps into his studio, because speaking musically, for him the same path is never trodden twice. When asked why he never seems to repeat himself, he will answer without hesitation: “You stay still, you’re more likely to be left behind.” It sounds so simple but it makes so much sense. He freely admits that there will be people who come along and stick around by playing it safe, finding something that works, and riding it as long as possible. For him, however, that is not an option. Boychuk speaks of idleness and stagnation as though they’re the worst plague imaginable. And it’s valid logic. Everything is in a state of change, why not embrace it? And embrace it, the twenty-four year old producer has. With simple beginnings in between Canada and Detroit, the young star has risen from total obscurity, to performances at some of the world’s hottest clubs, along side it’s hottest DJs. Fabric in London, Amnesia in Ibiza, Tenax in Florence, and Europe’s biggest festivals are among the stops that this Hobo has made in his never ending commute. And there looks to be no end in sight. Boychuk is always hard at work on his next idea, and yet somehow he makes time to gain extra credits wherever possible, most recently as ‘Assistant Executive Audio Producer” for the acclaimed Plastikman Live tour in store for 2010. When asked how he manages, he reveals his first noticeable consistency, in saying: “Just never stop moving.” It’s a mantra he wears proudly, and that pays off everyday. After having his 2009 hit, ‘Symptom’ charted as one of Depeche Mode co-founder Martin Gore’s favourite tracks, to having Hugo Boss select his ‘funk jam’ (as Boychuk calls it) ‘Howard Watson’s Jam’ as one of their monthly favourites, to touring along side Richie Hawtin at the biggest events and clubs in Europe, this Hobo is most certainly earning his keep. Boychuk has made it very clear that he doesn’t ever plan on sitting still; so wherever you go, keep your eyes peeled. There’s a good chance he’ll be passing by any day.

$15-$20

Off Sale

Public Works Presents: M-NUS MONSTER MASH (Minus Record Label Showcase) Halloween Night with Gaiser Live (M-nus) Matador Live (M-nus) Hobo DJ set (M-nus) + Tba support Funktion One Sound Costume Contest and Halloween Vibes!

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Gaiser (Live), Matador (Live) + Hobo (DJ set)

Thursday, October 31 · Doors 9:00 PM at Public Works

Off Sale