SOFT METALS / THE LOVE LANGUAGE

LA’s Soft Metals formed in 2009 after Ian Hicks and Patricia Hall met at a DJ night and connected over their obsession with analog synthesizers and the shadowy, sultry, untamed expressions of underground electronic music. Their early collaborations paired Patricia's delicate vocals and introspective lyrics with Ian's solo sketches. Soon they moved on to writing music together, building songs from wild, improvised sessions in Ian's home studio. Their genre blurring brand of voltaic pop draws inspiration from a spectrum a sources including krautrock, synth wave, and techno. They've won over audiences in situations as varied as experimental noise shows in dingy basements, to sleek, modern nightclubs, to clandestine after hours warehouse parties, to dimly lit dives where post punk and synthpop records fuel the dance floor.
Soft Metals found a home on Brooklyn’s Captured Tracks with the 2010 EP The Cold World Melts. The following year Hicks and Hall presented us with their debut self-titled long player; an album steeped in driving beats, maximalist textures, and the perfect placement of Hall’s atmospheric vocals.
July 2013 will see the release of Soft Metals' next installment, Lenses; a continuation of their ethos aiming directly at your body and subconscious mind with an intimacy that only lovers can bring. The song "Lenses" describes the experience of shifted consciousness with the lyrics "breaking through my perception of you, breaking through my concept of life". It celebrates the feeling of escape from a mind imprisoned with lack of presence and stuck in habit all set to an earnest beat and lush enigmatic melodies that entwine and seduce. "Tell Me", "No Turning Back", When I Look Into Your Eyes" expresses that nervous, vulnerable feeling of falling for someone, but questioning the reality of the situation asking "Is this love true? Or are we just lost in lust?", "when you said you loved me, I laid my whole life down", "When I look into your eyes, I wonder if we'll meld". "In the Air", perhaps the most movement inspiring track of the album, is a dense, pulsating piece about the power of nature, the effects of seasonal changes on all living things that rule over sexuality, productivity, and inspiration- the basis of man's various forms of mysticism.

THE LOVE LANGUAGE

The Love Language, initiated by Stuart McLamb, is a fortunate by-product of the North Carolina native's rudderless mid-20s, where a tempest of breakup, inebriation, and incarceration found the abandoned songwriter embarking on a storage-space recording project to slow his seeming disintegration. The growing body of emotional fight songs, committed to MP3 with a high-school era multitrack recorder, became postcards from exile, a way to let his friends and former flames know he was getting along, battered but not beaten. The self-immolating beauty of the budget correspondences was exhausting and triumphant; McLamb's dalliances with rejection and redemption would be minted in a self-titled debut on Portland independent label Bladen County in March of 2009.

Soon afterwards, the mighty ensemble band version of The Love Language-a dysfunctional symphony of musical vagrants-disbanded to pursue personal projects. McLamb, who had roamed the state since recording The Love Language, moved back to Raleigh where Libraries engineer/producer BJ Burton adopted the one-man band and helped harness the extraordinary might generated during these sessions. Among the moments captured on Libraries are Spector-esque walls of reckless sound, cavernous drums, middle-school percussion, and moody swells of stringed instruments, all decorated hastily with stray leads, which bleed beautifully all over everything.

The effective average of McLamb's madness and Burton's discipline rendered an album in the classic sense, in which no song is expendable and no passage is without purpose. With Libraries, McLamb transitioned from a guy who could write a good album to an individual who can maintain a good band. The sooner we listen, the sooner we may figure this whole love thing out.

Two years ago Stu played in a band called The Capulets with 3 members of what would later become THE LOVE LANGUAGE live band. Stu got drunk one night, broke into the Capulets practice space, trashed the joint, and broke his wrist in the process. The band booed Stu's antics and showed him the door. Stu then moved to Winston Salem with the "Lalita." "I had moved in with a girl I thought was the love of my life but felt absolutely miserable," reflects McLamb, adding "We had unhealthy tendencies like throwing beer bottles at the wall when we fought."

Fast forward 6 months. The walls are covered in beer bottle glass and the couple finally decides to call it quits. Stu celebrated the culmination of festering misery by pounding a fifth of Aristocrat and woke up in solitary confinement with his ankles and wrists bound.

Shocked by the shit you can land yourself in McLamb, moved in with his parents, lays off the drink, and worked hard at a local hotel. As he sobered, the songs started appearing. He rented a storage space, bought a cheap-ass bass, borrowed some drums and started recording the album - 4 track style. "I'd like to think of it as the audio equivalent of a handwritten letter to a pen pal with little handmade gifts inside...or something like that," says Stu of the recordings.

$10.00 - $12.00

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SOFT METALS / THE LOVE LANGUAGE with ▲0n

Friday, September 13 · Doors 7:30 PM / Show 8:00 PM at Pub Rock