Up Front Promotions presents
Bounce TV Music Festival: Maze featuring Frankie Beverly
Morris Day & the Time
731 Eastern Avenue
Baltimore, MD, 21202
Doors 5:30 PM / Show 7:00 PM
Watch & Listen
Maze featuring Frankie Beverly
Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. The distinctive Maze and its charismatic lead singer, founder, producer, and songwriter Beverly didn't have many pop hits, but they were extremely popular among soul and urban contemporary audiences and enjoyed at least six or seven gold albums. Beverly was born Howard Beverly in Philadelphia, PA, on December 6, 1946; he started calling himself Frankie after hearing Frankie Lymon & the Teenagers (a major doo wop group) when he was only nine years old in 1956. Before that, Beverly had been singing gospel in church, and it was Lymon who made him realize that he wanted to perform secular music. That isn't to say that Beverly's appreciation of gospel ever went away; the gospel influence remained when he was in his forties and fifties, but secular R&B would be his main focus. When Beverly was 12, he joined the Philly doo wop group the Silhouettes (who were known for their hit "Get a Job") and went on tour with them in 1959. Then, in the early '60s, he founded and led a short-lived doo wop/soul vocal group called the Blenders. After the Blenders' breakup, a 17-year-old Beverly founded another vocal group in 1963: the Butlers, who favored a Northern soul approach. The Butlers never became well-known nationally, although they did provide a few singles (including "The Sun's Message" and "She Tried to Kiss Me") and recorded for small, Philly based labels like Fairmount, Liberty Bell, and Guyden. The Butlers also recorded for Gamble Records, a small label that was named after producer/songwriter Kenny Gamble (who went on to co-own a huge R&B empire when he ran Philadelphia International Records with fellow Philadelphian Leon Huff in the '70s). It was in 1970 that Beverly founded the band that eventually came to be known as Maze Featuring Frankie Beverly. Originally, Maze went by Raw Soul; using that name, it recorded three singles for Philly's small Gregar label in the early '70s (one of which was a cover of bluesman Taj Mahal's "Today May Not Be Your Day"). Although Beverly was born and raised in Philly, he has been quoted as saying that he never thought of himself as part of the Philly sound, and while his band does have Philly influences, it didn't fit into either the Gamble & Huff/Philadelphia International school of Philly soul or the Thom Bell/Linda Creed school (which the Delfonics, the Moments, and the Stylistics were a part of). Further, Raw Soul's sound owed as much to Marvin Gaye and the Isley Brothers as it did to any of the soulsters who came out of Philly in the '60s or '70s.
Feeling out of place in his home town, Beverly moved Raw Soul to the San Francisco Bay Area in 1971. Raw Soul had been playing the San Francisco/Oakland scene for several years when Beverly's idol, Marvin Gaye, became aware of the band. Quite impressed by Beverly's singing and songwriting, Gaye sang Raw Soul's praises to Capitol and helped them land a deal with that major label in 1976. One thing Gaye didn't like about Beverly's band was the name Raw Soul. The late soul giant insisted on a name change and after considering a few other names (including Karma and Charisma), Raw Soul officially became Maze Featuring Frankie Beverly in 1976. (The name Karma wouldn't have worked because an obscure, L.A.-based funk/jazz outfit called Karma was recording for A&M around 1976-1977).
Maze's self-titled debut album was released by Capitol in 1977; that album (which contains the hits "Happy Feelin's," "While I'm Alone," and "Lady of Magic") went gold and earned Maze an extremely devoted following. The band's 1977 lineup consisted of Beverly on lead vocals and rhythm guitar, Wayne Thomas on lead guitar, Sam Porter on keyboards, Ronald "Roame" Loary and McKinley "Bug" Williams on percussion and background vocals, and Joe Provost on drums. In 1978, Provost was replaced by Ahaguna G. Sun, formerly of a little-known soul/funk group called Sunbear; subsequently, Sun was replaced by Billy "Shoes" Johnson. There were other personnel changes along the way; keyboardist Phillip Woo (formerly of Roy Ayers' band Ubiquity) joined Maze in 1980, and Ron Smith was the guitarist who replaced Thomas. But regardless of who was coming or going, Maze always reflected Beverly's vision -- Beverly was to Maze what George Clinton was to Parliament/Funkadelic. 1978 saw the release of Maze's second album, Golden Time of Day, which contains the number-nine R&B hit "Workin' Together." Golden Time of Day went gold, as did 1979's Inspiration and 1980's Joy and Pain (the album that gave us the major hit "Southern Girl"). In the late '70s, Maze earned a reputation for having one of the best live shows in R&B and their first live album, Live in New Orleans (a two-LP set), came out in 1981. Another live double-LP, Live in Los Angeles, was released in 1986, which was the year after Maze's funky "Back in Stride" reached number one on Billboard's R&B singles chart and became their biggest hit ever.
Morris Day & the Time
Born in Minneapolis, Day had a flair for fashion. Inspired by photographs of his grandpa in zoot suits, a true fashionista was formed! Day went to school with Prince Rogers Nelson and sang in Prince's first band Grand Central. Prince grew as an artist and so did the opportunity around him. The Time was originally created as Prince's alter-ego to be seen as the cool, street-wise funk band contrasting Prince's more soulful R&B sound. After looking at several lead vocalists, Prince wanted someone with mad talent so he cast his high school friend-- the funky, the fabulous Morris Day. Soon after, Morris Day and the Time were cast in Purple Rain which captured the exploding Minneapolis music scene at its peak.
Morris Day burst onto the public scene with the group's self-titled album, The Time, which included "Get It Up," "Cool," and "Girl." Soon after the world was introduced the prolific Minneapolis music marvel, the group went on to record three more albums, including What Time Is It? (featuring the hits "777-9311," "Wild and Loose," "Walk," and "Gigolos Get Lonely Too") and Ice Cream Castle, (which included the hit "Jungle Love"). After three albums Morris Day launched his solo career, releasing three albums: The Color of Success, Daydreaming, and Guaranteed. Combined sales of Morris Day's solo work and The Time is in excess of 10 million units.
"It was such an innocent time," Day reminisces. "We were just doing our thing, talking the way we talked and dressing the way we dressed. Bringing our personalities to the record. It was us being us. I'm proud of where I came from musically and the things we've done, but I'm here with another project. I'm looking forward to the ride again. That's what I'm focusing on now."
When asked, where have you been? Day smiles his smooth Cheshire (mischievous) grin. "I've been waiting for just the right time to launch a new project. I felt that Hip Hop has had such a strong hold on the industry the timing needed to be perfect. I've continued to record over 100 songs and to tour. With new artists sampling old-school music, my phone started ringing off the hook. I knew it was the right time."
Morris was performing for Southpark's 100th episode celebration to a private Hollywood crowd of industry insiders when manager Courtney Benson approached him backstage. "His performance was electrifying, and the audience reaction was phenomenal," says Benson (also manager to Hip Hop-Superstar Nelly). Benson brought Day to Hollywood Records where Morris met with label head Bob Cavallo and his team, and the deal was inked.
Most recently, Morris contributed a cover of Rockwell's "Somebody's Watching Me" for the Haunted Mansion soundtrack and gave an unforgettable performance in Kevin Smith's hit 2001 film, Jay and Silent Bob Strike Back, in which Day and the band served as a running plot device and performed a soaring "Jungle Love" finale. "Kevin said he'd written the script with us in mind," nods Day.
In his new album, Day combines classic old school sounds with new music featuring hot new artists. He delivers energetic vocals and witty lyrics, complimented by his trademark smooth-as-silk dance moves, all wrapped up in flashy, dapper fashions!
The time couldn't be any better for It's About Time.
Somebody bring the man a mirror- it's a brand new day.
$96 Gold Circle and Lower Pavilion, $86 Middle Pavilion, $62 Upper Pavilion, $35 Lawn
The majority of the tickets for this show will be sold through Ticketmaster. Sections 106, 110, 202 and 302 will be sold through this site.
Pier Six Pavilion
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